The Winter's Tale arrow Created with Sketch. Bibliography

A-C

  • Abartis, Caesarea. The Tragicomic Construction of Cymbeline and The Winter’s Tale. Salzburg, 1977.
  • Abbott, E[dwin] A. A Shakespearian Grammar. Rev. & enl. 1870. (Rpt. New York: Dover, 1966.)
  • Abrams, Richard H. Leontes’s Enemy: Madness in The Winter’s Tale. Aspects of Fantasy: Selected Essays from the Second International Conference on the Fantastic in Literature and Film. Ed. William Coyle. Westport, Conn., 1986. Pp. 155–62.
  • Adams, F. Winter’s Tale, [575–6.] 8 N&Q 2 (1892), 444.
  • Adams, F. Winter’s Tale, [2279–81.] 8 N&Q 5 (1894), 64.
  • Adams, Joseph Q. Greene’s Menaphon and The Thracian Wonder. MP 3 (1906), 1–9.
  • Adams, Joseph Q. A Life of William Shakespeare. Boston, 1923.
  • Adams, Joseph Q., ed. The Dramatic Records of Sir Henry Herbert. New Haven, 1917. (Rpt. New York: Blom, 1964.)
  • Adams, Robert M. Shakespeare: The Four Romances. New York, 1989.
  • Adamson, W. D. The Calumny Pattern in Shakespeare. REAL: The Yearbook of Research in English and American Literature 4 (1986), 35–66.
  • Adelman, Janet. The Common Liar: An Essay on Antony and Cleopatra. Yale Stud. in English 181. New Haven, 1973.
  • Albright, Evelyn M. Dramatic Publication in England, 1580–1640. New York & London, 1927.
  • Alden, Raymond M. Shakespeare Master Spirits of Lit. New York, 1922. (Rpt. New York: AMS, 1971.)
  • Alden, Raymond M. A Shakespeare Handbook. New York, 1925. (Rev. & enl. by Oscar James Campbell, 1932.)
  • Alexander, Marguerite. A Reader’s Guide to Shakespeare and his Contemporaries. London & New York, 1979.
  • Alexander, Peter. Shakespeare. OUP, 1964.
  • Alexander, Peter. Shakespeare’s Life and Art. 1938. (Rpt. London: James Nisbet, 1946.)
  • Alexander, Peter. Shakespeare’s Punctuation. Proceedings of the British Academy 31 (1945), 61–84.
  • Alexander, S. Art and Nature. BJRL 11 (1927), 256–72.
  • Allen, Don C. The Star-Crossed Renaissance. Durham, N.C., 1941. (Rpt. New York: Octagon, 1966, 1973.)
  • Allen, Percy. Names in The Winter’s Tale. TLS, 18 July 1936, p. 600.
  • Allen, Shirley S. Samuel Phelps and Sadler’s Wells Theatre. Middleton, Conn., [1971].
  • Allison, A[nthony] A. Robert Greene 1558–1592. A Bibliographical Catalogue . . . to 1640. 1975.
  • Almasy, Rudolph. Go Together You Precious Winners All: A Reading of Shakespeare’s The Winter’s Tale. WVUPP 27 (1981), 120–7.
  • Alter, Iska, & William B. Long. The Winter’s Tale. ShakB 3 (Nov./Dec. 1985), 21–2.
  • Amyot, Thomas (1775–1850). Contributor to col1.
  • Anders, H[enry R. D.]. Rev. of The Golden Asse of Lucius Apuleius . . . with an Introduction by E. B. Osborne. SJ 62 (1926), 172–3.
  • Anders, H[enry R. D.]. Shakespeare’s Books. Schriften der Deutschen Shakespeare-Gesellschaft 1. Berlin, 1904. (Rpt. New York: AMS, 1965.)
  • Anderson, John L. A Fifteenth Century Cookry Boke. New York, 1962.
  • Anderson, Mary. A Few Memories. New York, 1896.
  • Andreas, James R. Music Awake Her: Strike Tis Time: Generic Modulation in The Winter’s Tale. TPB 21 (1984), 24–5.
  • Andrews, Michael C. Sidney’s Arcadia and The Winter’s Tale. SQ 23 (1972), 200–2.
  • Anon. Contributor to cam1.
  • Anon. Contributor to cam2.
  • Anon. Contributor to dyce2.
  • Anon. Contributor to hal.
  • Anon. Contributor to mper.
  • Anon. Contributor to v1898.
  • Anon. Amadis of Fraunce, The Treasurie of. Tr. out of French [by T. Paynell]. [1572?].
  • Anon. Anonymous MS notes in F2 quoted in sing2.
  • Anon. The Backward Half-Look. TLS, 1 Nov. 1957, p. 656.
  • Anon. English Sculpture in English Literature. TLS, 18 July 1929, pp. 565–6.
  • Anon.. The Henry Irving Shakespeare. The Times. London. 5 Jan. 1891, 4.
  • Anon. Recent Editions of Shakspeare. The Edinburgh Review 81 (1845), 172–202.
  • Anon. Rev. of The Works of William Shakespeare, ed. William Aldis Wright, vol. 3. 7 N&Q 12 (1891), 160.
  • Anon. Shakespeare and Natural Phenomena. TLS, 13 Feb. 1930, p. 121.
  • Anon. Shakespeare, and the New Discovery. Fraser’s Mag. 47 (1853), 245–56.
  • Anon. Shakespeare’s Winter’s Tale. Gent. Mag. 72 (1802), 231–2.
  • Anon. Shakespeare Vindicated. Monthly Mag. 30 (1 Jan. 1811), 538.
  • Anon. The Thracian Wonder: A Comical History 1599(?). The Dramatic Works of John Webster. Ed. William Hazlitt. 4 vols. 1857 4:115–212.
  • Anon. The Trial of Chivalry. 1601(?). Three Centuries of Drama. Ed. Henry W. Wells. 1895. Pp. 124–41.
  • Ansari, A. A. The Mockery of Art in The Winter’s Tale. Aligarh Jour. of English Stud. 4 (1979), 124–41.
  • Apperson, G[eorge] L. English Proverbs and Proverbial Phrases. 1929.
  • Apperson, G[eorge] L. Some Shakespearian Names. Gent. Mag. 287 (1899), 278–83.
  • Arber, Edward, ed. A Transcript of the Registers of the Company of Stationers of London; 1554–1640 A.D. 5 vols. London & Birmingham, 1875–94. (Rpt. Gloucester, Mass.: Peter Smith, 1967.)
  • Archer, William. Play-Making: A Manual of Craftsmanship. 1912. (Rpt. New York: Dover, 1960.)
  • Archer, William. The Winter’s Tale. Nineteenth Century 22 (1887), 511–21.
  • Armstrong, Cecil F. Shakespeare to Shaw 1913. (Rpt. New York: AMS, 1969.)
  • Armstrong, Edward A. Shakespeare’s Imagination: A Study of the Psychology of Association and Inspiration. 1946. (New ed. Lincoln, Nebr., 1963.)
  • Armstrong, John H. S. The Paradise Myth. OUP, 1969.
  • Arnold, Paul. Esotérisme du Conte d’Hiver. MdF 318 (1953), 494–512.
  • Aronson, Alex. Psyche & Symbol in Shakespeare. Bloomington, Ind., 1972.
  • Arrowsmith, W. R. Notes on Several Misunderstood Words. 1 N&Q 7 (1853), 566–8.
  • Arthos, John. The Art of Shakespeare. New York, 1964. (Rpt. Norwood, Pa.: Norwood, 1974.)
  • Arthos, John. Shakespeare and the Ancient World. Michigan Quarterly Review 10 (1971), 149–63.
  • Asp, Caroline. Shakespeare’s Paulina and the Consolatio Tradition. ShakS 11 (1978), 145–58.
  • As You Like It [pseud. John Loveday?]. Original Observations and Conjectures on Shakespear. Gent. Mag. 59 (1789), 710–13.
  • Auden, W[ystan] H. The Alienated City: Reflections on Othello. Encounter 17 (Aug. 1961), 3–14.
  • Auden, W[ystan] H. Music in Shakespeare: Its Dramatic Use in His Plays. Encounter 9 (Dec. 1957), 31–44 (Rpt. in The Dyer’s Hand and Other Essays, ed. Auden, New York, 1962, pp. 500–27 and in Shakespeare Criticism 1935–60, ed. Anne Ridler, OUP, 1963, pp. 306–28.
  • Avery, Emmett L. See The London Stage 1660–1800.
  • Awdeley, John. The Fraternitye of Vacabondes. 1575. (RSTC 993. 2nd ed. 1575, RSTC 994, rpt. in The Rogues and Vagabonds of Shakspere’s Youth, ed. Edward Viles & F. J. Furnivall, 1869 and 1880.)
  • Aydelotte, Frank. Elizabethan Rogues and Vagabonds. Oxford Historical & Literary Stud. Vol. 1. Oxford, 1913.
  • Babb, Lawrence. The Elizabethan Malady. East Lansing, Mich., 1951.
  • Bagehot, Walter. Shakespeare—The Man (1853). Literary Studies Introd. George Sampson. Vol. 1. N.d. Pp. 112–53.
  • Bailey, N[athan]. An Universal Etymological English Dictionary. 1721. (Rpt. Hildesheim: Olms, 1969.)
  • Bailey, Samuel. On the Received Text of Shakespeare’s Dramatic Writings and Its Improvement. 2 vols. 1862–6.
  • Baker, Herschel, ed. Four Essays on Romance. Cambridge, Mass., 1971.
  • Baker, Herschel. John Philip Kemble: The Actor in His Theatre. Cambridge, Mass., 1942.
  • Bald, R. C. Assembled Texts. 4 Library 12 (1931–2), 243–8.
  • Bald, R. C. Shakespeare on the Stage in Restoration Dublin. PMLA 56 (1941), 369–78.
  • Baldwin, T[homas] W. On Act and Scene Division in the Shakespeare First Folio. Carbondale & Edwardsville, Ill., 1965.
  • Baldwin, T[homas] W. The Organization and Personnel of the Shakespearean Company. Princeton, 1927. (Rpt. New York: Russell & Russell, 1961.)
  • Baldwin, T[homas] W. William Shakspere’s Petty School. Urbana, 1943.
  • Baldwin, T[homas] W. William Shakspere’s Small Latine & Lesse Greeke. 2 vols. Urbana, 1944.
  • Bamber, Linda. Comic Women, Tragic Men. Stanford, 1982.
  • Barber, Cesar L. Shakespeare’s Festive Comedy. Princeton, 1959.
  • Barber, Cesar L. Thou that beget’st him that did thee beget: Transformation in Pericles and The Winter’s Tale. ShS 22 (1969), 59–67.
  • Barber, Cesar L., & Richard P. Wheeler. The Whole Journey: Shakespeare’s Power of Development. Berkeley, [1986].
  • Barber, Charles. Early Modern English. London, 1976.
  • Barber, Charles. The Theme of Honour’s Tongue. Gothenburg Stud. in English 58. Göteborg, 1985.
  • Barber, Charles. The Winter’s Tale and Jacobean Society. Shakespeare in a Changing World. Ed. Arnold Kettle. New York, 1964. Pp. 233–52.
  • [Barclay, James]. An Examination of Mr. Kenrick’s Review of Mr. Johnson’s Edition of Shakespeare. 1766.
  • Baret [Barrett], John. An Alvearie or Quadruple Dictionarie. 1580.
  • Barkan, Leonard. The Gods Made Flesh. New Haven, 1986.
  • Barkan, Leonard. Living Sculptures: Ovid, Michelangelo, and The Winter’s Tale. ELH 48 (1981), 639–67.
  • Barrington, Daines. Observations on the More Ancient Statutes. 5th ed. 1796. (1st ed. 1766.)
  • Barry, H[enry?], Rev. (b. 1781 or 1782). Contributor to col1.
  • Bartholomaeus Anglicus. Batman vppon Bartholome. 1582.
  • Bartholomeusz, Dennis. The Winter’s Tale in Performance in England and America 1611–1976. Cambridge, 1982.
  • Barton, Anne. Enter Mariners, Wet: Realism in Shakespeare’s Last Plays. Realism in European Literature. Ed. Nicholas Boyle, Martin Swales, & Richard Brinkmann. Cambridge, 1986. Pp. 28–49.
  • Barton, Anne. Leontes and the Spider: Language and Speaker in Shakespeare’s Last Plays. Shakespeare’s Styles: Essays in Honour of Kenneth Muir. Ed. Philip Edwards et al. Cambridge, 1980. Pp. 131–50. (Rpt. in William Shakespeare’s The Winter’s Tale, ed. Harold Bloom. New York, 1987.
  • Barton, Anne. The Names of Comedy. Toronto, 1990.
  • Barton, Anne. See Righter, Anne.
  • Barton, Dunbar P. Shakespeare and the Law. Boston, 1929. (Pub. in England as Links between Shakespeare and the Law, 1929; rpt. New York: Blom, 1971.)
  • Baskerville, Charles R. The Elizabethan Jig and Related Song Drama. Chicago, 1929. (Rpt. New York: Dover, 1965.)
  • Bass, Eben. The Winter’s Tale: Great Difference betwixt Bohemia and Sicilia. MSE 6 (1977), 15–24.
  • Bate, Jonathan. Shakespeare and Ovid. OUP, 1993.
  • Bateson, F. W. How Old Was Leontes? Essays and Studies NS 31 (1978), 65–74.
  • Bather, F. A. The Puns of Shakspeare. Winchester College Shakspere Society. Noctes Shaksperianæ. Ed. Charles H. Hawkins. Winchester & London, 1887. Pp. 69–91.
  • [Bathurst, Charles.] Remarks on the Differences in Shakespeare’s Versification in Different Periods of his Life. 1857.
  • Battenhouse, Roy. Theme and Structure in The Winter’s Tale. ShS 33 (1980), 123–38.
  • Baughan, Denver E. Shakespeare’s Probable Confusion of the Two Romanos. JEGP 36 (1937), 35–9.
  • Baum, Paull F. The Young Man Betrothed to a Statue. PMLA 34 (1919), 523–79.
  • Bayfield, M[atthew] A. A Study of Shakespeare’s Versification. Cambridge, 1920. (Rpt. Folcroft, Pa.: Folcroft, 1970.)
  • Bayne, Ronald. Religion. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 1:48–78.
  • Baynes, T[homas] S. Shakespeare Studies. 1894. (Rpt. New York: AMS, 1972.)
  • Becket, Andrew. Shakspeare’s Himself Again. 2 vols. 1815.
  • Beisly, Sidney. Shakspere’s Garden. 1864.
  • Bellette, A. F. Truth and Utterance in The Winter’s Tale. ShS 31 (1978), 65–75.
  • Bentley, Gerald Eades. The Jacobean and Caroline Stage. 7 vols. OUP, 1941–68.
  • Bentley, Gerald Eades. Shakespeare and His Theatre. Lincoln, Nebr., 1964.
  • Bentley, Gerald Eades. Shakespeare and the Blackfriars Theatre. ShS 1 (1948), 38–50.
  • Berek, Peter. As We Are Mock’d with Art: From Scorn to Transfiguration. SEL 18 (1978), 289–305.
  • Berger, Thomas L., & William C. Bradford, Jr. An Index of Characters in English Printed Drama to the Restoration. Englewood, Col., 1975.
  • Bergeron, David M. Hermione’s Trial in The Winter’s Tale. EiT 3 (1984), 3–12.
  • Bergeron, David M. The Restoration of Hermione in The Winter’s Tale. Shakespeare’s Romances Reconsidered. Ed. Carol McG. Kay & Henry E. Jacobs. Lincoln, Nebr., 1978. Pp. 125–33.
  • Bergeron, David M. Shakespeare’s Romances and the Royal Family. Lawrence, Kan., 1985.
  • Berggren, Paula S. From a God to a Bull: Shakespeare’s Slumming Jove. CML 5 (1985), 277–91.
  • Berggren, Paula S. The Woman’s Part: Female Sexuality as Power in Shakespeare’s Plays. The Woman’s Part. Ed. Carolyn R. S. Lenz, Gayle Greene, & Carol T. Neely. Urbana, 1980. Pp. 17–34.
  • Berkeley, David S. Blood Will Tell in Shakespeare’s Plays. Lubbock, Tex., 1984.
  • Berkeley, David S., & Zahra Karimipour. Blood-Consciousness as a Theme in The Winter’s Tale. EIRC 11 (1985), 89–98.
  • Berkenhout, John. [Thirty-fourth letter to his son.] Shakespeare. St. James’s Chronicle No. 4622 (2–4 Dec. 1790), 2.
  • Bernard, John D. The Pastoral Vision of The Winter’s Tale. ISJR 53 (1979), 219–25.
  • Berry, Francis. Poets’ Grammar. 1958.
  • Berry, Francis. The Shakespeare Inset: Word and Picture. 1965.
  • Berry, Ralph. Interview with Sir Peter Hall. On Directing Shakespeare. New York, 1977. Pp. 208–16. (2nd ed. 1989.)
  • Berry, Ralph. Shakespeare and Social Class. 1988.
  • Berry, Ralph. The Shakespearean Metaphor. 1978.
  • Berry, Ralph. Shakespearean Structures. 1981.
  • Berry, Ralph. Stratford Festival Canada. SQ 30 (1979), 167–75.
  • Bertram, Paul B. White Spaces in Shakespeare. Cleveland, 1981.
  • Bethell, S[amuel] L. Shakespeare & the Popular Dramatic Tradition. 1944. (Rpt. 1970.)
  • Bethell, S[amuel] L. The Winter’s Tale: A Study. [1947.] (Rpt. Folcroft, Pa.: Folcroft, 1974.)
  • Bevan, Elinor. Revenge, Forgiveness, and the Gentleman. REL 8, No. 3 (1967), 55–69.
  • Bevington, David. Action Is Eloquence. Cambridge, Mass., 1984.
  • Bevington, David. Shakespeare’s Professional Career: Poet and Playwright. William Shakespeare: His World, His Work, His Influence. Ed. John F. Andrews. 3 vols. New York, 1985. 2:309–29.
  • Biggens, Dennis. Exit pursued by a Beare: A Problem in The Winter’s Tale. SQ 13 (1962), 3–13.
  • Biggs, Murray. The Winter’s Tale. ShakB 6 (Mar./Apr. 1988), 19–20.
  • Birch, William J. An Inquiry into the Philosophy and Religion of Shakspere. 1848. (Rpt. New York: AMS, 1972.)
  • Biswas, D[inesh] C. Shakespeare in His Own Time. Delhi, 1979.
  • Biswas, D[inesh] C. Shakespeare’s Treatment of His Sources in the Comedies. Calcutta, 1971.
  • Black, Ladbroke. The Love Letters of Henry the Eighth. 1933.
  • Blackstone, William (1783–80). Contributor to mal, v1785.
  • Blades, William. Shakspere and Typography. 1872. (Rpt. New York: AMS, 1971.)
  • Blake, N[orman] F. Shakespeare’s Language: An Introduction. 1983.
  • Bland, D. S. The Heroine and the Sea: An Aspect of Shakespeare’s Last Plays. EIC 3 (1953), 39–44.
  • Blissett, William. This Wide Gap of Time: The Winter’s Tale. ELR 1 (1971), 52–70.
  • B[lount], T[homas]. Glossographia. 1656. (Rpt. Menston: Scolar, 1969.)
  • Bluestone, Max. From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and his Contemporaries. The Hague & Paris, 1974.
  • Boaden, James, ed. Memoirs of the Life of John Philip Kemble, Esq. 2 vols. 1825.
  • Boas, Felix. Der Sturm und das Wintermärchen, zwei Shakespeare’sche Dramen, in ihrer symbolischen Bedeutung. Stettin, 1882.
  • Boas, Frederick S. Shakspere and his Predecessors. 1896.
  • Boas, Guy. Exit Antigonus. Drama NS 70 (Autumn 1963), 34–5.
  • Bolte, Johannes. Eine holländische Uebersetzung von Shakespeare’s Taming of the Shrew vom Jahre 1654. SJ 26 (1891), 78–86.
  • Bolte, Johannes. Zur Schlussscene des Wintermärchens. SJ 26 (1891), 87–90.
  • Bonjour, Adrien. The Final Scene of The Winter’s Tale. ES 33 (1952), 193–208.
  • Bonjour, Adrien. Polixenes and the Winter of his Discontent. ES 50 (1969), 206–12.
  • Bontoux, Germaine. La Chanson en Angleterre au Temps d’Elisabeth. OUP, 1936.
  • Boodle, R. W. The Theory of the Classical and Shakespearian Dramas. Shakespeariana 2 (1885), 313–20.
  • Boodle, R. W. The Winter’s Tale [744]. Shakespeariana 2 (1885), 42, 260–1.
  • Boose, Lynda E. The Father and the Bride in Shakespeare. PMLA 97 (1982), 325–47.
  • Booth, Stephen. Exit, Pursued by a Gentleman Born. Shakespeare’s Art from a Comparative Perspective. Ed. Wendell M. Aycock. PCLS 12 (1981), 51–66.
  • Booth, Stephen. Speculations on Doubling in Shakespeare’s Plays. Shakespeare: The Theatrical Dimension. Ed. Philip C. McGuire & David A. Samuelson. New York, 1979. Pp. 103–31.
  • Booth, Stephen, ed. Shakespeare’s Sonnets. New Haven, 1977.
  • Borinski, Ludwig. Shakespeare’s Comic Prose. ShS 8 (1955), 57–68.
  • Boutroux, Émile. L’Art et la Nature, dans Shakespeare et dans Bacon. A Book of Homage to Shakespeare. Ed. Israel Gollancz. OUP, 1916. Pp. 383–6.
  • Bowden, Henry S. The Religion of Shakespeare. Chiefly from the Writings of the Late Mr. Richard Simpson. 1899.
  • Bowers, J. L. The Romances. Shakespeare at 400. Cape Town, 1965. Pp. 42–63.
  • Bowers, R. H. Autolycus in 1636. SQ 11 (1960), 88–9.
  • Boyle, R. Shakespeares Wintermärchen und Sturm. St. Petersburg, 1885.
  • Bradbrook, M[uriel] C. Dramatic Romance as an Open Form in The Winter’s Tale. De Shakespeare à T. S. Eliot: Mélanges Offert à Henri Fluchère. Paris, 1976. Pp. 81–92. (Partly duplicates Open Form in The Winter’s Tale, The Living Monument, 1976, pp. 206–14.)
  • Bradbrook, M[uriel] C. Elizabethan Stage Conditions: A Study of Their Place in the Interpretation of Shakespeare’s Plays. Cambridge, 1932. (Rpt. Cambridge: CUP, 1968.)
  • Bradbrook, M[uriel] C. The Living Monument: Shakespeare and the Theatre of His Time. Cambridge, 1976.
  • Bradford, William C. See Berger, Thomas L.
  • Bradley, Henry. Shakespeare’s English. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 2:539–74.
  • Brailow, David S. The Winter’s Tale. ShakB 13 (Spring 1995), 14–15.
  • Brainerd, B. The Chronology of Shakespeare’s Plays: A Statistical Study. Computers and the Humanities 14 (1980), 221–30.
  • Brand, John. See Hazlitt, W[illiam] Carew.
  • Brandes, George. William Shakespeare: A Critical Study. Tr. William Archer et al. 2 vols. 1898. (Ger. ed. 1896.)
  • Brereton, J. LeGay. The Relation of The Thracian Wonder to Greene’s Menaphon. MLR 2 (1907), 34–8.
  • Bridge, [J.] Frederick. Shakespearean Music in the Plays and Early Operas. 1923. (Rpt. New York: Haskell House, 1965.)
  • Bridge, [J.] Frederick. Songs from Shakespeare. [1899?].
  • Bridges, Robert [S.]. On the Influence of the Audience. The Works of William Shakespeare. Ed. A. H. Bullen. 10 vols. 1904–7. 10 (1907): 321–34. (Rpt. as The Influence of the Audience; Considerations Preliminary to the Psychological Analysis of Shakespeare’s Characters, New York, 1926, and as The Influence of the Audience on Shakespeare’s Drama, Collected Essays Papers &c. of Robert Bridges, vol. 1, OUP, 1927.)
  • Briley, John. Of Stake and Stage. ShS 8 (1955), 106–8.
  • Brink, Bernhard ten. Five Lectures on Shakespeare. Tr. Julia Franklin. New York, 1895.
  • Brissenden, Alan. Shakespeare and the Dance. Atlantic Highlands, N.J., 1981.
  • Brockbank, J. P[hilip]. Shakespeare and the Fashion of These Times. ShS 16 (1963), 30–41.
  • Brockbank, J. P[hilip]. The Tempest: Conventions of Art and Empire. Later Shakespeare. Ed. John Russell Brown & Bernard Harris. Stratford-upon-Avon Stud. 8. 1966. Pp. 183–201.
  • Brook, G[eorge] L. The Language of Shakespeare. 1976.
  • Brooke, C[harles] F. Tucker, ed. The Shakespeare Songs. 1929.
  • Brooke, Stopford A. On Ten Plays of Shakespeare. 4th Impression. 1913. (1st impression 1905.)
  • Brooks, Harold F. (1907–90). Contributor to ard2.
  • Brown, John Russell. Laughter in the Last Plays. Later Shakespeare. Stratford-upon-Avon Stud. 8. Ed. John Russell Brown & Bernard Harris. 1966. Pp. 103–25.
  • Brown, John Russell. Shakespeare and His Comedies. 2nd ed. 1962. (Rpt. Methuen 1968. 1st ed. 1957.)
  • Brown, John Russell. Shakespeare’s Plays in Performance. New York, 1967. (Eng. ed. 1966.)
  • Brown, Norman O. Hermes the Thief: The Evolution of a Myth. Madison, 1947.
  • Browne, C. Elliot. Notes on Shakespeare’s Names. II. Athenæum No. 2544 (29 July 1876), 147–8.
  • Browne, William (?) S. (b. 1829). Contributor to cam2.
  • Bryant, J. A., Jr. Shakespeare’s Allegory: The Winter’s Tale. SR 63 (1955), 202–22. (Rpt. in Hippolyta’s View, Lexington, Ky., 1961, pp. 207–25.)
  • Bryant, Jerry H. The Winter’s Tale and the Pastoral Tradition. SQ 14 (1963), 387–98.
  • Bucknill, John C. The Medical Knowledge of Shakespeare. 1860. (Rpt. New York: AMS, 1971.)
  • Buland, Mable. Presentation of Time in the Elizabethan Drama. New York, 1912. (Rpt. New York: Haskell House, 1966.)
  • Bullard, J. E., & W. M. Fox. The Winter’s Tale. TLS, 14 Mar. 1952, p. 189.
  • Bulloch, John. Studies on the Text of Shakespeare: With Numerous Emendations. 1878. (Rpt. New York: AMS, 1972.)
  • B[ullokar], J[ohn]. An English Expositor. 1616. (Rpt. Menston: Scolar, 1969.)
  • Bullough, Geoffrey, ed. Narrative and Dramatic Sources of Shakespeare. 8 vols. 1961–75. Vol. 8: Romances. 1975.
  • Bulthaupt, Heinrich. Shakespeare. Vol. 2 of Dramaturgie des Schauspiels. 4 vols. Oldenburgh, 1903.
  • Bulwer, John. Chirologia. 1644.
  • Burchfield, Robert. The Bare Infinitive in The Winter’s Tale. Shakespeare: Text, Language, Criticism. Ed. Bernhard Fabian & Kurt Tetzeli von Rosador. Hildesheim, 1987.
  • Burney, Charles. A General History of Music. Ed. Frank Mercer. 2 vols. 1935. (Rpt. New York: Dover, 1957. 1st ed.4 vols. 1776–89.)
  • Burton, H[arry] M. Shakespeare and His Plays. New York, 1958.
  • Burton, Julie. Folktale, Romance, and Shakespeare. Studies in Medieval English Romances: Some New Approaches. Ed. Derek Brewer. Woodbridge, 1988. Pp. 176–97.
  • Burton, Philip. The Sole Voice: Character Portraits from Shakespeare. New York, 1970.
  • Burton, Robert. The Anatomy of Melancholy. 1628. Ed. Thomas C. Faulkner, Nicholas K. Kiessling, & Rhonda L. Blair. 2 vols. Oxford, 1989–90.
  • Bush, Geoffrey. Shakespeare and the Natural Condition. Cambridge, Mass., 1956.
  • Byles, Joan M. The Winter’s Tale, Othello, and Troilus and Cressida: Narcissism and Sexual Betrayal. AI 36 (1979), 80–93.
  • C., A. (poss. Anthony Chamier, 1725–80). Contributor to mal.
  • C., P. A. [sic]. A Study of Shakespeare’s Winter’s Tale: Considered in Connection with Greene’s Pandosto and the Alkestis of Euripides. Poet Lore 4 (1892), 516–21. (Rpt. with slight revisions as by Charlotte Porter & Helen A. Clarke in Poet Lore 14 [1903], 132–7.)
  • Cairncross, Andrew S. Compositors E and F of the Shakespeare First Folio. PBSA 66 (1972), 369–406.
  • Caldecott, Harry S. Spoils: Studies in Shakespeare. Rev. & enl. ed. N.p., [1891].
  • Calder-Marshall, Anna. The Winter’s Tale. Shakespeare in Perspective. Vol. 1. Ed. Roger Sales. 1982. Pp. 241–9.
  • Calderwood, James L. Shakespeare & the Denial of Death. Amherst, 1987.
  • Caldwell, Ellen M. Animating Word and Spectacle in the Masque Scenes of The Winter’s Tale. ISJR 58 (1984), 281–8.
  • Camden, Carroll. The Elizabethan Woman. Houston, 1952. (Rev. ed. Mamaroneck, N. Y., 1975.)
  • Campbell, John. Shakespeare’s Legal Acquirements Considered. 1859.
  • Campbell, Oscar J. See Alden, Raymond M.
  • Campos, Christophe. Tales of Two Winters: Shakespeare in London and Paris. Franco-British Studies 10 (Autumn 1990), 35–53.
  • Canfield, J. Douglas. Word as Bond in English Literature from the Middle Ages to the Restoration. Philadelphia, 1989.
  • Capell, Edward. Notes and Various Readings to Shakespeare. 3 vols. 1783. (Vol. 1, pt. 1 issued separately 1774. Rpt. 3 vols. New York: Burt Franklin, 1970.)
  • Caro, J. Die historischen Elemente in Shakspeare’s Sturm und Wintermährchen. ESn 2 (1879), 141–85.
  • Carrington, Norman T. Shakespeare: The Winter’s Tale. Notes on Chosen English Texts Ser. [1956.]
  • [Carruthers, Miss.] Flower Lore. Belfast, 1879. (Rpt. Detroit: Singing Tree, 1972.)
  • Cartwright, Robert. New Readings in Shakspere; or, Proposed Emendations of the Text. 1866.
  • Castelain, Maurice. Shakespeare et Ben Jonson. Revue Germanique 3 (1907), 21–65, 133–80.
  • Castrop, Helmut. Romanze, Tragikomödie und Satyrspiel in The Winter’s Tale. SJH 1987. Ed. Werner Habicht, Jorg Hasler, & Kurt Tetzeli von Rosador. Bochum, 1987. Pp. 57–77.
  • Caulfield, John. A Collection of the Vocal Music in Shakespeare’s Plays. 2 vols. [1864?].
  • Cavell, Stanley. Disowning Knowledge in Six Plays of Shakespeare. Cambridge, 1987.
  • [Cawdrey, Robert.] A Table Alphabeticall, Conteyning . . . Hard Vsuall English Wordes. 1604. (Rpt. Gainesville, Fla.: Scholars’ Facsimiles & Reprints, 1966.)
  • Cazamian, Louis. The Development of English Humor, Parts I and II. New York, 1965. (Part I first pub. New York, 1931; rpt. 1951. Part II first pub. Durham, N.C., 1952.)
  • Cazamian, Louis. L’Humour de Shakespeare. Paris, [1945].
  • Cercignani, Fausto. Shakespeare’s Works and Elizabethan Pronunciation. OUP, 1981.
  • Chalmers, George. An Apology for the Believers in the Shakspeare-Papers. 1797. (Rpt. New York: Kelley, 1971.)
  • Chalmers, George. A Supplemental Apology for the Believers in the Shakspeare-Papers. 1799. (Rpt. New York: Kelley, 1971.)
  • Chambers, E[dmund] K. The Elizabethan Stage. 4 vols. OUP, 1923. (Rpt. with corrections 1945, 1951, 1961, & 1974.
  • Chambers, E[dmund] K. The Medieval Stage. 2 vols. OUP, 1903.
  • Chambers, E[dmund] K. Shakespeare: A Survey. 1925. (First pub. in Red Letter Sh., 1904–8.)
  • Chambers, E[dmund] K. Shakespeare. The Year’s Work in English Studies: Vol. VII: 1926. 1928, Pp. 117–34.
  • Chambers, E[dmund] K. William Shakespeare: A Study of Facts and Problems. 2 vols. OUP, 1930.
  • Chambers, H[erbert] A., ed. A Shakespeare Song Book. [1957.]
  • Chambers, R. W. Some Sequences of Thought in Shakespeare and in the 147 Lines of Sir Thomas More. MLR 26 (1931), 251–80.
  • Chamier, Antony (1725–80). Contributor to john.
  • Champion, Larry S. The Evolution of Shakespeare’s Comedy: A Study in Dramatic Perspective. Cambridge, Mass., 1970.
  • Champion, Larry S. The Perspective of Comedy in The Winter’s Tale. CE 32 (1971), 428–47.
  • Chandler, Frank W. The Literature of Roguery. 2 vols. Boston, 1907.
  • Chappell, W[illiam]. The Ballad Literature and Popular Music of the Olden Time. 2 vols. 1859. (First pub. 17 parts, 1855–9. Rpt., introd. F. W. Sternfeld, New York: Dover, 1965.)
  • Chappell, W[illiam]. A Collection of National English Airs. 2 vols. 1838–40.
  • Chappell, W[illiam]. See Wooldridge, H. Ellis.
  • Charbonneau-Lassay, Louis. The Bestiary of Christ. Tr. D. M. Dooling. New York, 1991.
  • Charlton, H[enry] B. Shakespeare’s Comedies: The Consummation. BJRL 21 (1937), 323–51.
  • Charlton, H[enry] B. Shakespearian Comedy. 1938.
  • Charnock, R. S. The Winter’s Tale [755]. 5 N&Q 3 (1875), 303–4.
  • Chedworth, John [4th baron]. Notes upon Some of the Obscure Passages in Shakespeare’s Plays. 1805.
  • Chew, Samuel C. Time and Fortune. ELH 6 (1939), 83–113.
  • Chew, Samuel C. The Virtues Reconciled: An Iconographic Study. Toronto, 1947.
  • Childress, D. T. Are Shakespeare’s Late Plays Really Romances? Shakespeare’s Late Plays: Essays in Honor of Charles Crow. Ed. Richard C. Tobias & Paul G. Zolbrod. Athens, Ohio, 1974. Pp. 44–55.
  • Chittenden, Fred J., & Patrick M. Synge, eds. The Royal Horticultural Society Dictionary of Gardening. 2nd ed. 5 vols. Oxford, 1965–9.
  • Clapp, Henry A. Time in Shakespeare’s Comedies. Atlantic Monthly 55 (1885), 386–403.
  • Clark, Cumberland. The Eternal Shakespeare. 1930.
  • Clark, Cumberland. Shakespeare and Home Life. 1935.
  • Clark, Cumberland. Shakespeare and Psychology. 1936.
  • Clarke, Charles Cowden. Shakespeare-Characters; Chiefly Those Subordinate. 1863.
  • Clarke, Charles Cowden, & Mary Cowden Clarke. The Shakespeare Key. 1879. (Rpt. New York: Ungar n.d..)
  • Clarkson, Paul S., & Clyde T. Warren. The Law of Property in Shakespeare and the Elizabethan Drama. Rev. ed. New York, 1968. (1st ed. Baltimore, 1942.)
  • Clemen, Wolfgang. The Development of Shakespeare’s Imagery. 1951. (1st Ger. ed. Bonn, 1936.)
  • Clubb, Louise G. The Tragicomic Bear. CLS 9 (1972), 17–30.
  • Cochrane, Claire. The Winter’s Tale. CahiersE 32 (Oct. 1987), 90–1.
  • C[ockeram], H[enry]. The English Dictionarie. 1623. (Rpt. Menston: Scolar, 1968.)
  • Coggins, Gordon. Greene’s Pandosto: A Ghost of 1584. 6 Library 2 (1980), 448–56.
  • Coghill, Nevill. Macbeth at the Globe, 1606–1616 (?): Three Questions. The Triple Bond: Plays, Mainly Shakespearean, in Performance. Ed. Joseph G. Price. University Park, Pa., 1975. Pp. 223–39.
  • Coghill, Nevill. Six Points of Stage-craft in The Winter’s Tale. ShS 11 (1958), 31–41.
  • Cohen, Derek. Patriarchy and Jealousy in Othello and The Winter’s Tale. MLQ 48 (1987), 207–23.
  • Cohen, Walter. Shakespeare and Calderón in an Age of Transition. Genre 15 (1982), 123–37. (Also pub. in The Power of Forms in the English Renaissance, ed. Stephen Greenblatt, Norman, Ok., 1982, pp. 123–37.)
  • Coleridge, Hartley. Essays and Marginalia. Ed. Derwent Coleridge. 2 vols. 1851.
  • Coleridge, Samuel Taylor. Coleridge’s Criticism of Shakespeare. Ed. R[eginald] A. Foakes. Detroit, 1989.
  • Coleridge, Samuel Taylor. Coleridge’s Shakespearean Criticism. Ed. Thomas M. Raysor. 2 vols. Rev. ed. London & New York, 1960. (1st ed. 1930.)
  • Coleridge, Samuel Taylor. Seven Lectures on Shakespeare and Milton. Introd. J. Payne Collier. 1856.
  • Coles, E[lisha]. An English Dictionary. 1676. (Rpt. Menston: Scolar, 1971.)
  • Colie, Rosalie L. Shakespeare’s Living Art. Princeton, 1974.
  • Colley, Scott. Leontes’ Search for Wisdom in The Winter’s Tale. SoAR 48 (1983), 43–53.
  • Collier, J[ohn] Payne. New Particulars Regarding the Works of Shakespeare. 1836. (Rpt. New York: AMS, 1973.)
  • Collier, J. Payne. Notes and Emendations to the Text of Shakespeare’s Plays, from Early Manuscript Corrections in a Copy of the Folio, 1632. 2nd ed., Rev. & enl. 1853. (1st ed. 1852. Rpt. New York, 1853; New York: Burt Franklin, 1970.)
  • Collier, J[ohn] Payne. Reasons for a New Edition of Shakespeare’s Works. 1841. (2nd, enl., ed. 1842; rpt. New York: AMS, 1973.)
  • Collier, J[ohn] Payne, ed. Illustrations of Old English Literature. 3 vols. 1866. (Rpt. New York: Blom, 1966.)
  • Collier, J[ohn] Payne, ed. Shakespeare’s Library. 2 vols. [1843]. (2nd ed. rev. William Carew Hazlitt, 6 vols. 1875.)
  • Collins, David G. The Function of Art in Shakespeare’s The Winter’s Tale. BSUF 23 (1982), 55–9.
  • Collins, J[ohn] Churton. Shakespeare as a Prose Writer. Gent. Mag. 249 (1880), 735–47.
  • Colman, E[rnest] A. M. The Dramatic Use of Bawdy in Shakespeare. 1974.
  • Cook, Ann Jennalie. Making a Match: Courtship in Shakespeare and his Society. Princeton, 1991.
  • Cook, Judith. Women in Shakespeare. 1980.
  • Cook, Phyllis. William Shakspere, Botanist. ShAB 15 (1940), 149–65.
  • Cooper, Helen. Pastoral: Medieval into Renaissance. Ipswich, Eng., 1977.
  • Cooper, Lane. The Poetics of Aristotle: Its Meaning and Influence. Ithaca, N.Y., 1923. (Reissued 1956.)
  • Cooper, Thomas. Dictionarivm historicum & poeticum propria locorum & personarum vocabula breuiter complectens. Appended to Thesavrvs Lingvae Romanæ & Britannicæ. 1565. (Rpt. Menston: Scolar, 1969.)
  • Cornish, James. Clamour your Tongues, [WT 2071]. 1 N&Q 6 (1852), 312.
  • Cornwall, Barry. See Procter, Bryan Waller.
  • Corson, Hiram. An Introduction to the Study of Shakespeare. Boston, 1889.
  • Corson, Hiram. Shakespeariana. The Cornell Rev. 3 (1876), 281–2.
  • Cosgrove, Brian. The Winter’s Tale and the Limits of Criticism. Studies: An Irish Quarterly Rev. 66 (1977), 176–87.
  • Cotgrave, Randle. A Dictionarie of the French and English Tongves. 1611. (Rpt. Menston: Scolar, 1968.)
  • Cottrell, Beekman W. The Winter’s Tale. Lovers’ Meeting: Discussions of Five Plays by Shakespeare. Carnegie Ser. in Eng. 8. Pittsburgh, 1964. Pp. 69–82.
  • Cowling, G[eorge] H. Music on the Shakespearian Stage. Cambridge, 1913. (Rpt. New York: Russell & Russell, 1964.)
  • Cowling, G[eorge] H. Shakespeare and the Elizabethan Stage. A Series of Papers on Shakespeare and the Theatre . . . By Members of the Shakespeare Association. 1927. Pp. 157–85. (Paper read 29 Oct. 1926.)
  • Cox, Lee S. The Role of Autolycus in The Winter’s Tale. SEL 9 (1969), 283–301.
  • Craig, Hardin. The Enchanted Glass. OUP, 1936.
  • Craig, Hardin. An Interpretation of Shakespeare. Columbia, Mo., 1948.
  • Craig, Hardin. Shakespeare: A Historical and Critical Study. Chicago, 1931.
  • Craig, Hardin. Shakespeare and Wilson’s Arte of Rhetorique, an Inquiry into the Criteria for Determining Sources. SP 28 (1931), 86–98.
  • Craig, Hardin. Shakespeare’s Revisions. Baltimore, 1931.
  • Craik, George L. The English of Shakespeare. 1857. (2nd, rev., ed. 1859; 3rd, rev., ed., ed. W. J. Rolfe, Boston & New York, 1867.)
  • Craik, T[homas] W. (1927–). Contributor to oxf2.
  • Crane, Milton. Shakespeare’s Prose. Chicago, 1951.
  • Creizenach, Wilhelm. Geschichte des neueren Dramas. Vierter Band. Das englische Drama im Zeitalter Shakespeares Erster Teil. Halle a. S., 1909. (Eng. tr. Cécile Hugon, rev. Alfred F. Schuster, 1916. This rpt. New York: Haskell House, 1964.)
  • Croft, John. Annotations on Plays of Shakespear. York, 1810.
  • Crooke, Helkiah. Mikrokosmographia. A Description of the Body of Man. 2nd ed. 2 pts. 1631.
  • Crosby, Joseph (1822–91). Contributor to hud2.
  • Crosby, Joseph. On a Passage in The Winter’s Tale. The American Bibliopolist (Dec., 1876), pp. 121–2.
  • Crosby, Joseph. One Touch of Shakespeare: Letters of Joseph Crosby to Joseph Parker Norris, 1875–1878. Ed. John W. Velz & Frances N. Teague. Washington, D.C., 1986.
  • Crosse, Gordon. The Winter’s Tale and Pericles. TLS, 13 Dec. 1934, p. 895.
  • Crow, John. Deadly Sins of Criticism, or, Seven Ways to Get Shakespeare Wrong. SQ 9 (1958), 301–6.
  • Crupi, Charles. The Winter’s Tale and The Thracian Wonder. Archiv 207 (1971), 341–7.
  • Cruttwell, Patrick. The Shakespearean Moment and Its Place in the Poetry of the 17th Century. New York, 1955.
  • Cunningham, J[ames] V. Woe or Wonder: The Emotional Effect of Shakespearean Tragedy. Denver, 1951.
  • Cunningham, Peter, ed. Extracts from the Accounts of the Revels at Court, in the Reigns of Queen Elizabeth and King James I. Sh. Soc. Pubs. 7. 1842.
  • Cunnington, C[ecil] Willet, & Phillis Cunnington. Handbook of English Costume in the Seventeenth Century. Boston, 1972.
  • Cunnington, C[ecil] Willet & Phillis Cunnington. Handbook of English Costume in the Sixteenth Century. Rev. ed. 1970. (1st ed. 1954.)
  • Curtis, Harry, Jr. The Year Growing Ancient: Formal Ambiguity in The Winter’s Tale. CLAJ 23 (1980), 431–7.
  • Cust, Lionel. Painting, Sculpture, and Engraving. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 2:1–14.
  • Cutts, John P. Jacobean Masque and Stage Music. M&L 35 (1954), 185–200.
  • Cutts, John P. La Musique de Scène de la Troupe de Shakespeare. Paris, 1959. 2nd ed. rev. 1971.
  • Cutts, John P. Rich and Strange: A Study of Shakespeare’s Last Plays. Pullman, Wash., 1968.
  • Cutts, John P. Robert Johnson, King’s Musician in His Majesty’s Public Entertainment. M&L 37 (1956), 221–33.
  • Cutts, John P. Le Rôle de la Musique dans les Masques de Ben Jonson. Les Fêtes de la Renaissance. Journées Internationales D’Études. Paris, 1956. Pp. 285–303.
  • Cutts, John P. An Unpublished Contemporary Setting of a Shakespeare Song. ShS 9 (1956), 86–9.
  • Cuvelier, Élaine. Perspective in The Winter’s Tale. CahiersE 23 (Apr. 1983), 35–46.

D-F

  • Dam. See Van Dam.
  • Danby, John F. Poets on Fortune’s Hill. 1952.
  • Daniel, Peter A. Contributor to cam2.
  • Daniel, P[eter] A. Notes and Conjectural Emendations of Certain Doubtful Passages in Shakespeare’s Plays. 1870.
  • Daniel, Peter A. Time-Analysis of the Plots of Shakspere’s Plays. New Shakspere Society’s Transactions 1877–9. [1879.] Pp. 117–346.
  • Dash, Irene G. Bohemia’s Sea Coast and the Babe Who Was Lost Forever. Literary Onomastics Studies 3 (1976), 102–8.
  • Dash, Irene G. Garrick or Colman? N&Q 216 (1971), 152–5.
  • Dash, Irene G. A Penchant for Perdita on the Eighteenth-Century Stage. The Woman’s Part. Ed. Carolyn R. S. Lenz, Gayle Greene, & Carol T. Neely. Urbana, 1980. Pp. 271–84.
  • Dash, Irene G. Wooing, Wedding, and Power: Women in Shakespeare’s Plays. New York, 1981.
  • David, Richard. Shakespeare in the Theatre. Cambridge, 1978.
  • Davidson, Clifford. The Iconography of Illusion and Truth in The Winter’s Tale. Shakespeare and the Arts. Ed. Cecile W. Cary & Henry S. Limouze. Washington, D.C., 1982. Pp. 73–91.
  • Davies, John. On Some Obscure Words in Shakespeare. 5 N&Q 5 (1876), 243–4.
  • Davies, Stevie. The Idea of Woman in Renaissance Literature. Brighton, 1986. (Also pub. as The Feminine Reclaimed. Lexington, Ky., 1986.)
  • Davies, Thomas. Memoirs of the Life of David Garrick. 2 vols. 1808. (Rpt. New York: Blom, 1969.)
  • Davies, W[illiam] Robertson. Shakespeare’s Boy Actors. 1939. (Rpt. New York: Russell & Russell, 1964.)
  • Davis, Cushman K. The Law in Shakespeare. 2nd ed. St. Paul, Minn., 1884.
  • Davison, Peter. Popular Appeal in English Drama to 1850. 1982.
  • Day, M[uriel] C., & J[ohn] C. Trewin. The Shakespeare Memorial Theater. London & Toronto, 1932.
  • Dean, John. Restless Wanderers: Shakespeare and the Pattern of Romance. Salzburg, 1979.
  • Deaton, Mary. Something Shakspere Left Out. ShAB 11 (1936), 52–6.
  • De Bray, Lys. Fantastic Garlands. Poole, Dorset, 1982.
  • Deighton, Kenneth. The Old Dramatists: Conjectural Readings. 2nd Ser. Calcutta, 1898.
  • Deiter, Marjorie. The Winter’s Tale. ShakB 3 (Jul./Aug. 1985), 9.
  • Delius, N[icolaus]. Die Prosa in Shakespeare’s Dramen. SJ 5 (1870), 227–73.
  • Dent, Alan. World of Shakespeare: Animals & Monsters. New York, 1973.
  • Dent, Alan. World of Shakespeare: Plants. Reading, Berkshire, 1971.
  • Dent, R[obert] W. Proverbial Language in English Drama Exclusive of Shakespeare, 1495–1616: An Index. Berkeley, 1984.
  • Dent, R[obert] W. Shakespeare’s Proverbial Language. Berkeley & London, 1981.
  • Desai, Chintamani N. Shakespearean Comedy: With a Discussion on Comedy, the Comic and the Sources of Shakespearean Comic Laughter. Indore City, 1952. (Agra Univ. diss.)
  • Dessen, Alan C. Reviewing Shakespeare for the Record. SQ 36 (1985), 602–8.
  • Dessen, Alan C. Shakespeare and the Late Moral Plays. Lincoln, Nebr., 1986.
  • D’Ewes, Simonds. The Journals of All the Parliaments During the Reign of Queen Elizabeth. Rev. and pub. by Paul Bowes. 1682.
  • Dey, E. Merton. The Winter’s Tale, [223–8], 9 N&Q 6 (1900), 4–5; [2739–40], 10 N&Q 5 (1906), 264; [252–60], 10 N&Q 7 (1907), 144.
  • Dobreé, Bonamy. The Last Plays. The Living Shakespeare. Ed. Robert Gittings. 1960. Pp. 140–54 (Rpt. 1962.)
  • Dobson, E[ric] J. English Pronunciation 1500–1700. 2nd ed. 2 vols. OUP, 1968. (1st ed. 1957.)
  • Dodd, William. The Beauties of Shakespear. 2 vols. 1752. (Rpt. New York: Augustus M. Kelley, 1971. 3rd ed. 1780.)
  • Dodds, M. H. The Age of Shakespeare’s Characters. N&Q 177 (1939), 197.
  • Dodoens, Rembert. A Niewe Herball … Translated out of French into English by H. Lyte. 1578.
  • Dolan, Frances E. Taking the Pencil out of God’s Hand: Art, Nature, and the Face-Painting Debate in Early Modern England. PMLA 108 (1993), 224–39.
  • Donawerth, Jane. Shakespeare and the Sixteenth-Century Study of Language. Urbana, 1984.
  • Doran, Alban H. G. Medicine. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 1:413–43.
  • Doran, Madeleine. Endeavors of Art: A Study of Form in Elizabethan Drama. Madison, 1954. (Rpt. 1972.)
  • Douce, Francis. Contributor to v1793 and v1821.
  • Douce, Francis. Illustrations of Shakspeare, and of Ancient Manners. 2 vols. 1807.
  • Dowden, Edward. Shakspere. Literature Primers. 1875. (Rpt. New York: American Book Co., 1890.)
  • Dowden, Edward. Shakspere: A Critical Study of His Mind and Art. 3rd ed. 1877. (Rpt. London: Routledge, 1962. 1st ed. 1875.)
  • Drake, Nathan. Shakspeare and His Times. 2 vols. 1817. (Rpt. New York: Burt Franklin, 1969.)
  • Draper, John W. The Humors and Shakespeare’s Characters. Durham, N.C., 1945. (Rpt. New York: AMS, 1970.)
  • Draper, John W. Shakespeare’s Ladies-in-Waiting. Neophilologus 49 (1965), 255–62.
  • Draper, R[onald] P. Shakespeare’s Pastoral Comedy. Études Anglaises 11 (1958), 1–17.
  • Draper, R[onald] P. The Winter’s Tale: Text and Performance. 1985.
  • Drew, Anne Marie. A Sigh into a Looking Glass. The Trickster in The Winter’s Tale and Happy Days. Comparative Literature Studies 26 (1989), 93–114.
  • Driver, Tom F. The Sense of History in Greek and Shakespearean Drama. New York, 1960.
  • Dryden, John. Defence of the Epilogue. Or, An Essay on the Dramatique Poetry of the last Age. The Conquest of Granada Part II. 1672. The Works of John Dryden. Ed. H. T. Swedenberg et al. 19 vols. 1961–79, 11 (1978):203–18.
  • Duckles, Vincent. The Curious Art of John Wilson. JAMS 7 (1954), 93–112.
  • Duffin, Ross W. An Encore for Shakespeare’s Rare Italian Master. The Elizabethan Review 2 (1994), 21–5.
  • Duncan-Jones, E. E. Hermione in Ovid and Shakespeare. N&Q 211 (1966), 138–9.
  • Dusinberre, Juliet. Shakespeare and the Nature of Women. 1975.
  • Duthie, George I. Shakespeare. 1951.
  • Dutton, Richard. Mastering the Revels: The Regulation and Censorship of English Renaissance Drama. Iowa City, 1991.
  • Dyce, Alexander. A Few Notes on Shakespeare; with Occasional Remarks on the Emendations of the Manuscript-corrector in Mr. Collier’s Copy of the Folio 1632. 1853. (Rpt. New York: AMS, 1971.)
  • Dyce, Alexander. Remarks on Mr. J. P. Collier’s and Mr. C. Knight’s Editions of Shakespeare. 1844. (Rpt. New York: AMS, 1972.)
  • Dyce, Alexander. Strictures on Mr. Collier’s New Edition of Shakespeare, 1858. 1859. (Rpt. New York: AMS, 1971.)
  • Dyce, Alexander, ed. The Dramatic Works of Robert Greene. 2 vols. 1831.
  • Dyer, T[homas] F. Thiselton. The Folk-lore of Plants. 1889. (Rpt. Detroit: Singing Tree, 1968.)
  • Dyer, T[homas] F. Thiselton. Folk-Lore of Shakespeare. New York, 1884.
  • Dyer, William T. Thiselton. Natural History. II. Plants. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 1:500–15.
  • Dymkowski, Christine. Harley Granville Barker: A Preface to Modern Shakespeare. Washington, D.C., 1986.
  • E., B. A New Dictionary of the Terms . . . of the Canting Crew. [1699].
  • Eaton, T[hamar] R. Shakespeare and the Bible. 1860. (Rpt. New York: AMS, 1972.)
  • Eccles, Audrey. Obstetrics and Gynaecology in Tudor and Stuart England. 1982.
  • Eccles, Mark. Shakespeare in Warwickshire. Madison, 1961.
  • Eccles, Mark. Sir George Buc, Master of the Revels. Thomas Lodge and Other Elizabethans. Ed. Charles J. Sisson. Cambridge, Mass., 1933. Pp. 409–73 (Rpt. New York: Octagon Books, 1966.)
  • Eccles, Mark, ed. Measure for Measure. A New Variorum Ed. of Sh. New York, 1980.
  • EDD. See Wright, Joseph
  • Edwards, Francis. Topical Allusions in The Winter’s Tale. The Bard 1 (1975), 28–42.
  • Edwards, Francis. Topical Allusions in The Winter’s Tale—II. The Bard 2 (1976), 47–64.
  • Edwards, Philip. The Declaration of Love. Shakespeare’s Styles: Essays in Honour of Kenneth Muir. Ed. Philip Edwards et al. Cambridge, 1980. Pp. 39–50.
  • Edwards, Philip. Seeing Is Believing: Action and Narration in The Old Wives Tale and The Winter’s Tale. Shakespeare and his Contemporaries: Essays in Comparison. Ed. E[rnst] A. J. Honigmann. Manchester, 1986. Pp. 79–93.
  • Edwards, Philip. Shakespeare and the Confines of Art. 1968.
  • Edwards, Philip. Shakespeare and the Healing Power of Deceit. ShS 31 (1978), 115–25.
  • Edwards, Philip. Shakespeare: A Writer’s Progress. OUP, 1986.
  • Edwards, Philip. Shakespeare’s Romances: 1900–1957. ShS 11 (1958), 1–18.
  • [Edwards, Thomas.] A Supplement to Mr. Warburton’s Edition of Shakespear. Being the Canons of Criticism, and Glossary. 1748. (Rpt. New York: AMS, 1972; 2nd ed. 1748; 3rd ed. 1750; 5th ed.: The Canons of Criticism, and Glossary, 1753; 6th ed. 1758; 7th ed. 1765, rpt. London: Cass, 1970.)
  • Egan, Robert. Drama Within Drama: Shakespeare’s Sense of His Art in King Lear, The Winter’s Tale, and The Tempest. New York, 1975.
  • Eggers, Walter F., [Jr.]. Bring Forth a Wonder: Presentation in Shakespeare’s Romances. TSLL 21 (1979), 455–77.
  • Eggers, Walter F., [Jr.]. Genre and Affective Distance—The Example of The Winter’s Tale. Genre 10 (1977), 29–46.
  • Ellacombe, Henry N. The Plant-Lore & Garden-Craft of Shakespeare. 3rd rev. ed. London & New York, 1896. (1st ed. 1878; 2nd ed. 1884, rpt. New York: AMS, 1973.)
  • [Elliott, Mrs. M. L.]. Shakspeare’s Garden of Girls. 1885.
  • Ellis, Alexander J. On Early English Pronunciation, with Especial Reference to Shakspere and Chaucer. 5 pts. London & Berlin, 1869–89. Pt. 3. 1871.
  • Ellis, John. Rooted Affection: The Genesis of Jealousy in The Winter’s Tale. CE 25 (1964), 545–7.
  • Ellis, Oliver C. de C. Cleopatra in the Tide of Time. 1947.
  • Elson, Louis C. Shakespeare in Music. Boston, 1901. (Rpt. Freeport, N.Y.: Books for Libraries, 1970.)
  • Elton, William. Two Shaksperian Parallels. ShAB 22 (1947), 115–16.
  • Elze, K[arl]. Noten und Conjecturen zu Shakespeare. SJ 11 (1876), 274–300.
  • Elze, K[arl]. Shakespeare’s muthmassliche Reisen. SJ 8 (1873), 46–91. (Tr. L. Dora Schmitz as The Supposed Travels of Shakespeare, Essays on Shakespeare, [1874], pp. 254–315. Essays rpt. Port Washington, N.Y.: Kennikat, 1970.)
  • Empson, William. Hunt the Symbol. Essays on Shakespeare. Ed. David B. Pirie. Cambridge, 1986. Pp. 231–43. (First pub. 1964.)
  • Empson, William. The Structure of Complex Words. 1951. (Rpt. Ann Arbor, 1967.)
  • Engel, Wilson F., III. Sculpture and the Art of Memory in Elizabethan and Jacobean Drama. MLS 10, No. 2 (1980), 3–9.
  • England, Eugene. Cordelia and Paulina, Shakespeare’s Healing Dramatists. Literature & Belief 2 (1982), 69–82.
  • Enright, D[ennis] J. Shakespeare and the Students. 1970.
  • Erickson, Peter [B.]. Adrienne Rich’s Re-Vision of Shakespeare. Women’s Re-Visions of Shakespeare. Ed. Marianne Novy. Urbana & Chicago, 1990. Pp. 183–95. (Rpt. in Rewriting Shakespeare, Rewriting Ourselves, ed. Erickson, Berkeley, 1991, pp. 146–66.)
  • Erickson, Peter [B.]. Patriarchal Structures in The Winter’s Tale. PMLA 97 (1982), 819–29. (Rpt. with revisions in Erickson, Patriarchal Structures in Shakespeare’s Drama, Berkeley, 1985, pp. 148–72.)
  • Estrin, Barbara L. The Foundling Plot: Stories in The Winter’s Tale. MLS 7, No. 1 (1977), 27–38.
  • Estrin, Barbara L. The Raven and the Lark. Lewisburg, Pa., 1985.
  • Ettin, Andrew V. Literature and the Pastoral. New Haven, 1984.
  • Evans, B[enjamin] Ifor. The Language of Shakespeare’s Plays. Bloomington, Ind., 1952.
  • Evans, B[enjamin] Ifor. A Short History of English Drama. 2nd ed. Boston, 1965. (1st ed. 1948.)
  • Evans, Bertrand. Shakespeare’s Comedies. OUP, 1960.
  • Evans, G. Blakemore. New Evidence on the Provenance of the Padua Prompt-Books of Shakespeare’s . . . Winter’s Tale. SB 20 (1967), 239–42.
  • Evans, G. Blakemore, ed. Shakespearean Prompt-Books of the Seventeenth Century 1.1 (1960), 3–24; 2.1 (1963), 19–29.
  • Evans, G. L. See Lloyd Evans, Gareth.
  • Everett, Barbara. Shakespeare’s Investiture Play. TLS, 22 Jan. 1970, p. 84.
  • Ewbank, Inga-Stina. Shakespeare’s Poetry. A New Companion to Shakespeare Studies. Ed. Kenneth Muir & S. Schoenbaum. Cambridge, 1971. Pp. 99–115.
  • Ewbank, Inga-Stina. Shakespeare’s Styles: Essays in Honour of Kenneth Muir. Cambridge, 1980.
  • Ewbank, Inga-Stina. The Triumph of Time in The Winter’s Tale. REL 5 (1964), 83–100. (Rpt. in Shakespeare’s Later Comedies: An Anthology of Modern Criticism, ed. D. J. Palmer, Baltimore, 1971.)
  • F., W. F. Shakspeariana. 4 N&Q 12 (1873), 284.
  • Faas, Ekbert. Tragedy and After: Euripides, Shakespeare, and Goethe. Kingston, Ont., & Montreal, 1984.
  • Fabiny, Tibor. Veritas Filia Temporis: The Iconography of Time and Truth and Shakespeare. ALitASH 26 (1984), 61–98.
  • Fairchild, Arthur H. R. Shakespeare and the Arts of Design (Architecture, Sculpture, and Painting). Univ. of Missouri Stud. 12. Columbia, Mo., 1937.
  • Falconer, Alexander F. Shakespeare and the Sea. New York, 1964.
  • Farjeon, Herbert. The Shakespearean Scene. [1949.].
  • Farmer, John S., & W. E. Henley. Slang and Its Analogues. 7 vols. 1890–1904. (Rpt. in 1 vol., New York: Arno, 1970.)
  • Farmer, Richard (1735–97). Contributor to v1773, v1778, and v1793.
  • Farnham, Willard. The Shakespearean Grotesque. OUP, 1971.
  • Farrell, Kirby. Play, Death, and Heroism in Shakespeare. Chapel Hill & London, 1989.
  • Farrell, Kirby. Self-Effacement and Autonomy in Shakespeare. ShakS 16 (1983), 75–99.
  • Farrell, Kirby. Shakespeare’s Creation. Amherst, 1975.
  • Faucit, Helena. See Martin, Helena Faucit.
  • Felix, Minutius. See Hardinge, George.
  • Felperin, Howard. Beyond Deconstruction: The Uses and Abuses of Literary Theory. OUP, 1985.
  • Felperin, Howard. Shakespearean Romance. Princeton, 1972.
  • Felperin, Howard. Tongue-Tied, Our Queen?: The Deconstruction of Presence in The Winter’s Tale. Shakespeare and the Question of Theory. Ed. Patricia Parker & Geoffrey Hartman. New York, 1985. Pp. 3–18. (Rpt. in Felperin, The Uses of the Canon: Elizabethan Literature and Contemporary Theory, OUP, 1990, pp. 35–55.)
  • Felver, Charles S. Robert Armin, Shakespeare’s Fool: A Biographical Essay. Kent State Univ. Bull. 49, No. 1; Research Ser. 5. Kent, Ohio, 1961.
  • Fenton, Doris. The Extra-dramatic Moment in Elizabethan Plays before 1616. Univ. of Penn. diss. 1930.
  • Fergusson, Francis. Shakespeare: The Pattern in his Carpet. New York, 1970. (WT material first pub. as introd. to Laurel ed., 1959.)
  • Fiedler, Leslie A. The Defense of the Illusion and the Creation of Myth. EIE 1948. New York, 1949. Pp. 74–94.
  • Fiedler, Leslie A. The Stranger in Shakespeare. New York, 1972. (Rpt. Briarcliff Manor, N.Y., 1973.)
  • Field, Barron (1786–1846). Contributor to hal.
  • Field, Barron (1786–1846). Conjectures on Some of the Corrupt or Obscure Passages of Shakespeare. The Shakespeare Society’s Papers 3 (1847), 131–42.
  • Finney, Gretchen L. Musical Backgrounds for English Literature, 1580–1650. New Brunswick, N.J., [1962].
  • Firth, C. H. Ballads and Broadsides. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. Oxford, 1916, 2:511–38.
  • Fischer, Walther. Shakespeares späte Romanzen. SJ 91 (1955), 7–24.
  • Fisher, Alfred Y. An Introduction to the Study of Shakespearean Comedy. Pt.1. Dijon, 1931.
  • Fisher, Sidney T. Some Proposed Shakespeare Emendations and Notes. 3rd ed. Montreal, 15 July 1985. (1st ed. 1984.)
  • Fitch, John G. Sense-Pauses and Relative Dating in Seneca, Sophocles and Shakespeare. American Jour. of Philology 102 (1981), 289–307.
  • The Fitzwilliam Virginal Book. See Maitland, J. A. Fuller.
  • Flatter, Richard. The Winter’s Tale. TLS, 4 Apr. 1952, p. 237.
  • Fleay, Frederick G. A Biographical Chronicle of the English Drama 1559–1642. 2 vols. 1891. (Rpt. New York: Burt Franklin, n.d.)
  • Fleay, Frederick G. A Chronicle History of the Life and Work of William Shakespeare: Player, Poet, and Playmaster. 1886. (Rpt. New York: AMS, 1970.)
  • Fleay, Frederick G. A Chronicle History of the London Stage 1559–1642. 1890. (Rpt. New York: Burt Franklin, n.d.)
  • Fleay, Frederick G. On Metrical Tests as Applied to Dramatic Poetry. Pt. I. Shakspere. New Shakspere Society’s Transactions, 1874. [1874]. Pp. 1–16. (Rpt. in Shakespeare Manual, 1876, pp. 121–38, rpt. 1878. Rpt. in Occasional Papers on Shakespeare: Being the Second Part of Shakespeare the Man and the Book, ed. C[lement] M. Ingleby, 1881, pp. 50–141.)
  • Fleissner, Robert F. What The Winter’s Tale Unveils: Who Is The Best. N&Q 234 (1989), 336–8.
  • Florio, John. Queen Anna’s New World of Words, Or Dictionarie of the Italian and English tongues. 1611. (Rpt. Menston: Scolar, 1968.)
  • Foakes, R[eginald] A. Character and Dramatic Technique in Cymbeline and The Winter’s Tale. Studies in the Arts: Proceedings of the St. Peter’s College Literary Society. Ed. Francis Warner. New York, 1968. Pp. 116–30.
  • Foakes, R[eginald] A. Shakespeare: The Dark Comedies to the Last Plays: From Satire to Celebration. Charlottesville, 1971.
  • Fortescue, J. W. Hunting. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 2:334–50.
  • Foss, George R. What the Author Meant. OUP, 1932.
  • Fothergill, Robert A. The Perfect Image of Life: Counterfeit Death in the Plays of Shakespeare and His Contemporaries. UTQ 52 (1982–3), 155–78.
  • Fowler, Alastair. Leontes’ Contrition and the Repair of Nature. E&S 31 (1978), 36–64.
  • Franz, Wilhelm. Die Sprache Shakespeares in Vers und Prosa. Shakespeare-Grammatik in 4. Auflage. Halle a. S., 1939. (First pub. as Shakespeare-Grammatik in 1898–9. 2nd ed., 1909; 3rd ed., 1924; 4th ed. incl. all material from Orthographie, Lautgebung und Wortbildung in den Werken Shakespeares mit Aussprachproben, Heidelberg, 1905, and Shakespeare’s Blankvers, 2. Auflage, Tübingen, 1935.)
  • Freeburg, Victor O. Disguise Plots in Elizabethan Drama: A Study in Stage Tradition. Columbia Univ. Stud. in Eng. and Comp. Lit. New York, 1915. (Rpt. New York: Blom, 1965.)
  • French, A. L. Shakespeare and the Critics. Cambridge, 1972.
  • Frey, Charles H. Experiencing Shakespeare. Columbia, Mo., 1988.
  • Frey, Charles H. Interpreting The Winter’s Tale. SEL 18 (1978), 307–29.
  • Frey, Charles H. Shakespeare’s Imperiled and Chastening Daughters of Romance. SAB 43 (1978), 125–40. (Rev. in The Woman’s Part, ed. Carolyn R. S. Lenz, Gayle Greene, & Carol T. Neely, Urbana, 1980, pp. 295–313.)
  • Frey, Charles H. Shakespeare’s Vast Romance: A Study of The Winter’s Tale. Columbia, Mo., 1980.
  • Frey, Charles H. Tragic Structure in The Winter’s Tale: The Affective Dimension. Shakespeare’s Romances Reconsidered. Ed. Carol McG. Kay & Henry E. Jacobs. Lincoln, Nebr., 1978. Pp. 113–24.
  • Fripp, Edgar I. Shakespeare, Man and Artist. 2 vols. OUP, 1938.
  • Fripp, Edgar I. Shakespeare Studies, Biographical and Literary. OUP, 1930. (Rpt. New York: AMS, 1975.)
  • Fry, John. Pieces of Ancient Poetry, From Unpublished Manuscripts and Scarce Books. Bristol, 1814.
  • Frye, Northrop. Anatomy of Criticism: Four Essays. Princeton, 1957.
  • Frye, Northrop. The Argument of Comedy. EIE 1948. New York, 1949. Pp. 58–73.
  • Frye, Northrop. Fables of Identity. New York, [1963].
  • Frye, Northrop. A Natural Perspective: The Development of Shakespearean Comedy and Romance. New York & London, 1965.
  • Frye, Northrop. Nature and Nothing. Essays on Shakespeare. Ed. Gerald W. Chapman. Princeton, 1965. Pp. 35–58.
  • Frye, Northrop. Northrop Frye on Shakespeare. Ed. Robert Sandler. New Haven, 1986.
  • Frye, Northrop. Recognition in The Winter’s Tale. Essays on Shakespeare and Elizabethan Drama in Honor of Hardin Craig. Ed. Richard Hosley. Columbia, Mo., 1962. Pp. 235–46. (Rpt. in Shakespeare’s Later Comedies: An Anthology of Modern Criticism, ed. D. J. Palmer, Baltimore, 1971, and in Frye, Fables of Identity, New York, 1963.
  • Frye, Northrop. Romance as Masque. Shakespeare’s Romances Reconsidered. Ed. Carol McG. Kay & Henry E. Jacobs. Lincoln, Nebr., 1978. Pp. 11–39. (Previously pub. in somewhat diff. form in Frye, Spiritus Mundi, Bloomington, Ind., 1976.)
  • Frye, Northrop. The Secular Scripture. A Study in the Structure of Romance. 1976.
  • Frye, Roland M. Shakespeare and Christian Doctrine. Princeton, 1963.
  • Frye, Roland M. Shakespeare: The Art of the Dramatist. 1982. (1st ed. Boston, 1970.)
  • Fuller Maitland, J. A. See Maitland, J. A. Fuller.
  • Furnivall, Frederick J. Introduction. The Leopold Shakspere. [1877.] Pp. vii–cxxvi.
  • Furnivall, Frederick J. Scraps. The New Shakspere Society’s Transactions. 1877–9. [1879.] P. 108.
  • Furnivall, Frederick J. Scraps. The New Shakspere Society’s Transactions. 1880–6. [1886.] P. 646.
  • Furnivall, Frederick J. The Succession of Shakspere’s Works. 1874. (Separate pub. of the introduction to G. G. Gervinus, Commentaries on Shakspere, tr. Fanny E. Bunnètt, 1874. Rpt. New York: AMS, 1972.)
  • Furnivall, Frederick J. Winter’s Tale. 5 N&Q 10 (1878), 244.
  • Fuzier, Jean. Shakespeare et la jalousie: Le Cas de Léontès dans The Winter’s Tale. Caliban 21 (1984), 81–94.
  • Fuzier, Jean, & Jean-Marie Maguin. The RSC 1986 Spring and Summer Season at the Royal Shakespeare Theatre and Swan Theatre, Stratford-upon-Avon. CahiersE 30 (Oct. 1986), 93–5.

G-I

  • Gajdusek, R. E. Death, Incest, and the Triple Bond in the Later Plays of Shakespeare. AI 31 (1974), 109–58.
  • Garber, Marjorie. Coming of Age in Shakespeare. New York, 1981.
  • Garber, Marjorie. Dream in Shakespeare. New Haven, 1974.
  • Garber, Marjorie. The rest is silence: Ineffability and the Unscene in Shakespeare’s Plays. Ineffability: Naming the Unnamable from Dante to Beckett. Ed. Peter S. Hawkins et al. New York, 1984. Pp. 35–50.
  • Garber, Marjorie. Shakespeare’s Ghost Writers. New York & London, 1987.
  • Gardner, C. O. Three Notes on The Winter’s Tale. Theoria 54 (1980), 61–6.
  • Gardner, Helen. The Argument about The Ecstasy. Elizabethan and Jacobean Studies Presented to Frank Percy Wilson. OUP, 1959. Pp. 279–306.
  • Garner, Bryan A. Shakespeare’s Latinate Neologisms. ShakS 15 (1982), 149–70.
  • Garner, Shirley N. Male Bonding and the Myth of Women’s Deception in Shakespeare’s Plays. Shakespeare’s Personality. Ed. Norman N. Holland, Sidney Homan, & Bernard J. Paris. Berkeley & Los Angeles, 1989. Pp. 135–50.
  • Garner, Stanton B., Jr. Time and Presence in The Winter’s Tale. MLQ 46 (1985), 347–67.
  • Garrett, John, ed. More Talking of Shakespeare. London & New York, 1959.
  • Gasper, Julia, & Carolyn Williams. The Meaning of the Name Hermione. N&Q 231 (1986), 367.
  • Gauger, Wilhelm. Zweierlei Mass in Measure for Measure. Von Shakespeare bis Chomsky: Arbeiten zur Englischen Philologie an der Freien Universität Berlin. Ed. Elfi Bettinger & Thomas Meier-Fohrbeck. Frankfurt am Main, Bern, & New York, 1987.
  • [Genest, John.] Some Account of the English Stage, from the Restoration in 1660 to 1830. 10 vols. Bath, 1832. (Rpt. New York: Burt Franklin, 1964.)
  • Genouy, Hector. L’Élément pastoral dans la Poésie Narrative et le Drame en Angleterre, de 1579 à 1640. Paris, 1928.
  • Gentleman, Francis, & Samuel Derrick. The Winter’s Tale, Introduction [and notes]. Bell’s Edition of Shakespeare’s Plays. 8 vols. 1774. 5:151–225.
  • Gerard, John. The Herball or Generall Historie of Plantes. 1597.
  • Gervinus, G[eorg] G. Shakespeare Commentaries. Tr. F[anny] E. Bunnètt. Rev. ed. London & New York, 1877. (Rpt. New York: AMS, 1971. 1st Eng. ed. 2 vols, 1863. 1st Ger. ed. Leipzig, 1849–50.)
  • Gesner, Carol. Shakespeare and the Greek Romance: A Study of Origins. Lexington, Ky., 1970.
  • Geyer, Horst. Dichter des Wahnsinns. Eine Untersuchung über die Dichterische Darstellbarkeit Seelischer Ausnahmezustände. Gottingen, 1955.
  • Gibbon, John M. Melody and the Lyric from Chaucer to the Cavaliers. 1930. (Rpt. New York: Haskell House, 1964.)
  • Gilbert, Miriam. This Wide Gap of Time: Storytelling and Audience Response in the Romances. Iowa State Jour. of Research 55 (1979), 235–41.
  • [Gildon, Charles.] Remarks on the Plays of Shakespear and The Glossary. In supplementary vol. 7 (1710) added to Nicholas Rowe, ed., The Works of Shakespear, 6 vols., 1709. Pp. lxviii–lxxii, 257–444. (Rpt. New York: AMS, 1967.)
  • Giles, Henry. Human Life in Shakespeare. Boston & New York, 1887. (1st ed. 1868.)
  • Girard, René. Jealousy in The Winter’s Tale. Alphonse Juilland: D’une passion l’autre. Ed. Brigitte Cazelles & René Girard. Saratoga, Calif., 1987. Pp. 39–62.
  • Goddard, Harold C. The Meaning of Shakespeare. Chicago, 1951.
  • Gokak, V. K. The Structure of Daffodils in The Winter’s Tale. Literary Criterion 6, No. 1 (1963), 137–52.
  • Golding, Arthur, tr. Ovid’s Metamorphoses. 1567. Ed. John Frederick Nims. New York, 1965. Ed. W. H. D. Rouse. New York, 1966.
  • Goldman, Michael. Shakespeare and the Energies of Drama. Princeton, 1972.
  • Gollancz, Israel, ed. A Book of Homage to Shakespeare. OUP, 1916.
  • Gooch, Bryan N. S., & David Thatcher. A Shakespeare Music Catalogue. 5 vols. OUP, 1991.
  • Gosse, Edmund. The Songs of Shakespeare. A Book of Homage to Shakespeare. Ed. Israel Gollancz. OUP, 1916. Pp. 52–5.
  • Gotch, H. G. The Winter’s Tale, [2976]. 9 N&Q 5 (1900), 330–1.
  • Gould, George. Corrigenda and Explanations of the Text of Shakspere. Continuation 2. 1887. (1st ed. 1881; new issue [enl. ed.] 1884.)
  • Gourlay, Patricia S. O my most sacred Lady: Female Metaphor in The Winter’s Tale. ELR 5 (1975), 375–95.
  • Grantley, Darryll. The Winter’s Tale and Early Religious Drama. CompD 20 (1986), 17–37.
  • Granville-Barker, Harley. Preface. The Winter’s Tale: An Acting Edition. 1912. Pp. iii–x. (Rpt. in More Prefaces to Shakespeare, ed. Edward M. Moore, Princeton, 1974, pp. 19–25.)
  • Gray, Henry D. Chronology of Shakespeare’s Plays. MLN 46 (1931), 147–50.
  • Green, Henry. Shakespeare and the Emblem Writers. 1870. (Rpt. New York: Burt Franklin, n.d.)
  • Green, Kate Richmond, ed. Interpretations of A Winter’s Tale and King Lear. Chicago, 1890. (First pub. as Interpretation of A Winter’s Tale, The Shakespeare World No. 1, ed. H. Kate Richmond-West, Chicago, 1882.)
  • Greenblatt, Stephen. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley, 1988.
  • Greene, Gayle. Women on Trial in Shakespeare and Webster: The Mettle of Sex. Topic 36 (1982), 5–19.
  • Greene, Robert. The Second and last Part of Conny-catching. 1592. Elizabethan and Jacobean Quartos, ed. G. B. Harrison, 1922. (Rpt. New York: Barnes & Noble, 1966.)
  • Greene, Robert. The Thirde and last Part of Conny-catching. 1592. A Disputation Between a Hee Conny-catcher, and a Shee Conny-catcher. 1592. Elizabethan and Jacobean Quartos, ed. G. B. Harrison. 1922. (Rpt. New York: Barnes & Noble, 1966.)
  • Greenhill, J[ames], W[illiam] A. Harrison, & F[rederick] J. Furnivall, comps. A List of All the Songs & Passages in Shakespeare which Have Been Set to Music. Rev. ed. The New Shakespeare Society Pubs. Ser. 8, No. 3. 1884.
  • Greenlaw, Edwin. Shakespeare’s Pastorals. SP 13 (1916), 122–54.
  • Greer, Germaine. Shakespeare. OUP, 1986.
  • Greg, W[alter] W. Another Note. 4 Library 12 (1931–2), 248.
  • Greg, W[alter] W. A Bibliography of the English Printed Drama to the Restoration. 4 vols. 1939–59. Vol. 3. 1957. (Rpt. London: The Bibliographical Soc., 1970.)
  • Greg, W[alter] W. Dramatic Documents from the Elizabethan Playhouses. 2 vols. OUP, 1931. (Rpt. OUP, 1969.)
  • Greg, W[alter] W. The Editorial Problem in Shakespeare: A Survey of the Foundations of the Text. 3rd ed. OUP, 1954. (1st ed. 1942.)
  • Greg, W[alter] W. An Elizabethan Printer and his Copy. 4 Library 4 (1924), 102–18.
  • Greg, W[alter] W. Pastoral Poetry & Pastoral Drama. 1906. (Rpt. New York: Russell & Russell, 1959. First pub. 1905.)
  • Greg, W[alter] W. Prompt Copies, Private Transcripts, and the Playhouse Scrivener. 4 Library 6 (1926), 148–56.
  • Greg, W[alter] W. Review of Evelyn M. Albright, Dramatic Publication in England, 1580–1640. RES 4 (1928), 91–100.
  • Greg, W[alter] W. The Shakespeare First Folio. OUP, 1955.
  • Greg, W[alter] W. Some Notes on Crane’s Manuscript of The Witch. 4 Library 22 (1941–2), 208–22.
  • Greg, W[alter] W. Two Elizabethan Stage Abridgements: The Battle of Alcazar & Orlando Furioso. OUP for The Malone Society, 1922.
  • Greif, Karen. If This were Play’d upon a Stage: Harley Granville Barker’s Shakespeare Productions at the Savoy Theatre, 1912–14. HLB 28 (1980), 117–45.
  • Grene, David. Reality and the Heroic Pattern. Chicago, 1967.
  • Grey, Zachary. Critical, Historical, and Explanatory Notes on Shakespeare. 2 vols. 1754. (Rpt. New York: AMS, 1973.)
  • Greyerz, Georg von. The Reported Scenes in Shakespeare’s Plays. Bern, 1965.
  • Griffin, William J. Names in The Winter’s Tale. TLS, 6 June 1936, p. 480.
  • Griffith, [Elizabeth]. The Morality of Shakespeare’s Drama Illustrated. 1775. (Rpt. Eighteenth Century Sh. 14. London: Cass, 1971.)
  • Grillo, Ernesto. Shakespeare and Italy. Glasgow, 1949. (Rpt. New York: Haskell House, 1973.)
  • Grindon, Leo N. The Shakspere Flora. Manchester, 1883.
  • Grindon, Rosa. Shakespeare & his Plays from a Woman’s Point of View. Manchester, 1930.
  • Grivelet, Michel. Métamorphose et la poésie dans Le Conte d’hiver, IV, 4, 116–46 [1930–62]. La Métamorphose dans la poésie baroque française et anglaise: Variations et résurgences. Ed. Giséle Mathieu-Castellani. Etudes Littéraire Français 7. Tübingen, 1980. Pp. 183–8.
  • [Grose, Francis.] A Classical Dictionary of the Vulgar Tongue. 1785. (Rpt. Menston: Scolar, 1968.)
  • [Grose, Francis.]. A Provincial Glossary. 1787. (Rpt. Menston: Scolar, 1968.)
  • Grose, Kenneth H., & B. T. Oxley. Shakespeare. 1965. (2nd ed. New York, 1969.)
  • Guazzo, Stefano. The civile conversation. . . . Introd. Edward Sullivan. Tudor Translations. Ser. 2. Vols. 7 & 8. 1925.
  • Guilpin, Edward. Skialetheia or A Shadowe of Truth, in Certaine Epigrams and Satyres. [1598.] Ed. D. Allen Carroll. Chapel Hill, 1974.
  • Guj, Louisa. The Winter’s Tale and the Eleusinian Goddesses. Revista di Letterature Moderne e Comparate 36 (1983), 5–24.
  • Gurr, Andrew. The Bear, the Statue, and Hysteria in The Winter’s Tale. SQ 34 (1983), 420–5.
  • Gurr, Andrew. The Many-Headed Audience. Essays in Theatre 1 (1982), 52–62.
  • Gurr, Andrew. The Shakespearean Stage 1574–1642. 3rd ed. Cambridge, 1992. (1st ed. Cambridge, 1970.)
  • H., M. Original Elucidations of Shakespear. Gent. Mag. 60 (1790), 306–7.
  • Haas, Virginia J. Ralph Crane: A Status Report. AEB NS 3 1989, 3–10.
  • Hale, John K. The Maturing of Romance in The Winter’s Tale. Parergon 3 (1985), 147–62.
  • Hale, Matthew. Pleas of the Crown. 1678. (Rpt. London: Professional Books, 1972.)
  • Hales, J[ohn] W. Shakespeare’s Greek Names. Cornhill Mag. 33 (1876), 208–16 (Rpt. in Notes and Essays on Shakespeare, 1884, pp. 105–19, rpt. New York: AMS, 1973.)
  • Hall, H[enry] T. Shaksperean Fly-Leaves and Jottings. New & enl. ed. 1871. (Rpt. New York: AMS, 1970. 1st ed. 1869.)
  • Hall, Sir Peter. See Berry, Ralph, 1989.
  • Halliday, F[rank] E. The Poetry of Shakespeare’s Plays. Cambridge, Mass., 1954.
  • Halliwell, James O. A Dictionary of Archaic and Provincial Words. 2 vols. Brixton Hill, 1852.
  • Halliwell, James O. The Remarks of M. Karl Simrock on the Plots of Shakespeare’s Plays. Shakespeare Soc. Pubs. 43. 1850. (Rpt. Nendeln, Liechtenstein: Kraus, 1966.)
  • Hammersmith, James P. Two Speech Assignments in The Winter’s Tale, F1 (1623). PBSA 75 (1981), 171–4.
  • Hankins, John E. Backgrounds of Shakespeare’s Thought. Hamden, Conn., 1978.
  • Hankins, John E. The Pains of the Afterworld: Fire, Wind, and Ice in Milton and Shakespeare. PMLA 71 (1956), 482–95.
  • Hankins, John E. Shakespeare’s Derived Imagery. Lawrence, Kans., 1953. (Rpt. New York: Octagon Press, 1967.)
  • Happé, Peter. Notes on The Winter’s Tale. Shakespeare Workshop Eds. 1969.
  • Harbage, Alfred. Annals of English Drama 975–1700. 2nd ed. rev. S[amuel] Schoenbaum. 1964. (3rd ed. rev. Sylvia S. Wagonheim. 1989.)
  • Harbage, Alfred. Shakespeare and the Rival Traditions. New York, 1952. (Rpt. New York: Barnes & Noble, 1968.)
  • Harbage, Alfred. William Shakespeare: A Reader’s Guide. New York, 1961.
  • Harbottle, Cecil. The Old Corrector on The Winter’s Tale. 1 N&Q 8 (1853), 95–7.
  • Harding, D. W. Shakespeare’s Final View of Women. TLS, 30 Nov. 1979, pp. 59–61.
  • [Hardinge, George.] Another Essence of Malone. 1801.
  • [Hardinge, George.]. Minutius Felix (pseud.). The Essence of Malone. 2nd ed. 1800.
  • [Hardinge, George.]. The Winter’s Tale. Miscellaneous Works. 3 vols. 1818. 3:29–81.
  • Hardman, C. B. Theory, Form, and Meaning in Shakespeare’s The Winter’s Tale. RES NS 36 (1985), 228–35.
  • Hardy, Barbara. Shakespeare’s Self-Conscious Art. F. E. L. Priestley Lecture Ser. Lethbridge, Alberta, 1989.
  • Hardy, T. Maskell. The Songs from Shakespeare’s Plays. 2 pts. 1930.
  • Harman, Thomas. A Caveat for Common Cursetors. 1567. (Unauthorized rpt. 1567, ed. Edward Viles & F. J. Furnivall in The Rogues and Vagabonds of Shakspere’s Youth, Early English Text Soc., 1869, rpt. New Sh. Soc., ser. 6, no. 7, 1880.)
  • Harp, Richard L. The Winter’s Tale: An Old Tale Begetting Wonder. DR 58 (1978), 295–308.
  • Harris, Bernard. What’s past is prologue: Cymbeline and Henry VIII. Later Shakespeare. Stratford-upon-Avon Stud. 8. Ed. John Russell Brown & Bernard Harris. 1966. Pp. 203–34.
  • Harris, Frank. The Man Shakespeare and his Tragic Life Story. 1909.
  • Harris, Frank. The Women of Shakespeare. 1911.
  • Harris, [Thomas?]. Contributor to v1803.
  • Harrison, G[eorge] B. A Note on Coriolanus. Joseph Quincy Adams Memorial Studies. Ed. James G. McManaway et al. Washington, D.C., 1948. Pp. 239–52.
  • Harrison, G[eorge] B. Shakespeare. 1927.
  • Harrison, Thomas P., Jr. Aspects of Primitivism in Shakespeare and Spenser. Studies in English 20 (1940), 39–71.
  • Harrison, William. The Description of England. Ed. Georges Edelen. Ithaca, N.Y., 1968. (1st ed. 1587.)
  • Hart, Edward L. A Mixed Consort: Leontes, Angelo, Helena. SQ 15 (1964), 75–83.
  • Hart, Henry C. Winter’s Tale [2279–81]. 8 N&Q 7 (1894), 64.
  • Harting, James E. The Birds of Shakespeare. 1871. (Rpt. Chicago: Argonaut, 1965.)
  • Hartt, Frederick. Giulio Romano. 2 vols. New Haven, 1958.
  • Hartwig, Joan. Cloten, Autolycus, and Caliban: Bearers of Parodic Burdens. Shakespeare’s Romances Reconsidered. Ed. Carol McG. Kay & Henry E. Jacobs. Lincoln, Nebr., 1978. Pp. 91–103.
  • Hartwig, Joan. The Tragicomic Perspective of The Winter’s Tale. ELH 37 (1970), 12–36. (Rpt. as The Winter’s Tale: The Pleasure of That Madness in Shakespeare’s Tragicomic Vision, Baton Rouge, 1972, pp. 104–36.)
  • Hasler, Jörg. Romance in the Theater: The Stagecraft of the Statue Scene in The Winter’s Tale. Shakespeare, Man of the Theater. Ed. Kenneth Muir et al. Newark, Del., 1983. Pp. 203–11.
  • Hassel, R[udolph] Chris, Jr. Faith and Folly in Shakespeare’s Romantic Comedies. Athens, Ga., 1980.
  • Hassel, R[udolph] Chris, Jr. Renaissance Drama and the English Church Year. Lincoln, Nebr., 1979.
  • Hastings, William T. The Ancestry of Autolycus. ShAB 15 (1940), 253.
  • Hatcher, O. L. The Sources and Authorship of The Thracian Wonder. MLN 23 (1908), 16–20.
  • Hattori, Takakazu. The Sustaining Function of Realism in The Winter’s Tale. Essays on the English Bible and English Literature in Honour of Dr. Tateo Kanda. Ed. Toshiki Yamamoto. Tokyo, 1982. Pp. 85–104.
  • Hawkins, Harriet. Poetic Freedom and Poetic Truth. OUP, 1976.
  • Hazlitt, William. Characters of Shakespear’s Plays. 1817.
  • Hazlitt, W[illiam] Carew. Faiths and Folklore. Brand’s Popular Antiquities of Great Britain. 2 vols. 1905. (1st ed. of Brand’s work, 1777.)
  • Hazlitt, William C., ed. Shakespeare’s Library. 2nd ed. 4 vols in 6. 1875.
  • Hearn, Lafcadio. Lectures on Shakespeare. Tokyo, 1928.
  • [Heath, Benjamin.] A Revisal of Shakspear’s Text. 1765.
  • Heilbron, J. L. See Shumaker, Wayne.
  • Heilbrun, Carolyn G. Toward a Recognition of Androgyny. New York, 1973.
  • Heims, Neil. Shakespeare’s The Winter’s Tale. Expl 46, No. 4 (1988), 6–7.
  • Hellenga, Robert R. The Scandal of The Winter’s Tale. ES 57 (1976), 11–18.
  • Henderson, [John?] (1747–85). Contributor to v1785.
  • Henderson, Katherine U., & Barbara F. McManus. Half Humankind: Contexts and Texts of the Controversy about Women in England, 1540–1640. Urbana & Chicago, 1985.
  • Henke, James T. Courtesans and Cuckolds: A Glossary of Renaissance Dramatic Bawdy (Exclusive of Shakespeare). New York & London, 1979.
  • Henley, Samuel (1740–1815). Contributor to mal, v1785, v1793.
  • Henley, W. E. See Farmer, John S
  • Henn, T[homas] R. The Living Image: Shakespearean Essays. 1972.
  • Herford, C[harles] H. Shakespeare. The People’s Books 51. [1912.] (Rpt. Philadelphia: R. West, 1978.)
  • Herford, C[harles] H. Shakespeare and the Arts. BJRL 11 (1927), 273–85.
  • Herrick, Marvin T. Italian Comedy in the Renaissance. Urbana, 1960.
  • Herrick, Marvin T. Tragicomedy: Its Origin and Development in Italy, France, and England. Illinois Stud. in Lang. and Lit. 39. Urbana, 1955.
  • Hertzberg, W. Metrisches, Grammatisches, Chronologisches zu Shakespeare’s Dramen. SJ 13 (1878), 248–66.
  • Hetherington, Robert J. Shakespeare after 400 Years. The Listener 76 (1966), 812.
  • Hibbard, G. Politics in the Romances. Revue de Philologie, Filolosški Pregled. 1964, Pp. 103–16.
  • Hieatt, Charles W. The Function of Structure in The Winter’s Tale. YES 8 (1978), 238–48.
  • Higgins, John. The Nomenclator, or Remembrancer of Adrianus Junius. 1585.
  • Highfill, Philip H., Jr., ed. Shakespeare’s Craft: Eight Lectures. Carbondale, Ill., 1982.
  • Highfill, Philip H., Jr., Kalman A. Burnim, & Edward A. Langhans. A Biographical Dictionary of Actors . . . in London, 1660–1800. 16 vols. Carbondale & Edwardsville, Ill., 1973–93.
  • Hillman, Richard W. The Gillyvors Exchange in The Winter’s Tale. ESC 5 (1979), 16–23.
  • Hinman, Charlton. The Printing and Proof-reading of the First Folio of Shakespeare. 2 vols. OUP, 1963.
  • Hirschberg, Julius. The Valley (The Winter’s Tale, [1023]). SJ 56 (1920), 107.
  • Hirsh, James E. The Structure of Shakespearean Scenes. New Haven & London, 1981.
  • Hirst, David L. Tragicomedy. The Critical Idiom 43. 1984.
  • Hobson, Alan. Full Circle: Shakespeare and Moral Development. London & New York, 1972.
  • Hoeniger, F. David. The Meaning of The Winter’s Tale. UTQ 20 (1950), 11–26.
  • Hoeniger, F. David. Medicine and Shakespeare in the English Renaissance. Newark, Del., 1992.
  • Hoeniger, F. David. Shakespeare’s Romances Since 1958: A Retrospect. ShS 29 (1976), 1–10.
  • Hofling, Charles K. Notes on Shakespeare’s The Winter’s Tale. PsyR 58 (1971), 90–110.
  • Hogan, Charles B. Shakespeare in the Theatre 1701–1800: A Record of Performances in London. 2 vols. OUP, 1952–7.
  • Hogan, Charles B. See The London Stage 1660–1800.
  • Holbrook, David. The Quest for Love. 1964.
  • Holbrook, Sibyl C. Husbands in Shakspere. ShAB 20 (1945), 173–90.
  • Holden, William P. Anti-Puritan Satire 1572–1642. New Haven, 1954.
  • Holdsworth, R. V. Sexual Allusions in Love’s Labour’s Lost, The Merry Wives of Windsor, Othello, The Winter’s Tale and The Two Noble Kinsmen. 33 N&Q 3 (1986), 351–3.
  • Holinshed, Raphael. Chronicles. [1587]. 6 vols. 1807–8. With contributions by William Harrison. (Rpt. New York: AMS, 1965, 1976. 1st ed. 2 vols, 1577.)
  • Holland, Joanne F. The Gods of The Winter’s Tale. PCP 5 (1970), 34–8.
  • Holland, Norman N. Psychoanalysis and Shakespeare. New York, 1966.
  • Holland, Norman N. The Shakespearean Imagination. New York, 1964.
  • Holland, Peter. Shakespeare Performances in England, 1992. ShS 46 (1994), 159–89.
  • Hollander, John. The Untuning of the Sky: Ideas of Music in English Poetry. Princeton, 1961.
  • Holme, Randle. The Academy of Armory. Chester, 1688. (Rpt. Menston: Scolar, 1972.)
  • Holmes, Martin. Shakespeare and His Players. London & New York, 1972.
  • Holmes, Martin. Shakespeare’s Public, the Touchstone of His Genius. 1960.
  • Holt, Charles L. Notes on the Dramaturgy of The Winter’s Tale. SQ 20 (1969), 47–51.
  • Homan, Sidney R. The Tempest and Shakespeare’s Last Plays: The Aesthetic Dimensions. SQ 24 (1973), 69–76.
  • Honigmann, E[rnst] A. J. Myriad-minded Shakespeare. 1989.
  • Honigmann, E[rnst] A. J. Re-enter the Stage Direction: Shakespeare and Some Contemporaries. ShS 29 (1976), 117–25.
  • Honigmann, E[rnst] A. J. Secondary Sources of The Winter’s Tale. PQ 34 (1955), 27–38.
  • Honigmann, E[rnst] A. J. Shakespeare’s Impact on his Contemporaries. 1982.
  • Honigmann, E[rnst] A. J. Shakespeare’s Mingled Yarn and Measure for Measure. PBA 67 (1981), 101–21.
  • Honigmann, E[rnst] A. J. The Stability of Shakespeare’s Text. Lincoln, Nebr., 1965.
  • Hook, Frank S. The Manuscript Alterations in the Honeyman First Folio. PBSA 53 (1959), 334–8.
  • Hoppin, James M. The Reading of Shakespeare. Boston & New York, 1906.
  • Horne, Herbert P. Brief Note upon the Winter’s Tale. Century Guild Hobby Horse, June 1888, Pp. 109–113.
  • Horowitz, David. Shakespeare: An Existential View. London & New York, 1965.
  • Horwitz, Eve. The Truth of Your Own Seeming. Women and Language in The Winter’s Tale. Unisa English Studies 26 (1988), 7–14.
  • Hosley, Richard. The Playhouses and the Stage. A New Companion to Shakespeare Studies. Ed. Kenneth Muir & S. Schoenbaum. Cambridge, 1971. Pp. 15–34.
  • Hosley, Richard, ed. Oberon, the Fairy Prince by Ben Jonson. A Book of Masques in Honour of Allardyce Nicoll. Cambridge, 1967. Pp. 43–70.
  • Hotine, Kate. Shakespeare’s Winter’s Tale. ConR 211 (1967), 46–8.
  • Hotine, Margaret. Treason in The Winter’s Tale. N&Q 228 (1983), 127–30.
  • Hotson, Leslie. Shakespeare’s Motley. OUP, 1952.
  • Hotson, Leslie. The Wool-Dealer of Stratford. The Times, 22 Nov. 1930, p. 13.
  • Houseman, John. Final Dress. New York, 1983.
  • Howard, Skiles. Ascending the Riche Mount: Performing Hierarchy and Gender in the Henrician Masque. Rethinking the Henrician Era. Ed. Peter C. Herman. Urbana & Chicago, 1994.
  • Howard, Skiles. Rival Discourses of Dancing in Early Modern England. SEL 36 (1996), 31–56.
  • Howard-Hill, T[revor] H. The Compositors of Shakespeare’s Folio Comedies. SB 26 (1973), 61–106.
  • Howard-Hill, T[revor] H. Knight, Crane, and the Copy for the Folio Winter’s Tale. N&Q 211 (1966), 139–40.
  • Howard-Hill, T[revor] H. Ralph Crane and Some Shakespeare First Folio Comedies. Charlottesville, 1972.
  • Howard-Hill, T[revor] H. Ralph Crane’s Parentheses. N&Q 210 (1965), 334–40.
  • Howard-Hill, T[revor] H. Shakespeare’s Earliest Editor, Ralph Crane. ShS 44 (1992), 113–29.
  • Howe, P[ercival] P., ed. The Complete Works of William Hazlitt. 21 vols. [1930–4]. Vol. 5. 1930.
  • Hoy, Cyrus. Fathers and Daughters in Shakespeare’s Romances. Shakespeare’s Romances Reconsidered. Ed. Carol McG. Kay & Henry E. Jacobs. Lincoln, Nebr., 1978. Pp. 77–90.
  • Hoy, Cyrus. The Hyacinth Room: An Investigation into the Nature of Comedy, Tragedy, & Tragicomedy. New York, 1964.
  • Hoy, Cyrus. Jacobean Tragedy and the Mannerist Style. ShS 26 (1973), 49–67.
  • Hudson, Henry N. (1814–86). Contributor to cam2.
  • Hudson, Henry N. Lectures on Shakspeare. 2 vols. New York, 1848. (Rpt. New York: AMS, 1971.)
  • Hudson, Henry N. Shakespeare: His Life, Art, and Characters. 2 vols. 4th ed., rev. Boston, 1872. (Rpt. New York: AMS, 1973. 1st ed. 1855.)
  • Hughes, Merritt Y. A Classical vs. a Social Approach to Shakspere’s Autolycus. ShAB 15 (1940), 219–26.
  • Hugo, François-Victor, tr. Œuvres Complètes de W. Shakespeare. 18 vols. Paris, 1865–73. Vol. 4, 1868. (1st ed. Paris, 1859–66.)
  • Hulme, Hilda M. Explorations in Shakespeare’s Language. 1962.
  • Hulme, Hilda M. The Spoken Language and the Dramatic Text: Some Notes on the Interpretation of Shakespeare’s Language. SQ 9 (1958), 379–86.
  • Hunt, Maurice. Leontes’ Affection and Renaissance Intention: Winter’s Tale I.ii.135–46 [211–22]. UMSE 4 (1983), 49–55.
  • Hunt, Maurice. Shakespeare’s Romance of the Word. 1990.
  • Hunt, Maurice. Standing in Rich Place: The Importance of Context in The Winter’s Tale. RMR 38 (1984), 13–33.
  • Hunt, Maurice. The Three Seasons of Mankind: Age, Nature, and Art in The Winter’s Tale. ISJR 58 (1984), 299–309.
  • Hunter, Edwin R. Shakspere and Common Sense. Boston, 1954.
  • Hunter, G[eorge] K. Elizabethans and Foreigners. ShS 17 (1964), 37–52.
  • Hunter, G[eorge] K., ed. All’s Well That Ends Well. New Arden Sh., 1962.
  • Hunter, G[eorge] K., ed. The Malcontent. By John Marston. The Revels Plays. 1975.
  • Hunter, Joseph. New Illustrations of the Life, Studies, and Writings of Shakespeare. 2 vols. 1845. (Rpt. New York: AMS, 1976.)
  • Hunter, Mark. Act- and Scene-Division in the Plays of Shakespeare. RES 2 (1926), 295–310.
  • Hunter, Robert G. Shakespeare and the Comedy of Forgiveness. New York, 1965.
  • Huntley, Richard W. A Glossary of the Cotswold (Gloucestershire) Dialect. 1868.
  • Hurd, Myles. Shakespeare’s Paulina: Characterization and Craftsmanship in The Winter’s Tale. CLAJ 26 (1983), 303–10.
  • Hurdis, James. Cursory Remarks upon the Arrangement of the Plays of Shakespear. 1792.
  • Hussey, S[tanley] S. The Literary Language of Shakespeare. 2nd ed. London & New York, 1992. (1st ed. 1982.)
  • Ingleby, C[lement] M. Mr. Collier’s Notes and Emendations: Passage in The Winter’s Tale [1811]. 1 N&Q 7 (1853), 378–9.
  • Ingleby, C[lement] M. Shakespeare and Greene’s Diary. 6 N&Q 11 (1885), 410.
  • Ingleby, C[lement] M. Shakespeare Hermeneutics, or The Still Lion. 1875. (First pub. as The still Lion. An essay towards the restoration of Shakespeare’s text. SJ 2 [1867], 196–243; enl. as The Still Lion, 1874.)
  • Ingleby, C[lement] M. Shakespeare’s Centurie of Prayse. 2nd ed. Rev. Lucy Toulmin Smith.1879.
  • Ingleby, C[lement] M. Shakespeare, the Man and the Book. 2 vols. 1877–81.
  • Ingleby, Holcombe. Winter’s Tale [2279–81]. 8 N&Q 7 (1894), 64.
  • Ingram, John K. On the Weak Endings of Shakspere. New Shakspere Society’s Transactions 1874. [1874]. Pp. 442–64. (Rpt. Vaduz: Kraus, 1965.)
  • Ingram, R. W. Musical Pauses and the Vision Scene in Shakespeare’s Last Plays. Pacific Coast Studies in Shakespeare. Ed. Waldo F. McNeir & Thelma N. Greenfield. Eugene, Ore., 1966. Pp. 234–47.
  • Ioppolo, Grace. Revising Shakespeare. Cambridge, Mass., 1991.
  • Irvine, Theodora. A Pronouncing Dictionary of Shakespearean Proper Names. New York, 1945. (1st ed. 1919.)
  • Isaacs, J[acob]. Shakespeare. The Listener 76 (1966), 895–6.
  • Isaacs, J[acob]. Shakespeare after 400 Years. The Listener 76 (1966), 685–7.
  • Isaacs, J[acob]. Shakespeare’s Earliest Years in the Theatre. Proceedings of the British Academy 39 (1953), 119–38.
  • Iwasaki, Soji. Nature Triumphant: Approach to The Winter’s Tale. Sophia Univ. Ren. Monographs 10. Tokyo, 1984.
  • Iwasaki, Soji. Veritas Filia Temporis and Shakespeare. ELR 3 (1973), 249–63.

J-L

  • J., H. B. Prigging Tooth or Pugging Tooth. 1 N&Q 7 (1853), 257–8.
  • Jabez. Land-damn. 5 N&Q 3 (1875), 383–4.
  • Jackson, Russell. Shakespeare in Liverpool: Edward Saker’s Revivals, 1876–81. TN 32 (1978), 100–9.
  • Jackson, Zachariah. A Few Concise Examples of Seven Hundred Errors in Shakspeare’s Plays. 1818. (2nd ed., enl., 1818.)
  • Jackson, Zachariah. Shakspeare’s Genius Justified: Being Restorations and Illustrations of Seven Hundred Passages in Shakspeare’s Plays. 1819.
  • Jacobs, Henry E. See Kay, Carol McG.
  • Jacquot, Jean. The Last Plays and the Masque. Shakespeare 1971: Proceedings of the World Shakespeare Congress, Vancouver, August 1971. Ed. Clifford Leech & J. M. R. Margeson. Toronto, 1972. Pp. 156–73.
  • Jain, S. A. Shakespeare’s Conception of Ideal Womanhood. Madras, 1948.
  • James, D[avid] G. Scepticism and Poetry. 1937.
  • Jameson, [Anna B.]. Shakspeare’s Heroines: Characteristics of Women, Moral, Poetical, and Historical. 2nd ed. 1889. (Rpt. New York: AMS, 1967. First pub. as Characteristics of Women, Moral, Poetical, and Historical. 2 vols. 1832; 2nd ed. first pub. 1833.)
  • Jamieson, Michael. Shakespeare’s Celibate Stage: The Problem of Accommodation to the Boy-Actress in As You Like It, Antony and Cleopatra, and The Winter’s Tale. Papers Mainly Shakespearian. Ed. G[eorge] I. Duthie. Aberdeen Univ. Stud. 147. Edinburgh & London, [1964]. Pp. 21–39.
  • Jarrell, Randall. Four Shakespeare Plays. Kipling, Auden & Co. New York, 1980. Pp. 328–31. (First pub. 1961.)
  • Jervis, Swynfen. Dictionary of the Language of Shakespeare. [Ed. Alexander Dyce.] 1868.
  • Jervis, Swynfen. Proposed Emendations of the Text of Shakspeare’s Plays. 1860. (2nd, rev. ed. 1861.)
  • Jewkes, Wilfred T. Act Division in Elizabethan and Jacobean Plays. Hamden, Conn., 1958.
  • Johnson, Samuel. A Dictionary of the English Language. 2 vols. 1755. (Rpt. New York: AMS, 1967. 4th, rev. ed., 2 vols., 1773, rpt. Beirut: Librairie du Liban, 1978.)
  • Johnson, Samuel. Proposals for Printing, by Subscription, The Dramatick Works of William Shakespeare. 1756. Johnson on Shakespeare. Ed. Arthur Sherbo. Vol. 7 of The Yale Edition of the Works of Samuel Johnson. New Haven & London, 1968. Pp. 51–8.
  • Jonas, Maurice. Shakespeare and the Stage. 1918. (Rpt. Folcroft, Pa.: Folcroft, 1969.)
  • Jones, Emrys. The Origins of Shakespeare. OUP, 1977.
  • Jones, Emrys. Scenic Form in Shakespeare. OUP, 1971.
  • Jones, Gemma. Hermione in The Winter’s Tale. Players of Shakespeare: Essays in Shakespearean Performance by Twelve Players with the Royal Shakespeare Company. Ed. Philip Brockbank. Cambridge, 1985.
  • Jorgens, Elise B., ed. English Song 1600–1675. 12 vols. 1986–9.
  • Jorgensen, Paul A. Redeeming Shakespeare’s Words. Berkeley, 1962.
  • Joseph, Sr. Miriam. See Miriam Joseph, Sr.
  • Josephs, Lois. Shakespeare and a Coleridgean Synthesis: Cleopatra, Leontes, and Falstaff. SQ 18 (1967), 17–21.
  • Jusserand, J[ean] J. Ben Jonson’s Views on Shakespeare’s Art. The Works of William Shakespeare. Ed. A. H. Bullen. 10 vols. 1904–7. 10 (1907): 297–319. (Rpt. in Jusserand, The School for Ambassadors and Other Essays, 1925, pp. 255–88; rpt. Freeport, N.Y.: Books for Libraries, 1968.)
  • Jusserand, J[ean] J. The English Novel in the Time of Shakespeare. Tr. Elizabeth Lee. 1890. (New ed. 1966; 1st Fr. ed. 1887.)
  • Jusserand, J[ean] J. Introduction. Winter’s Tale. Works. Ed. Sidney Lee. 40 vols. New York, 1907–9. 15 (1907): ix–xlv.
  • Jusserand, J[ean] J. Winter’s Tale. The School for Ambassadors and Other Essays. 1925. Pp. 227–52. (Rpt. Freeport, N.Y.: Books for Libraries, 1968. First pub. 1907.)
  • Kable, William S. Compositor B, The Pavier Quartos, and Copy Spellings. SB 21 (1968), 131–61.
  • Kahn, Coppélia. The Providential Tempest and the Shakespearean Family. Representing Shakespeare. Ed. Murray M. Schwartz & Coppélia Kahn. Baltimore, 1980. Pp. 217–43. (Rpt. in Man’s Estate: Masculine Identity in Shakespeare, Berkeley, 1981, pp. 193–225.)
  • Kail, Aubrey C. The Medical Mind of Shakespeare. Balgowlah, New South Wales, 1986.
  • Kamachi, Mitsuru. The Theme of Time in The Winter’s Tale. Albion (Kyoto Univ.) 25 1979, 18–38.
  • Kamachi, Mitsuru. What’s in a Name?: Hermione and the Hermetic Tradition in The Winter’s Tale. Shakespeare Studies (Japan) 29 (1991), 21–36.
  • Kamachi, Mitsuru. Would Her Name Were Grace: A Reconsideration of The Winter’s Tale. Shakespeare Studies (Japan) 18 (1979–80; 1983), 57–71.
  • Karimipour, Zahra. See Berkeley, David S.
  • Kastan, David S. Shakespeare and The Way of Womenkind. Daedalus 111.3 (1982), 115–30.
  • Kato, Yukio. On Leontes’ Jealousy: Plausibility in The Winter’s Tale. Bulletin of Kyoto Univ. of Education Ser. A, No. 63 (1983), 117–39.
  • Kaul, Mythili. The Old Shepherd’s Speech in The Winter’s Tale. UCrow 7 (1987), 96–100.
  • Kaula, David. Autolycus’ Trumpery. SEL 16 (1976), 287–303.
  • Kay, Carol McG. Alabama Shakespeare Festival. SQ 28 (1977), 220–3.
  • Kay, Carol McG. & Henry E. Jacobs, eds. Shakespeare’s Romances Reconsidered. Lincoln, Nebr., 1978.
  • Kean, Charles. Preface. The Winter’s Tale . . . As First Performed on Monday, April 28th, 1856. [1856.] Pp. v–x. (Rpt. Cornmarket, 1970.)
  • Keeton, George W. Shakespeare and His Legal Problems. 1930. (Rpt. Buffalo: William S. Hein, 1987. Rev. in Shakespeare’s Legal and Political Background, 1967.)
  • Keightley, Thomas (1789–1872). Contributor to cam1.
  • Keightley, Thomas. Shakspeare Emendations. 1 N&Q 7 (1853), 44–5. Continued in Shakspeare Criticism, pp. 615–16, and in Etymologies, 2 N&Q 4 (1857), 86–7.
  • Keightley, Thomas. The Shakespeare-Expositor: An Aid to the Perfect Understanding of Shakespeare’s Plays. 1867. (Rpt. New York: AMS, 1973.)
  • Kellett, E[rnest] E. Suggestions: Literary Essays. Cambridge, 1923. (Rpt. Freeport, N.Y.: Books for Libraries, 1969.)
  • Kellner, Leon. Restoring Shakespeare: A Critical Analysis of the Misreadings in Shakespeare’s Works. Leipzig & London, 1925. (Rpt. New York: Biblo & Tannen, 1969.)
  • Kennedy, Dennis. Granville Barker and the Dream of Theatre. Cambridge, 1985.
  • Kennedy, Dennis. Looking at Shakespeare. Cambridge, 1993.
  • Kennedy, Milton B. The Oration in Shakespeare. Chapel Hill, 1942.
  • Kennet. Shakespeare. The Listener 76 (1966), 969.
  • Kenrick, W[illiam]. A Review of Doctor Johnson’s New Edition of Shakespeare: In which the Ignorance, or Inattention, of That Editor is Exposed. 1765.
  • Kermode, Frank. Shakespeare: The Final Plays. Writers and Their Work 155. 1963.
  • Kermode, Frank, ed. The Tempest. By William Shakespeare. Arden Sh. Cambridge, Mass., 1954.
  • Kernan, Alvin. The plays and playwrights. The Revels History of Drama in English. Ed. J[ohn] Leeds Barroll et al. 8 vols. 1975–83. 3 (1975): 237–474.
  • K[ersey], J[ohn]. Dictionarium Anglo-Britannicum. 1708. (Rpt. Menston: Scolar, 1969.)
  • K[ersey], J[ohn]. A New English Dictionary. 1702. (Rpt. Menston: Scolar, 1969.)
  • Kettle, Arnold, ed. Shakespeare in a Changing World. New York, 1964.
  • Kiessling, Nicholas K. The Winter’s Tale, II.iii.103–7 [1026–30]. An Allusion to the Hag-Incubus. SQ 28 (1977), 93–5.
  • Kilbourne, Frederick W. Alterations and Adaptations of Shakespeare. Boston, 1906. (Rpt. New York: AMS, 1973.)
  • Kilgour, Henry. Land-damn. 5 N&Q 3 (1875), 384.
  • Kimmins, Grace T. Songs from the Plays of William Shakespeare, with Dances. 1928. (First pub. c. 1911–13.)
  • Kines, Tom. Songs from Shakespeare’s Plays and Popular Songs of Shakespeare’s Time. New York, 1964.
  • King, T[homas] J. Casting Shakespeare’s Plays: London Actors and Their Roles, 1590–1642. Cambridge, 1992.
  • Kinnear, Benjamin G. Cruces Shakespearianæ: Difficult Passages in the Works of Shakespeare. 1883.
  • Kinnear, Benjamin G. The Winter’s Tale [744]. Shakespeariana 2 (1885), 259–60.
  • Kirsch, Arthur. Shakespeare and the Experience of Love. Cambridge, 1981.
  • Kitto, H[umphrey] D. F. Greek Tragedy. 1939. (Rpt. Garden City, N.Y.: Doubleday, 1954.)
  • Klein, Julius L. Geschichte des Drama’s. 13 vols. in 15. Leipzig, 1865–76.
  • Knight, G[eorge] Wilson. The Christian Renaissance with . . . New Discussions of Oscar Wilde and the Gospel of Thomas. 1962. (1st ed. Toronto, 1933.)
  • Knight, G[eorge] Wilson. The Crown of Life: Essays in Interpretation of Shakespeare’s Final Plays. OUP, 1947. (Rpt. New York, 1966.)
  • Knight, G[eorge] Wilson. Principles of Shakespearian Production. London & New York, 1936. (Reissued as Shakespearian Production, London & Evanston, Ill., 1964.).
  • Knight, G[eorge] Wilson. The Shakespearian Tempest. OUP, 1932. (Rpt. London: Methuen, 1960.)
  • Knight, G[eorge] Wilson. The Sovereign Flower. 1958.
  • Knights, L. C. Integration in The Winter’s Tale. SR 84 (1976), 595–613. (Rpt. in William Shakespeare’s The Winter’s Tale, ed. Harold Bloom, New York, 1987.)
  • Knobel, E. B. Astronomy and Astrology. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 1:444–61.
  • Knowles, Richard. Private contributor.
  • Knowles, Richard, ed. As You Like It. A New Variorum Ed. of Sh. New York, 1977.
  • Knowles, Richard P. History as Metaphor: Daphne Dare’s Late 19th- and Early 20th-Century Settings for Shakespeare at Stratford, Ontario, 1975–1980. THSt 5 (1985), 20–40.
  • Knowles, Richard P. The More Delay’d Delighted: Theophanies in the Last Plays. ShakS 15 (1982), 269–80.
  • Knowlton, Edgar C. Nature and Shakespeare. PMLA 51 (1936), 719–44.
  • Kökeritz, Helge. Shakespeare’s Names: A Pronouncing Dictionary. New Haven, 1959.
  • Kökeritz, Helge. Shakespeare’s Pronunciation. New Haven, 1953.
  • Koeppel, Emil. Ein Vorbild für Shaksperes Statue der Hermione. Archiv 97 (1896), 329–32.
  • Kolbe, F[rederick] C. Shakespeare’s Way: A Psychological Study. 1930.
  • Koppel, Richard. Scenen-Eintheilungen und Orts-Angaben in den Shakespeare’schen Dramen. SJ 9 (1874), 269–94.
  • Kozmian, Stanislaus. A Winter’s Tale. Athenæum No. 2506 (6 Nov. 1875), 609.
  • Kreider, Paul V. Elizabethan Comic Character Conventions. Ann Arbor, 1935. (Rpt. New York: Octagon, 1975.)
  • Kreider, Paul V. Repetition in Shakespeare’s Plays. Princeton, 1941. (Rpt. New York: Octagon, 1975.)
  • Krier, Theresa M. The Triumph of Time: Paradox in The Winter’s Tale. CentR 26 (1982), 341–53.
  • Künstler, Ernst. Böhmen am Meer. SJ 91 (1955), 212–16.
  • Künstler, Ernst. Julio Romano im Wintermärchen. SJ 92 (1956), 291–8.
  • Kuhl, E. P. The Winter’s Tale. TLS, 9 May 1952, p. 313.
  • Lamb, Mary E. Ovid and The Winter’s Tale. Shakespeare and Dramatic Tradition. Ed. W. R. Elton & William B. Long. 1989. Pp. 69–87.
  • Lambrechts, Guy. Proposed New Readings in Shakespeare: The Comedies. Homage à Shakespeare: Bull. de la Faculté des Lettres de Strasbourg 43 (1965), 945–58.
  • Lamson, Roy, Jr. English Broadside Ballad Tunes 1500–1700. Harvard diss., 1936.
  • Lancaster, H. Carrington. Hermione’s Statue. SP 29 (1932), 233–8.
  • Lande, Maydee G. The Winter’s Tale: A Question of Motive. AI 43 (1986), 51–65.
  • Lang, Andrew. The Comedies of Shakespeare. XI.—The Winter’s Tale. Harper’s New Monthly Mag. 88 (1894), 710–20.
  • Langbaine, Gerard. An Account of the English Dramatick Poets. Oxford, 1691.
  • Langlin, J. N. On Shakespeare’s Provincialisms. Shakespeariana 1 (1883–4), 185–8.
  • Langman, F. H. The Winter’s Tale. SoRA 9 (1976), 195–204.
  • Langworthy, Charles A. A Verse-Sentence Analysis of Shakespeare’s Plays. PMLA 46 (1931), 738–51.
  • Laroque, François. Feasts and Festivity in The Winter’s Tale. A Study of the Sheep-shearing Scenes. CahiersE 6 (Oct. 1974), 8–14.
  • Laroque, François. A New Ovidian Source for the Statue Scene in The Winter’s Tale. N&Q 229 (1984), 215–17.
  • Laroque, François. Pagan Ritual, Christian Liturgy, and Folk Customs in The Winter’s Tale. CahiersE 22 (Oct. 1982), 25–33.
  • Laroque, François. The Winter’s Tale. CahiersE 10 (Oct. 1976), 90–2.
  • Laroque, François. The Winter’s Tale. CahiersE 34 (Oct. 1988), 97–9.
  • Lascelles, Mary. Shakespeare’s Pastoral Comedy. More Talking of Shakespeare. Ed. John Garrett. London & New York, 1959. Pp. 70–86. (Rpt. in Notions and Facts: Collected Criticism and Research, OUP, 1972.)
  • Latham, Grace. Some of Shakspere’s Metaphors, and His Use of Them in the Comedies. New Shakspere Society’s Transactions 1887–92. [1892]. Pp. 397–427. (Read 8 Apr. 1892.)
  • Latham, R. G. The Coast of Bohemia, in The Winter’s Tale. Athenæum No. 2594 (14 July 1877), 48–9.
  • Lathrop, H. B. Shakespeare’s Dramatic Use of Songs. MLN 23 ((1908)), 1–5.
  • Latimer, Kathleen. The Communal Action of The Winter’s Tale. The Terrain of Comedy. Ed. Louise Cowan. Dallas, 1984. Pp. 125–42.
  • Lavater, Lewes [i.e., Ludwig]. Of Ghostes and Spirites Walking by Nyght. Tr. R. H. 1572. Ed. J. Dover Wilson & May Yardley. Oxford, 1929.
  • Law, Robert Adger. On Certain Proper Names in Shakespeare. Studies in English 30 (1951), 61–5.
  • Law, Robert Adger. On the Dating of Shakespere’s Plays. SAB 11 (1936), 46–51, 141.
  • Lawlor, John J. Pandosto and the Nature of Dramatic Romance. PQ 41 (1962), 96–113.
  • Lawrence, W[illiam] J. Speeding Up Shakespeare. 1937. (Rpt. New York: Blom, 1968.)
  • Lawrence, W[illiam] J. Thomas Ravenscroft’s Theatrical Associations. MLR 19 (1924), 418–23.
  • Lawrence, W[illiam] J. Those Nut-Cracking Elizabethans. 1935. (Rpt. New York: Haskell House, 1969.)
  • Lawrence, William W. Shakespeare’s Problem Comedies. Baltimore, 1969. (1st ed. 1931; rev. ed. 1960.)
  • Leavis, F. R. The Criticism of Shakespeare’s Late Plays: A Caveat. Scrutiny 10 (1942), 337–45. (Rpt. in The Common Pursuit, 1952, pp. 173–81.)
  • Lee, Sidney. Bearbaiting, Bullbaiting, and Cockfighting. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 2:428–36.
  • Lee, Sidney. Introduction. Shakespeare’s Comedies, Histories & Tragedies Being a Reproduction of the First Folio Edition 1623. OUP, 1902, Pp. xi–xxxv.
  • Leech, Clifford. Masking and Unmasking in the Last Plays. Shakespeare’s Romances Reconsidered. Ed. Carol McG. Kay & Henry E. Jacobs. Lincoln, Nebr., 1978. Pp. 40–59.
  • Leech, Clifford. Shakespeare’s Songs and the Double Response. The Triple Bond: Plays, Mainly Shakespearean, in Performance. Ed. Joseph G. Price. University Park, Pa., & London, 1975. Pp. 73–91.
  • Leech, Clifford. Shakespeare’s Tragedies and Other Studies in Seventeenth-Century Drama. OUP, 1950.
  • Leech, Clifford. The Structure of the Last Plays. ShS 11 (1958), 19–30.
  • Leech, Clifford, & Alice Shalvi, eds. Shakespeare 1971: Proceedings of the World Shakespeare Congress, Vancouver, August 1971. Toronto, 1972.
  • Lees, Francis N. Plutarch and The Winter’s Tale. N&Q 221 (1976), 161–2.
  • Legouis, Émile. Çà et Là. A Book of Homage to Shakespeare. Ed. Israel Gollancz. OUP, 1916, Pp. 405–10.
  • Leimberg, Inge. Give me thy hand: Some Notes on the Phrase in Shakespeare’s Comedies and Tragedies. Shakespeare: Text, Language, Criticism. Ed. Bernhard Fabian & Kurt Tetzeli von Rosador. Hildesheim, 1987. Pp. 118–46.
  • Leimberg, Inge. The Image of Golden Aphrodite: Some Observations on the Name Hermione. SJH, 1988. Pp. 130–49.
  • [Lennox, Charlotte R.] Shakespear Illustrated. 3 vols. 1753–4. (Rpt. New York: AMS, 1973.)
  • Lenz, Joseph M. The Promised End: Romance Closure in the Gawain-poet, Malory, Spenser, and Shakespeare. New York, 1986.
  • Lerner, Laurence. An Essay on Pastoral. EIC 20 (1970), 275–97. (Rpt. in The Uses of Nostalgia: Studies in Pastoral Poetry, 1972, pp. 275–97.)
  • Lettsom, William N. (1796–1865). Contributor to dyce1 and dyce2.
  • Lettsom, William N. (1796–1865). Contributor to William S. Walker 1854 and 1860.
  • Lettsom, William N. (1796–1865). New Readings in Shakespeare. Blackwood’s Edinburgh Mag. 74 (1853), 181–202, 303–24, 451–74.
  • Lettsom, William N. (1796–1865). The Winter’s Tale, [1789]. 1 N&Q 7 (1853), 378.
  • Lever, J. W. Three Notes on Shakespeare’s Plants. RES 3 (1952), 117–29.
  • Levin, Harry. Shakespeare’s Nomenclature. Essays on Shakespeare. Ed. Gerald W. Chapman. Princeton, 1965. Pp. 59–90.
  • Levith, Murray J. What’s in Shakespeare’s Names. Hamden, Conn., 1978.
  • Lewes, Louis. The Women of Shakespeare. Tr. Helen Zimmern. 1894. (1st Ger. ed. 1893.)
  • Lewis, [John Delaware? (1828–84)]. Contributor to cam1.
  • Lievsay, John L. Stefano Guazzo and the English Renaissance. Chapel Hill, 1961.
  • Linden, Stanton J. Perdita and the Gillyvors: The Winter’s Tale [1887–1916]. N&Q 224 (1979), 140.
  • Lindenbaum, Peter. Changing Landscapes: Anti-Pastoral Sentiment in the English Renaissance. Athens, Ga., 1986.
  • Lindenbaum, Peter. Time, Sexual Love, and the Uses of Pastoral in The Winter’s Tale. MLQ 33 (1972), 3–22.
  • Linley, William, ed. Shakespeare’s Dramatic Songs. 2 vols. 1816.
  • Linthicum, M[arie] C. Costume in the Drama of Shakespeare and his Contemporaries. OUP, 1936.
  • Lippmann, Edmund O. von. Shakespeare’s Ignorance? New Review 4 (1891), 250–4.
  • Littledale, H[arold]. Folklore and Superstitions: Ghosts and Fairies: Witchcraft and Devils. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 1:516–46.
  • Littledale, H[arold], ed. The Two Noble Kinsmen. By William Shakspere & John Fletcher. 2 Pts. Pt. 1. Revised Text and Notes. 1876.
  • Littlefield, T. H. Shakespeare in Upstate New York. SQ 33 (1982), 207–8.
  • Litto, Fredric M. The Coherence of the Oracle of Delphi in The Winter’s Tale. EAA 5–6 (1981–2), 163–71.
  • Livingston, Mary L. The Natural Art of The Winter’s Tale. MLQ 30 (1969), 340–55.
  • Lloyd, Julius (1830–92). Contributor to cam1.
  • Lloyd, William W. (1813–93). Contributor to sing2.
  • Lloyd, William W. (1813–93. Critical Essays on the Plays of Shakespeare. 1894. (1st ed. 1858; rpt. 1875.)
  • Lloyd, William W. (1813–93. Winter’s Tale [575–6]. 8 N&Q 1 (1892), 470–1.
  • Lloyd Evans, Gareth. The Upstart Crow. An Introduction to Shakespeare’s Plays. Ed. and rev. Barbara Lloyd Evans. 1982.
  • The London Stage 1660–1800. Ed. William Van Lennep, Emmett L. Avery, Arthur H. Scouten, George W. Stone, & Charles B. Hogan. 5 pts. in 11 vols. Carbondale, Ill., 1960–8. Index ed. Ben R. Schneider, Jr. 1979.
  • Long, John H. Shakespeare’s Use of Music: The Final Comedies. Gainesville, Fla., 1961.
  • Lothian, J. M. Shakespeare’s Knowledge of Aretino’s Plays. MLR 25 (1930), 415–24.
  • Lounsbury, Thomas R. Shakespeare as a Dramatic Artist. New York, 1901.
  • Lovejoy, Arthur O. Essays in the History of Ideas. Baltimore, 1948.
  • Lovejoy, Arthur O., & George Boas. Primitivism and Related Ideas in Antiquity. Vol. 1 of A Documentary History of Primitivism & Related Ideas. Baltimore, 1935. (Rpt. New York: Octagon, 1965.)
  • Ludwig, Jay B. Shakespearean Decorum: An Essay on The Winter’s Tale. Style 8 (1974), 365–404.
  • Lüders, Ferdinand. Prolog und Epilog bei Shakespeare. SJ 5 (1870), 274–91.
  • Lüthi, Max. Shakespeares Dramen. Berlin, 1957.
  • Luserke, Martin. Pan, Apollon, Prospero: Ein Mittsommernachstraum, Die Winterssage und Der Sturm. Zur Dramaturgie von Shakespeare-Spielen. Hamburg, 1957.
  • Lyons, Clifford. Stage Imagery in Shakespeare’s Plays. Essays on Shakespeare and Elizabethan Drama in Honor of Hardin Craig. Ed. Richard Hosley. Columbia, Mo., 1962. Pp. 261–74.

M-O

  • MacDonald, George. Orts. 1882. (Rpt. as The Imagination and Other Essays, Boston, 1883, and, enl., as A Dish of Orts, 1908.)
  • MacDonald, Michael. Magic, Science, and Folklore. William Shakespeare: His World, his Work, his Influence. Ed. John F. Andrews. 3 vols. New York, 1985. 1:175–94.
  • Macdonald, Susan. A Conversation in The Winter’s Tale. Graduate English Papers (Arizona), 6 (1974), 1–2.
  • Mack, Maynard. Engagement and Detachment in Shakespeare’s Plays. Essays on Shakespeare and Elizabethan Drama in Honor of Hardin Craig. Ed. Richard Hosley. Columbia, Mo., 1962. Pp. 275–96.
  • Mackail, J[ohn] W. Lectures on Poetry. OUP, 1911. (Rpt. Freeport, N.Y.: Books for Libraries, 1967.)
  • Mackay, Charles. New Light on Some Obscure Words and Phrases in the Works of Shakspeare and his Contemporaries. 1884.
  • Mackenzie, Agnes M. The Women in Shakespeare’s Plays. 1924.
  • Mackinnon, Lachlan. Shakespeare the Aesthete: An Exploration of Literary Theory. Houndmills, 1988.
  • MacNeice, Louis. Autolycus. The Collected Poems of Louis MacNeice. Ed. E. R. Dodds. New York, 1967.
  • Macquoid, Percy. Costume. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 2:91–118.
  • Madden, D[odgson] H. The Diary of Master William Silence. 1897.
  • Magnusson, A. Lynne. Finding Place for a Faultless Lyric: Verbal Virtuosity in The Winter’s Tale. UCrow 9 (1989), 96–106.
  • Mahon, John. Perdita’s Reference to Proserpina in Act IV of The Winter’s Tale. N&Q 229 (1984), 214–15.
  • Mahood, M[olly] M. Bit Parts in Shakespeare’s Plays. Cambridge, 1992.
  • Mahood, M[olly] M. The Fatal Cleopatra: Shakespeare and the Pun. EIC 1 (1951), 193–207.
  • Mahood, M[olly] M. Shakespeare’s Wordplay. 1957. (Rpt. London: Methuen, 1965.)
  • Maitland, J. A. Fuller, & W. Barclay Squire, eds. The Fitzwilliam Virginal Book. 2 vols. 1899. (Rpt. New York: Dover, 1979.)
  • Maitra, Sitansu. Shakespeare’s Comic Idea. Calcutta, 1960.
  • Male, David A. The Winter’s Tale. Shakespeare on Stage. Cambridge, 1984.
  • Malone, Edmond (1741–1812). Contributor to v1778, v1785, v1793, v1821.
  • Malone, Edmond. An Attempt to Ascertain the Order in Which the Plays Attributed to Shakspeare Were Written. The Plays of William Shakspeare. Ed. Samuel Johnson & George Steevens. Vol. 1. 1778. 269–346. 10 vols.
  • Malone, Edmond. A Second Appendix to Mr. Malone’s Supplement to the Last Edition of the Plays of Shakspeare. 1783.
  • Malone, Edmond. Supplement to the Edition of Shakspeare’s Plays Published in 1778. 2 vols. 1780.
  • Manning, H. C. Shakespeare’s Speache: Echoes of Elizabethan and Stuart Pronunciation. Dorchester, 1929.
  • Manwayring, Henry. The Sea-mans Dictionary. 1644. (Rpt. Menston: Scolar, 1972.)
  • Marcham, Frank. The King’s Office of the Revels 1610–1622. 1925.
  • Marder, Louis. Shakespeare’s Musical Background. MLN 65 (1950), 501–3.
  • Markel, Michael H. Why Hermione Lives But Desdemona Dies: An Approach to Shakespearian Genre Definition. Publications of the Arkansas Philological Assn. 4, No. 2 (1978), 50–6.
  • Marks, Jeannette. English Pastoral Drama. 1908.
  • Marsh, Derick R. C. The Recurring Miracle: A Study of Cymbeline and the Last Plays. Pietermaritzburg, South Africa, [1962]. (Rpt. Lincoln, Nebr., [1969]. 3rd ed. Sydney, 1980.)
  • Marshall, Cynthia. Dualism and the Hope of Reunion in The Winter’s Tale. Soundings 69 (1986), 294–309.
  • Martin, Helena Faucit. Shakespeare’s Women: . . . Hermione. Blackwood’s Edinburgh Mag. 149 (1891), 1–37. (Rpt. in On Some of Shakespeare’s Female Characters, 5th ed., 1893, pp. 337–92, rpt. New York: AMS, 1970.)
  • Martinet, Marie-Madeleine. Images de l’Art et Temps Theatral, ou le Seuil de l’Ombre. Verité et Illusion dans le Theatre au Temps de la Renaissance. Ed. M. T. Jones-Davies. Paris, 1983. (Translation forbidden.)
  • Martinet, Marie-Madeleine. The Winter’s Tale et Julio Romano. EA 28 (1975), 257–68.
  • Martz, Louis L. Shakespeare’s Humanist Enterprise: The Winter’s Tale. English Renaissance Studies Presented to Dame Helen Gardner in Honour of her Seventieth Birthday. Ed. John Carey. Oxford, 1980, Pp. 114–31.
  • Marudanayagam, P. Shakespeare’s The Winter’s Tale [414–23]. Expl 41, No. 3 (1983), 18–19.
  • Marx, Leo. The Machine in the Garden. New York, 1964.
  • Marx, Theodor. Land-damn. 5 N&Q 4 (1875), 102.
  • Masefield, John. William Shakespeare. Home Univ. Libr. of Modern Knowledge. Rev. ed. 1912. (Rpt. in Folcroft, Pa: Folcroft Library Eds., 1978. 1st ed. 1911.)
  • Mason, John Monck (1726–1809). Contributor to mal.
  • Mason, John Monck. Comments on the Last Edition of Shakespeare’s Plays. 1785.
  • Mason, John Monck. Comments on the Plays of Beaumont and Fletcher, with … Some Further Observations on Shakespeare. 1798.
  • Masson, David. Shakespeare Personally. 1914.
  • Matchett, William H. Some Dramatic Techniques in The Winter’s Tale. ShS 22 (1969), 93–107.
  • Mathew, F[rank]. An Image of Shakespeare. 1922. (Rpt. New York: Haskell House, 1972.)
  • Matthews, [James] Brander. Shakspere as a Playwright. 1913. (Rpt. New York: AMS, 1970.)
  • Matthews, [James] Brander. A Study of the Drama. New York, 1910.
  • Maveety, Stanley R. Hermione, a Dangerous Ornament. SQ 14 (1963), 485–6.
  • Maveety, Stanley R. What Shakespeare Did With Pandosto: An Interpretation of The Winter’s Tale. Pacific Coast Studies in Shakespeare. Ed. Waldo F. McNeir & Thelma N. Greenfield. Eugene, Ore., 1966. Pp. 263–79.
  • Maxwell, J[ames] C. (1916–76). Contributor to ard2.
  • Maxwell, J[ames] C. (1916–76). The Ghost from the Grave: A Note on Shakespeare’s Apparitions. DUJ 48 (1956), 55–9.
  • Maxwell, J[ames] C. (1916–76). Rev. of Kenneth Muir, Shakespeare’s Sources. Vol. I: Comedies and Tragedies. RES NS 9 (1958), 314–16.
  • Maxwell, J[ames] C. (1916–76), ed. Cymbeline. New [Cambridge] Sh. 1960.
  • McClenthen, F. C. A Passage in The Winter’s Tale [575–7]. Shakespeariana 5 (1888), 168–9.
  • McCloskey, John C. Shakespeare’s The Winter’s Tale, I, ii. Expl 23 (1965), no. 40.
  • McDonald, Russ. Poetry and Plot in The Winter’s Tale. SQ 36 (1985), 315–29.
  • McFarland, Thomas. Shakespeare’s Pastoral Comedy. Chapel Hill, 1972.
  • McIver, Bruce. Shakespeare’s Miraculous Deception: Transcendence in The Winter’s Tale. MSpr 73 (1979), 341–51.
  • McKenzie, D. F. Compositor B’s Role in The Merchant of Venice Q2 (1619). SB 12 (1959), 75–89.
  • McKenzie, D. F. Stretching a Point: Or, The Case of the Spaced-out Comps. SB 37 (1984), 106–21.
  • McKernan, Luke, & Olwen Terris, eds. Walking Shadows: Shakespeare in the National Film and Television Archive. 1994.
  • McKerrow, Ronald B. Printers’ & Publishers’ Devices in England and Scotland 1485–1640 1949. (First pub. 1913.)
  • McKerrow, Ronald B. Prolegomena for the Oxford Shakespeare: A Study in Editorial Method. OUP, 1939.
  • McLuskie, Kathleen E. The Emperor of Russia was my father: Gender and Theatrical Power. Images of Shakespeare. Proceedings of the Third Congress of the International Sh. Assn., 1986. Ed. Werner Habicht et al. Newark, Del., 1988. Pp. 174–87.
  • McManaway, James G. Recent Studies in Shakespeare’s Chronology. ShS 3 (1950), 22–33.
  • McManaway, James G. Textual Studies. ShS 18 (1965), 186–92.
  • McManus, Barbara F. See Henderson, Katherine U.
  • McManus, Eva B. Chastity, Women’s Otherness and Patriarchy: Issues in The Winter’s Tale. ShN 38 (1988), 24.
  • McMurtry, Jo. Understanding Shakespeare’s England. Hamden, Conn., 1989.
  • McPeek, James A. S. The Black Book of Knaves and Unthrifts in Shakespeare and Other Renaissance Authors. Storrs, Conn., 1969.
  • Meader, William G. Courtship in Shakespeare: Its Relation to the Tradition of Courtly Love. New York, 1954.
  • Melchiori, Barbara. Still Harping on My Daughter. EM 11 (1960), 59–74.
  • Meldrum, Ronald M. Dramatic Intentions in The Winter’s Tale. Humanities Assn. Bull. 19 (1968), 52–60.
  • Mellers, Wilfrid. Harmonious Meeting: A Study of the Relationship between English Music, Poetry and Theatre, c. 1600–1900. 1965.
  • Mendilow, Adam A. Two Notes on Shakespeare. Studies in the Drama Scripta Hierosolymitana 19. Ed. Arieh Sachs. Jerusalem, 1967. Pp. 262–8.
  • Mendilow, Adam A., & Alice Shalvi. The World and Art of Shakespeare. New York, 1967.
  • Mendl, R[obert] W. S. Revelation in Shakespeare. 1964.
  • Merchant, W[illiam] Moelwyn. Shakespeare and the Artist. OUP, 1959.
  • Merriam, Thomas. Did Shakespeare Model Camillo in The Winter’s Tale on Sir Thomas More? Moreana 19, No. 75–6 (Nov. 1982), 91–101.
  • Mézières, A[lfred]. Shakespeare, ses œuvres et ses critiques. Paris, 1882. (1st ed. Paris, 1860.)
  • Miko, Stephen J. Winter’s Tale. SEL 29 (1989), 259–75.
  • Mills, Barriss. Motivation in Othello and The Winter’s Tale. The Univ. Rev. 33 (1966), 107–12.
  • Mills, Laurens J. One Soul in Bodies Twain: Friendship in Tudor Literature and Stuart Drama. Bloomington, Ind., 1937.
  • Milton, John. The Complete English Poetry of John Milton. Ed. John T. Shawcross. New York, 1963.
  • Milward, Peter. Shakespeare’s Religious Background. 1973.
  • Milward, Peter. A Theology of Grace in The Winter’s Tale. Eng. Lang. and Lit 2 (1964), 27–50.
  • Mincoff, Marco. Plot Construction in Shakespeare. Annuaire de l’Université de Sofia, Faculté historico-philologique 34 (1941), 1–51.
  • Mincoff, Marco. Things Supernatural and Causeless. Newark, Del., 1992.
  • Minsheu, John. Ductor in Linguas. The Guide into Tongues. 1617. (Rpt. Delmar, N.Y.: Scholars’ Facsimiles and Rpts., 1978.)
  • Miriam Joseph, Sr. Shakespeare’s Use of the Arts of Language. Columbia Univ. Stud. in Eng. & Comp. Lit. 165. New York, 1947.
  • [Mitford, John.] Conjectural Emendations on the Text of Shakspere, with Observations on the Notes of the Commentators. Gent. Mag. NS 22 (1844), 115–36, 451–72; NS 23 (1845), 115–32, 571–85.
  • Mönkemeyer, Paul. Prolegomena zu einer Darstellung der englischen Volksbühne zur Elisabeth- und Stuart-Zeit nach den alten Bühnenanweisungen. Göttingen, 1905.
  • Montmorency, J. E. G. de Shakespeare and Pictorial Art. ConR 103 (1913), 737–41.
  • Montmorency, J. E. G. de. Shakespeare’s Legal Problems. ConR 137 (1930), 797–801.
  • Moore, John R. Ancestors of Autolycus in the English Moralities and Interludes. Washington Univ. Stud., Humanistic Ser. 9 (1922), 157–64.
  • Moore, John R. The Functions of the Songs in Shakespeare’s Plays. Shakespeare Studies by Members of the Department of English of the University of Wisconsin. Madison, 1916. Pp. 78–102.
  • Moore, John R. The Songs of the Public Theaters in the Time of Shakespeare. JEGP 28 (1929), 166–202.
  • [Morehead, Robert.] Explanations and Emendations of Some Passages in the Text of Shakespeare and of Beaumont and Fletcher. Edinburgh, 1814.
  • Morley, Henry. Introduction. The Winter’s Tale. Cassell’s National Library. [1887.] Pp. 5–14.
  • Moro, Bernard, & Michèle Willems. Death and Rebirth in Macbeth and The Winter’s Tale. CahiersE 21 (Apr. 1982), 35–48.
  • Moulton, Richard G. The Moral System of Shakespeare. New York & London, 1903. (Rpt. as Shakespeare as a Dramatic Thinker, New York & London, 1907, rpt. Norwood, Pa.: Norwood Eds., 1977.)
  • Moulton, Richard G. Shakespeare as a Dramatic Artist. 3rd, rev. & enl. ed. OUP, 1893. (1st ed. 1885.)
  • Mount, C. B. Sir Philip Sidney and Shakespeare. 8 N&Q 3 (1893), 305.
  • Mount, C. B. Winter’s Tale [2279–81]. 8 N&Q 4 (1893), 443.
  • Mowat, Barbara. The Dramaturgy of Shakespeare’s Romances. Athens, Ga., 1976.
  • Mowat, Barbara. A Tale of Sprights and Goblins. SQ 20 (1969), 37–46.
  • Mueller, Martin. Hermione’s Wrinkles, or Ovid Transformed: An Essay on The Winter’s Tale. CompD 5 (1971), 226–39.
  • Muir, Kenneth. The Conclusion of The Winter’s Tale. The Morality of Art: Essays Presented to G. Wilson Knight. Ed. D[ouglas] W. Jefferson. New York, 1969. Pp. 87–101.
  • Muir, Kenneth. The Dramatic Function of Anachronism. Proceedings of the Leeds Philosophical and Literary Soc. 6, No. 8 (May 1951), 529–33.
  • Muir, Kenneth. Introduction. Shakespeare—The Winter’s Tale: A Casebook. 1968.
  • Muir, Kenneth. Last Periods of Shakespeare, Racine, Ibsen. Detroit, 1961.
  • Muir, Kenneth. Shakespeare as Collaborator. 1960.
  • Muir, Kenneth. Shakespeare’s Sources. 1: Comedies and Tragedies. 1957. (Rpt. with new appendices, 1961. Vol. 2 never pub. Rev. as The Sources of Shakespeare’s Plays, 1977.)
  • Muir, Kenneth. Theophanies in the Last Plays. Shakespeare’s Late Plays: Essays in Honor of Charles Crow. Ed. Richard C. Tobias & Paul G. Zolbrod. Athens, Ohio, 1974. Pp. 32–43.
  • Muir, Kenneth, & S[amuel] Schoenbaum, eds. A New Companion to Shakespeare Studies. Cambridge, 1971.
  • Murphy, Arthur. Life of David Garrick Esq. 2 vols. 1801. (Rpt. New York & London: Blom, 1969.)
  • Murray, Christopher. Shakespeare at the Abbey. SQ 32 (1981), 173–6.
  • Murry, J[ohn] Middleton. Shakespeare. 1936.
  • Mutschmann, Heinrich, & Karl Wentersdorf. Shakespeare und der Katholizismus. Speyerer Studien Reihe 2, Band 2. Speyer, 1950. (Tr. as Shakespeare and Catholicism, New York, 1952.)
  • Naef, Irene. Die Lieder in Shakespeares Komödien: Gehalt und Funktion. Berne, 1976.
  • Nagata, Yoshiko. Shakespeare’s Underthought in the Later Plays. Sophia Univ. Renaissance Monographs 4. Tokyo, 1977.
  • Naito, Kenji. The Innate Wisdom of Perdita. Poetry and Drama in the Age of Shakespeare: Essays in Honour of Professor Shonosake Ishii’s Seventieth Birthday. Ed. Peter Milward & Tetsuo Anzai. Tokyo, 1982. Pp. 156–66.
  • Nares, Robert. A Glossary of Words, Phrases, Names, and Allusions. Enl. ed. by James O. Halliwell & Thomas Wright.2 vols. 1876. (1905 ed. rpt. Detroit: Gale Research, 1966. 1st ed. 1822.)
  • Nathan, Norman. Leontes’ Provocations. SQ 19 (1968), 19–24.
  • Nathan, Norman. Widowers and Their Wife’s Funeral. N&Q 202 (1957), 458.
  • Naylor, Edward W. Shakespeare and Music. New ed. 1931. (Rpt. New York: Da Capo Press & Blom, 1965. 1st ed. 1896.)
  • Neely, Carol T. Broken Nuptials in Shakespeare’s Plays. New Haven & London, 1985.
  • Neely, Carol T. The Winter’s Tale: The Triumph of Speech. SEL 15 (1975), 321–38.
  • Neely, Carol T. Women and Issue in The Winter’s Tale. PQ 57 (1978), 181–94.
  • Neilson, William A., & Ashley H. Thorndike. The Facts About Shakespeare. New York, [c. 1913].
  • Nelson, Thomas A. Shakespeare’s Comic Theory: A Study of Art and Artifice in the Last Plays. The Hague, 1972 [1973].
  • Nevo, Ruth. Shakespeare’s Other Language. New York, 1987.
  • Newman, Judie. Exit, pursued by a bear: The Winter’s Tale. N&Q 233 (1988), 484.
  • Newton, K. M. In Defence of Literary Interpretation: Theory and Practice. Basingstoke, 1986.
  • Nicholl, Charles. The Chemical Theatre. 1980.
  • Nichols, James. Notes on Shakespeare. 2 pts. 1861–2. (2nd ed. 1862.)
  • Nichols, John. Illustrations of the Literary History of the Eighteeenth Century. 8 vols. 1817–58. (Rpt. New York: Kraus-AMS, 1966.)
  • Nichols, John. The Progresses, Processions, and Magnificent Festivities, of King James the First. 4 vols. 1828. (Rpt. New York: Kraus-AMS, 1969.)
  • Nichols, Mary P. The Winter’s Tale: The Triumph of Comedy Over Tragedy. IJPP 9 (1981), 169–90.
  • Nicholson, Brinsley (1824–92). Contributor to cam1 and cam2.
  • Nicholson, Brinsley (1824–92). Shakespeare Illustrated by Massinger and Field. 3 N&Q 11 (1867), 433–5.
  • Nicholson, Brinsley (1824–92). Shakspeariana. 4 N&Q 12 (1873), 283–4.
  • Nicholson, Brinsley (1824–92). Shakspeariana. 6 N&Q 6 (1882), 23.
  • Nicholson, Brinsley (1824–92). The Winter’s Tale II, i. Shakespeariana 1 (1883–4), 124–5.
  • Nicoll, Allardyce. A History of Restoration Drama 1600–1700. Cambridge, 1923. (3rd ed. 1940.)
  • Nicoll, Allardyce. Shakespeare. 1952.
  • Nicoll, Allardyce. Shakespeare and the Court Masque. SJ 94 (1958), 51–62.
  • Nicoll, Allardyce. Stuart Masques and the Renaissance Stage. New York, 1938.
  • Noble, Richmond. Shakespeare’s Biblical Knowledge and Use of the Book of Common Prayer. 1935. (Rpt. New York: Octagon, 1970.)
  • Noble, Richmond. Shakespeare’s Songs and Stage. A Series of Papers on Shakespeare and the Theatre . . . by Members of the Shakespeare Association. 1927, Pp. 120–33 (Paper read 17 Feb. 1926.)
  • Noble, Richmond. Shakespeare’s Use of Song With the Text of the Principal Songs. OUP, 1923. (Rpt. Norwood, Pa.: Norwood, 1977.)
  • Norvell, Betty G. Hermione as a Dramatic Figure. SPWVSRA 9 (1984), 8–12.
  • Nosworthy, J. M. Music and its Function in the Romances of Shakespeare. ShS 11 (1958), 60–9.
  • Nosworthy, J. M. Shakespeare’s Occasional Plays: Their Origin and Transmission. 1965.
  • Nosworthy, J. M., ed. Cymbeline. Arden Sh. 1955.
  • Novy, Marianne. Love’s Argument: Gender Relations in Shakespeare. Chapel Hill, 1984.
  • Nuttall, A. D. Two Unassimilable Men. Shakespearian Comedy. Stratford-upon-Avon Stud. 14. 1972. Pp. 210–40.
  • Nuttall, A. D. William Shakespeare: The Winter’s Tale. Stud. in Eng. Lit. 26 1966.
  • O’Connell, Michael. The Idolatrous Eye: Iconoclasm, Antitheatricalism, and the Image of the Elizabethan Theater. ELH 52 (1985), 279–310.
  • O’Connor, John J. Amadis de Gaule and Its Influence on Elizabethan Literature. New Brunswick, N.J., 1970.
  • Odell, George C. D. Annals of the New York Stage. 15 vols. New York, 1927–49. (Rpt. New York: AMS, 1970.)
  • Odell, George C. D. Shakespeare from Betterton to Irving. 2 vols. New York, 1920. (Rpt. New York: Blom, 1963; Dover, 1966; AMS, 1970.)
  • Okubo, Junichiro. Romantic Motives in The Winter’s Tale—From Greene’s Romance to Shakespeare. Kanawaza Daigaku Hobunggakubu Ronshu 12 (1965), 1–22.
  • Onions, C[harles] T. Natural History I. Animals. Shakespeare’s England. Ed. Sidney Lee & C. T. Onions. 2 vols. OUP, 1916. 1:475–99.
  • Onions, C[harles] T. A Shakespeare Glossary. Enl. and rev. Robert D. Eagleson. OUP, 1986. (1st ed. 1911; 2nd, rev. ed., with addenda, 1953, rpt. 1958.)
  • Oras, Ants. Pause Patterns in Elizabethan and Jacobean Drama. Univ. of Florida Monographs, Humanities, No. 3. Gainesville, 1960.
  • Ordish, Thomas F. Shakespeare’s London: A Commentary on Shakespeare’s Life and Work in London. 2nd, rev. ed. 1904. (1st ed. 1897.)
  • Orgel, Stephen. The Jonsonian Masque. Cambridge, Mass., 1965.
  • Orgel, Stephen. The Poetics of Incomprehensibility. SQ 42 (1991), 431–7.
  • Orgel, Stephen, ed. The Tempest. Oxford Sh. Oxford, 1987.
  • Orgel, Stephen, & Roy Strong. Inigo Jones: The Theatre of the Stuart Court. 2 vols. 1973.
  • Orger, [John] G. Critical Notes on Shakspere’s Comedies. [1890].
  • Ornstein, Robert. The Ethic of the Imagination: Love and Art in Antony and Cleopatra. Later Shakespeare. Stratford-upon-Avon Stud. 8. New York, 1967. Pp. 31–46.
  • Ornstein, Robert. Shakespeare’s Comedies from Roman Farce to Romantic Mystery. Newark, Del., 1986.
  • Ortego, Philip D. The Winter’s Tale as a Pastoral Tragicomic Romance. Rendezvous 5 (1970), 31–4.
  • Overton, Bill. The Winter’s Tale. The Critics Debate. Basingstoke, 1989.
  • The Oxford English Dictionary. Ed. James A. H. Murray et al. 12 vols. & supplement. OUP, 1933. (Orig. pub. as A New English Dictionary on Historical Principles, 10 vols., 1888–1928.)
  • Oxley, B[rian] T. See Grose, Kenneth H

P-R

  • Pafford, J. H. P. The Lady and Her Horsekeeper. N&Q 211 (1966), 393.
  • Pafford, J. H. P. Music, and the Songs in The Winter’s Tale. SQ 10 (1959), 161–75.
  • Pafford, J. H. P. Simon Forman’s Bocke of Plaies. RES NS 10 (1959), 289–91.
  • Pafford, J. H. P. The Unmarried Primrose. N&Q 199 (1954), 37.
  • Pafford, J. H. P. The Winter’s Tale: Typographical Peculiarities in the Folio Text. N&Q 206 (1961), 172–8.
  • Palmer, Daryl W. Entertainment, Hospitality, and Family in The Winter’s Tale. ISJR 59 (1985), 253–61.
  • Palmer, D[avid] J., ed. Shakespeare’s Later Comedies: An Anthology of Modern Criticism. Harmondsworth, 1971.
  • Palmer, E. J. The Endings of Shakespeare’s Plays. Winchester College Shakspere Society. Noctes Shakespearianæ. Ed. Charles H. Hawkins. Winchester, 1887. Pp. 265–73.
  • Panofsky, Erwin. Studies in Iconology. OUP, 1939.
  • Pares, Martin. Shakespeare. The Listener 76 (1966), 775, 930.
  • Parker, M[arion] D. The Slave of Life: A Study of Shakespeare and the Idea of Justice. 1955.
  • Parkinson, John. Paradisi in Sole, Paradisus Terrestris, or, A Garden of Flowers. 1656. (1st ed. 1629.)
  • Parrott, T[homas] M. God’s or gods in King Lear, v.iii.17. SQ 4 (1953), 427–32.
  • Parrott, T[homas] M. Shakespearean Comedy. OUP, 1949. (Rpt. New York: Russell, 1969.)
  • Parrott, T[homas] M. William Shakespeare: A Handbook. New York, 1934.
  • Parry, Christopher. What Is Mamillius Doing?: A Consideration of a Shakespearean Stumbling Block. The Use of English 30, iii (1979), 56–62.
  • Parsons, Natalie. Shakespeare’s Ladies: Paulina, in Winter’s Tale. Baconiana 34 (1950), 228–30.
  • Partridge, A. C. The Winter’s Tale in the Theatre: Structure and Interpretation. UES 20 (1982), 1–5.
  • Partridge, Eric. A Dictionary of Slang and Unconventional English. 6th, rev. ed. New York, 1967. (1st ed. 1937.)
  • Partridge, Eric. Shakespeare’s Bawdy. Rev. ed. New York, 1969. (1st ed. 1948.)
  • Pattison, Bruce. Music and Poetry of the English Renaissance. 1948. (Rpt. New York: Da Capo, 1971.)
  • Paulin, Bernard. Autolycus, ou l’intégration d’un marginal. La Marginalité dans la littérature et la pensée anglais. Centre Aixois de Recherches Anglaises 4. Aix-en-Provence, 1983. Pp. 7–19.
  • Pearce, G. M. The Winter’s Tale. CahiersE 19 (Apr. 1981), 129–30.
  • Pearson, D’Orsay W. Witchcraft in The Winter’s Tale: Paulina as Alcaheurta y un Poquito Hechizera. ShakS 12 (1979), 195–213.
  • Pearson, Lu Emily. Elizabethans at Home. Stanford, Calif., 1957.
  • Peck, Francis. Explanatory and Critical Notes on Divers Passages of Shakespeare’s Plays. New Memoirs of the Life and Poetical Works of Mr. John Milton. 1740. Pp. 222–54.
  • Pedicord, Harry W. George Colman’s Adaptation of Garrick’s Promptbook for Florizel and Perdita. ThS 22 (1981), 185–90.
  • Percy, Thomas, Bishop (1729–1811). Contributor to v1773.
  • Perott, Josef de. Der Geniale Spitzbube bei Feliciano de Silva und Shakespeares Autolycus. ESn 41 (1910), 332–3.
  • Perring, Philip. Hard Knots in Shakespeare. 1886. (1st ed. 1885.)
  • Peter. [Letter 27 August.] Gent. Mag. 58 (1788), 767–8.
  • Peterson, Douglas L. Tempest-Tossed Barks and Their Helmsmen in Several of Shakespeare’s Plays. Costerus 9 (1973), 79–107.
  • Peterson, Douglas L. Time, Tide, and Tempest: A Study of Shakespeare’s Romances. San Marino, Calif., 1973.
  • Pettet, E. C. Shakespeare and the Romance Tradition. 1949. (Rpt. London, 1970.)
  • Peyré, Yves. Le Conte d’hiver: Regards et miroirs. Caliban 21 (1984), 141–55.
  • Phelps, Samuel (1804–78). Contributor to hal.
  • P[hillips], E[dward]. The New World of English Words. 1658. (Rpt. Menston: Scolar, 1969. 6th ed. rev. John Kersey, 1706.)
  • Phillips, Owen H. The Law Relating to Shakespeare. Law Quarterly Rev. 80 (1964), 172–202.
  • Phillips, Owen H. Shakespeare and the Lawyers. 1972.
  • Pilgrim, Richard. You Precious Winners All. Oxford, 1983.
  • Pilkington, Ace G. Romance and Fantasy in The Winter’s Tale. Encyclia: The Jour. of the Utah Academy of Sciences, Arts, and Letters 58 (1981), 79–84.
  • Pitt, Angela. Shakespeare’s Women. London & Totowa, N.J., 1981.
  • Platt, Isaac H. Winter’s Tale [755]. New Shakespeareana 5 (1906), 89.
  • [Playford, John.] The English Dancing Master. 1651. (Rpt. with prefaces by Hugh Mellor and Leslie Bridgewater, 1933. 2nd ed. [The Dancing Master] 1652. 10th ed. 1698.)
  • Pollard, Alfred W. The Foundations of Shakespeare’s Text British Academy Annual Shakespeare Lecture. OUP, 1923.
  • Pollard, Alfred W. Shakespeare’s Fight with the Pirates and the Problems of the Transmission of his Text. 2nd. ed. rev. Cambridge, 1920. (Rpt. Cambridge, 1967. 1st ed. 1917.)
  • Pollard, Alfred W. Shakespeare’s Folios and Quartos: A Study in the Bibliography of Shakespeare’s Plays, 1594–1685. 1909. (Rpt. New York: Cooper Square, 1970.)
  • Pollock, Frederick. Macready’s Reminiscences, and Selections from his Diaries and Letters. 2 vols. 1875.
  • Porter, Charlotte. Old and New Ideas of Womanhood: The Iphigenia and Alkestis Stories. Poet Lore 3 (1891), 269–80.
  • Porter, Charlotte. See C., P. A.
  • Praz, Mario. The Flaming Heart. New York, 1958.
  • Preston, Dennis R. Language and the Structure of The Winter’s Tale. Kwartalnik Neofilogiczny 25 (1978), 421–32.
  • Price, Hereward T. Mirror-Scenes in Shakespeare. Joseph Quincy Adams Memorial Studies. Ed. James G. McManaway et al. Washington, D.C., 1948. Pp. 101–13.
  • Price, Thomas R. The Construction of A Winter’s Tale. Shakespeariana 7 (1890), 195–207.
  • Prior, R[ichard] C. A. On the Popular Names of British Plants. 1863.
  • Procter, Bryan Waller [pseud. Barry Cornwall]. Memoir of an Essay on the Genius of Shakspere. In The Works of Shakspere. [Ed. J. Ogden.] 3 vols. 1844. 1:i–xxviii. (First pub. 1843.)
  • Prosser, Eleanor. Shakespeare at Ashland and San Diego. SQ 14 (1963), 445–54.
  • Prothero, R. E. Agriculture and Gardening. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 1:346–80.
  • Proudfoot, G[eorge] R[ichard]. Contributor to oxf2.
  • Proudfoot, G[eorge] R[ichard]. Shakespeare and the New Dramatists of the King’s Men, 1606–1613. Later Shakespeare. Ed. John Russell Brown & Bernard Harris. Stratford-upon-Avon Stud. 8. 1966. Pp. 234–61.
  • Proudfoot, G[eorge] R[ichard]. Verbal Reminiscence and the Two-Part Structure of The Winter’s Tale. ShS 29 (1976), 67–78.
  • Pruvost, René. Robert Greene et ses Romans (1558–1592). Paris, 1938.
  • Pulc, I. P. Shakespeare’s The Winter’s Tale, [1926–41]. Expl 29 (1971), no. 76.
  • Purdom, C[harles] B. What Happens in Shakespeare: A New Interpretation. 1963.
  • Purdom, C[harles] B. The Winter’s Tale. TLS, 21 Mar. 1952, p. 205.
  • Puttenham, George. The Arte of English Poesie. 1589. (Rpt. Menston: Scolar, 1968.)
  • Pye, Henry J. Comments on the Commentators on Shakespear. 1807.
  • Pyle, Fitzroy. The Winter’s Tale: A Commentary on the Structure. 1969.
  • Quayle, Anthony. A Time to Speak. 1990.
  • Quennell, Peter. Shakespeare, the Poet and his Background. 1963. (Also pub. as Shakespeare, a Biography, Cleveland, 1963.)
  • Quiller-Couch, Arthur. Notes on Shakespeare’s Workmanship. New York, 1917. (Pub. in London as Shakespeare’s Workmanship, 1918.)
  • Quinones, Ricardo J. The Renaissance Discovery of Time. Cambridge, Mass., 1972.
  • Quinones, Ricardo J. Views of Time in Shakespeare. JHI 26 (1965), 327–52.
  • Rabkin, Norman. The Holy Sinner and the Confidence Man: Illusion in Shakespeare’s Romances. Four Essays on Romance. Ed. Herschel Baker. Cambridge, Mass., 1971. Pp. 35–53.
  • Rabkin, Norman. Shakespeare and the Common Understanding. New York, 1967.
  • Rabkin, Norman. Shakespeare and the Problem of Meaning. Chicago, 1981.
  • Raleigh, Walter. Shakespeare. English Men of Letters. New York, 1907.
  • Randall, Dale B. J. A Glimpse of Leontes through an Onomastic Lens. SJH, 1988, pp. 123–9.
  • Randall, Dale B. J. This Is the Chase: Or, The Further Pursuit of Shakespeare’s Bear. SJW 121 (1985), 89–95.
  • Rank, Otto. The Incest Theme in Literature and Legend. Tr. Gregory C. Richter. Baltimore, 1992. (1st Ger. ed. 1912.)
  • Ranney, R. H. Shakespeare and Psychical Research. Religio-Philosophical Jour., 30 Dec. 1893, pp. 500–1.
  • Rashbrook, R. F. The Winter’s Tale [2794–6]. N&Q 192 (1947), 520–1.
  • Ratcliffe, Michael. Theatre review. The Observer, 7 Oct. 1984.
  • Ravenscroft, Arthur. Monstrous to Our Human Reason: The Limits of Knowledge in The Winter’s Tale. Seven Studies in English for Dorothy Cavers. Ed. Gildas Roberts. Capetown, 1971. Pp. 1–19.
  • Ravenscroft, Thomas. Pammelia [1609]. Deuteromelia [1609]. Melismata [1611]. Ed. MacEdward Leach. Introd. Matthias A. Shaaber. Philadelphia, 1961.
  • Ray, John. A Collection of English Words. 1674. (2nd ed., rev. and enl., 1691, rpt. Menston: Scolar, 1969.)
  • Ray, John. A Complete Collection of English Proverbs. 1670. (2nd ed. 1678; 3rd ed. 1737.)
  • Rayner, M. E. Contributor to ard2.
  • Rea, John D. The Dyer’s Hand. SAB 7 (1932), 82–7.
  • Reed, Isaac (1742–1807). Contributor to mal.
  • Rees, James. Shakespeare and the Bible. Philadelphia, 1876. (Rpt. Folcroft, Pa.: Folcroft Library Eds., 1974.)
  • Rees, Joan. Revenge, Retribution, and Reconciliation. ShS 24 (1971), 31–5.
  • Reese, M[ax] M. Shakespeare: His World & His Work. Rev. ed. 1980. (1st ed. 1953, rpt. 1958, 1964.)
  • Reid, Stephen. The Winter’s Tale. AI 27 (1970), 263–78.
  • Reinhold, Heinz. Die metrische Verzahnung als Kriterium für Fragen der Chronologie und Authentizität im Drama Shakespeares. Archiv 181 (1942), 83–96.
  • Reyher, Paul. Essai sur les idées dans l’œuvre de Shakespeare. Paris, 1947.
  • Reynolds, George F. Mucedorus, Most Popular Elizabethan Play? Studies in the English Renaissance Drama in Memory of Karl Julius Holzknecht. Ed. Josephine W. Bennett et al. New York, 1959. Pp. 248–68.
  • Rhodes, Neil. Elizabethan Grotesque. 1980.
  • Rhodes, R[aymond] Crompton. Shakespeare’s First Folio. OUP, 1923.
  • Rhodes, R[aymond] Crompton. The Stagery of Shakespeare. Birmingham, 1922.
  • Richards, David. Critic’s Notebook. The New York Times, 25 Feb. 1994, p. C1.
  • Richardson, Charles (1806–71). Contributor to knt2.
  • Richman, David. Laughter, Pain, and Wonder. Newark, Del., 1990.
  • Richmond, Velma B. Shakespeare’s Women. MQ 19 (1977–8), 330–42.
  • Rico, Barbara R. From Speechless Dialect to Prosperous Art. HLQ 48 (1985), 285–95.
  • Ridley, M[aurice] R. Shakespeare’s Plays: A Commentary. New York, 1938. (Rpt. New York: Folcroft, 1969.)
  • Riemer, A[ndrew] P. Antic Fables: Patterns of Evasion in Shakespeare’s Plays. Manchester, 1980.
  • Riemer, A[ndrew] P. Deception in The Winter’s Tale. SSEng 13 (1987–8), 21–38.
  • Righter, Anne. Shakespeare and the Idea of the Play. 1962. (Rpt. Harmondsworth: Penguin, 1967.)
  • Righter, Anne. See Barton, Anne.
  • Ringler, William A., Jr. The Number of Actors in Shakespeare’s Early Plays. The Seventeenth-Century Stage. Ed. Gerald E. Bentley. Chicago, 1968. Pp. 110–34.
  • Ristine, F[rank] H. English Tragicomedy: Its Origin and History. New York, 1910. (Rpt. New York: Russell & Russell, 1963.)
  • Ritson, Joseph (1752–1803). Contributor to v1793.
  • Ritson, Joseph (1752–1803). Cursory Criticisms on the Edition of Shakspeare Published by Edmond Malone. 1792. (Rpt. New York: Augustus M. Kelley, 1970.)
  • Ritson, Joseph (1752–1803). Remarks, Critical and Illustrative, on the Text and Notes of the Last Edition of Shakspeare. 1783. (Rpt. New York: AMS, 1973.)
  • Ritson, Joseph (1752–1803). A Select Collection of English Songs with Their Original Airs. 3 vols. 1813.
  • Rittenhouse, David. A Victorian Winter’s Tale. QQ 77 (1970), 41–55.
  • Roberts, Jeanne A. Animals as Agents of Revelation: The Horizontalizing of the Chain of Being in Shakespeare’s Comedies. Shakespearean Comedy. Ed. Maurice Charney. New York, 1980. Pp. 79–96.
  • Roberts, Jeanne A. The Shakespearean Wild. Lincoln, Nebr., 1991.
  • Robertson, J[ohn] M. The Genuine in Shakespeare. 1930. (Rpt. New York: Haskell House, 1972.)
  • Robinson, Clement. A Handefull of Pleasant Delites. 1584. (Rpt. Spenser Soc., 1871, rpt. New York: Burt Franklin, 1967. Ed. Hyder E. Rollins, Cambridge, Mass., 1924.)
  • Robinson, Stuart. A History of Dyed Textiles. Cambridge, Mass., 1969.
  • Rockas, Leo. Browzing of Ivy: The Winter’s Tale. Ariel 6 (1975), 3–16.
  • Roderick, Richard. Remarks on Shakespear. The Canons of Criticism, and Glossary. By Thomas Edwards. 6th ed. 1758. Pp. 212–38.
  • Roffe, Alfred [T.]. An Essay upon the Ghost-Belief of Shakespeare. 1851.
  • Roffe, Alfred [T.]. A Musical Triad from Shakespeare. 1872.
  • Rogers, J. D. Voyages and Exploration: Geography: Maps. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 1:170–97.
  • Rollins, Hyder E., ed. A Pepysian Garland. Cambridge, 1922.
  • Root, Robert K. Classical Mythology in Shakespeare. Yale Stud. in Eng. 19. New York, 1903. (Rpt. New York: Gordian, 1965.)
  • Rose, Mark. Shakespearean Design. Cambridge, Mass., 1972.
  • Rosenmeyer, Thomas G. The Green Cabinet: Theocritus and the European Pastoral Lyric. Berkeley & Los Angeles, 1969.
  • Rothwell, Kenneth S. The Shakespeare Plays: Hamlet and the Five Plays of Season Three. SQ 32 (1981), 395–401.
  • Rothwell, Kenneth S., & Annabelle H. Melzer. Shakespeare on Screen: An International Filmography and Videography. 1990.
  • Rouse, W[illiam] H. D. Shakespeare’s Ovid Being Arthur Golding’s [1567] Translation of the Metamorphoses. 1904. (Rpt. Carbondale: Southern Ill. Univ. Press, 1961.)
  • Rowse, A[lfred] L. Shakespeare and the Prayer Book. Ritual Murder: Essays on Liturgical Reform. Ed. Brian Morris. Manchester, 1980. Pp. 47–56.
  • Rowse, A[lfred] L. William Shakespeare: A Biography. New York & London, 1963.
  • Rubinstein, Frankie. A Dictionary of Shakespeare’s Sexual Puns and Their Significance. 1984.
  • Rundus, Raymond J. Time and His Glass in The Winter’s Tale. SQ 25 (1974), 123–5.
  • Rusev, Rusi. On the Presentation of Bohemia as a Maritime Country in The Winter’s Tale. Philologia (Sofia) 10–11 (1982), 58–61.
  • Rushton, William L. Heart Cannot Conceive. 4 N&Q (1872), 292.
  • Rushton, William L.. Shakespeare Illustrated by Old Authors. 1867.
  • Rushton, W[illiam] L. Shakespeare’s Legal Maxims. Liverpool, 1907. (Rpt. New York: AMS, 1973.)
  • Rushton, William L.. Shakespeare’s Testamentary Language. 1869.
  • Ruskin, John. Works. Library Ed. Ed. E. T. Cook & Alexander Wedderburn. 39 vols. 1903–12. (Modern Painters, vol. 2, first pub. 1846; Essays on Political Economy first pub. in Fraser’s Mag. 67 [1863], 441–62; Proserpina, Pt. 7, first pub. 1882.)
  • Russell, Patricia. Romantic Narrative Plays: 1570–1590. Elizabethan Theatre. Stratford-upon-Avon Stud. 9. Gen. eds. John Russell Brown & Bernard Harris. 1967. Pp. 107–30.
  • Rydén, Mats. Några växtnamm hos Shakespeare och i svenska översättningar [Some Plant-names in Shakespeare and in Swedish Translations]. Nysvenska Studier 23 (1973), 173–99.
  • Rydén, Mats. Shakespearean Plant Names. Stockholm, 1978.
  • Rylands, George [H. W.]. The Ages of Man: Shakespeare’s Image of Man and Nature. London, 1939.
  • Rylands, George [H. W.]. Festival Shakespeare in the West End. ShS 6 (1953), 140–6.
  • Rylands, George [H. W.]. Shakespeare the Poet. A Companion to Shakespeare Studies. Ed. Harley Granville-Barker & G. B. Harrison. New York & Cambridge, 1934. Pp. 89–115.
  • Rylands, George [H. W.]. Words and Poetry. Introd. Lytton Strachey. 1928. (Rpt. New York: AMS, 1972.)

S-U

  • Sabie, Francis. The Fisherman’s Tale . . . 1595. Ed. J[ames] O[rchard] Halliwell. 1867.
  • Sabol, Andrew J. Four Hundred Songs and Dances from the Stuart Masque. Providence, R.I., 1978. (Augmented ed. 1982.)
  • Saccio, Peter. The 1975 Season at Stratford, Connecticut. SQ 27 (1976), 47–51.
  • Sachs, Hanns. The Tempest. International Jour. of Psycho-Analysis 4 (1923), 43–88.
  • Sacks, Elizabeth. Shakespeare’s Images of Pregnancy. 1980.
  • Sahel, Pierre. Le Spectateur de la fin du Conte d’hiver. Actes du Congrès de Poitiers. Ed. Société des Anglicistes de l’Enseignement Supérieur. Etudes Anglaises 90. Paris, 1984. Pp. 357–68.
  • Saintsbury, George. A History of English Prosody. 2nd ed. 3 vols. 1923. (Rpt. New York: Russell & Russell, 1961. 1st ed. 1908.)
  • Salgādo, Gāmini. The Elizabethan Underworld. 1977.
  • Salingar, Leo [G.]. Shakespeare and the Italian Concept of Art. Univ. of Warwick Renaissance Drama Newsletter Supp. 3 1984.
  • Salingar, Leo [G.]. Shakespeare and the Traditions of Comedy. Cambridge, 1974.
  • Salingar, Leo [G.]. Time and Art in Shakespeare’s Romances. RenD 9 (1966), 3–36.
  • Sanders, Kenneth. Shakespeare’s The Winter’s Tale—and Some Notes on the Analysis of a Present-Day Leontes. The International Review of Psycho-Analysis 5 (1978), 175–8.
  • Sanders, Wilbur. The Winter’s Tale. Harvester New Critical Introductions to Sh. Brighton, 1987.
  • Saunders, J. W. Staging at the Globe, 1599–1613. SQ 11 (1960), 401–25. (Rpt. in The Seventeenth-Century Stage, G[erald] E. Bentley, Chicago, 1968, pp. 235–66.)
  • Savage, F[rederick] G. The Flora & Folk Lore of Shakespeare. 1923. (Rpt. New York: AMS, 1975.)
  • Schack, Adolph F. von. Geschichte der dramatischen Literatur. 4 vols. Frankfurt am Main, 1854.
  • Schanzer, Ernest. Heywood’s Ages and Shakespeare. RES NS 11 (1960), 18–28.
  • Schanzer, Ernest. Shakespeare and the Doctrine of the Unity of Time. ShS 28 (1975), 57–61.
  • Schanzer, Ernest. The Structural Pattern of The Winter’s Tale. REL 5, No. 2 (1964), 72–82. (Rpt. in Shakespeare: A Casebook, The Winter’s Tale, Kenneth Muir, 1968, pp. 87–97.)
  • Schelling, Felix E. Elizabethan Drama, 1558–1642 2 vols. Boston & New York, 1908. (Rpt. New York: Russell & Russell, 1959.)
  • Schelling, Felix E. English Literature During the Lifetime of Shakespeare. Rev. ed. New York, 1928. (1st ed. 1910.)
  • Schelling, Felix E. Foreign Influences in Elizabethan Plays. New York & London, 1923. (Rpt. New York: AMS, 1971.)
  • Schlegel, August W. von. Course of Lectures on Dramatic Art and Literature. Tr. John Black, rev. A. J. W. Morrison. 1846. (Delivered 1808; 1st German ed. 2 vols., 1809–11. 1846 ed. rpt. New York: AMS, 1965.)
  • Schmidt, Alexander. Shakespeare-Lexicon. 2 vols. Berlin, 1874–5. (2nd ed. 1886; 3rd ed., enl. by Gregor Sarrazin, 1902, rpt. New York: Dover, 1971.)
  • Schmidt, Alexander. Zur Shakespeare’schen Textkritik. Ein Sendschreiben an den Herausgeber. SJ 3 (1868), 341–69.
  • Schmitt, Anthony B. Herbert Beerbohm Tree Produces The Winter’s Tale. Ohio State Univ. Theatre Collection Bull. 17 (1970), 20–31.
  • Schneider, Ben R., Jr. See The London Stage 1660–1800.
  • Scholes, Percy A. The Purpose behind Shakespeare’s Use of Music. Proceedings of the [Royal] Musical Association 43 (1916), 1–15.
  • Schotz, Myra G. The Great Unwritten Story: Mothers and Daughters in Shakespeare. The Lost Tradition: Mothers and Daughters in Literature. Ed. Cathy N. Davidson & E. M. Broner. New York, 1980. Pp. 44–54.
  • Schücking, Levin L. Character Problems in Shakespeare’s Plays. 1922. (Rpt. New York: Peter Smith, 1948. 1st Ger. ed. 1919.)
  • Schwartz, Murray M. Leontes’ Jealousy in The Winter’s Tale. AI 30 (1973), 250–73.
  • Schwartz, Murray M. The Winter’s Tale: Loss and Transformation. AI 32 (1975), 145–99.
  • Scott, Mary A. The Book of the Courtyer: A Possible Source of Benedick and Beatrice. PMLA 16 (1901), 475–502.
  • Scott, Walter. Guy Mannering. Edinburgh & London, 1815.
  • Scott, W[illiam] I. D. Shakespeare’s Melancholics. 1920.
  • Scott, William O. Seasons and Flowers in The Winter’s Tale. SQ 14 (1963), 411–17.
  • Scouten, Arthur H. See The London Stage 1660–1800.
  • Seager, H[erbert] W. Natural History in Shakespeare’s Time: Being Extracts Illustrative of the Subject As He Knew It. 1896.
  • Segar, William. The Booke of Honor and Armes. 1590.
  • Seltzer, Daniel. The Actors and Staging. A New Companion to Shakespeare Studies. Ed. Kenneth Muir & S[amuel] Schoenbaum. Cambridge, 1971. Pp. 35–54.
  • Seltzer, Daniel. The Staging of the Last Plays. Later Shakespeare. Stratford-upon-Avon Stud. 8. Ed. John Russell Brown & Bernard Harris. 1967. Pp. 127–65.
  • Semon, Kenneth J. Fantasy and Wonder in Shakespeare’s Last Plays. SQ 25 (1974), 89–102.
  • Seng, Peter J. The Vocal Songs in the Plays of Shakespeare. A Critical History. Cambridge, Mass., [1967].
  • Sen Gupta, S[ubodh] C. Shakespearian Comedy. OUP, 1950.
  • Sen Gupta, S[ubodh] C. The Whirligig of Time: The Problem of Duration in Shakespeare’s Plays. Calcutta, 1961.
  • Senior, Dorothy, ed. Some Old English Worthies. 1912.
  • Sewell, Arthur. Character and Society in Shakespeare. OUP, 1951.
  • Sewell, Arthur. Place and Time in Shakespeare’s Plays. SP 42 (1945), 205–24.
  • Sexton, Joyce H. The Slandered Woman in Shakespeare. Victoria, B.C., 1978.
  • Seymour, E[dward] H. Remarks Critical, Conjectural, and Explanatory, upon the Plays of Shakspeare. 2 vols. 1805.
  • Shalvi, Alice. See Mendilow, Adam A
  • Sharp, Cecil J., & Herbert C. MacIlwaine. The Morris Book. [1911–24].
  • Sharpe, Henry. The Prose in Shakspere’s Plays, the Rules for Its Use, and the Assistance That It Gives in Understanding the Plays. New Shakspere Society’s Transactions. 1880–6. [1886.], Pp. 523–60.
  • Shattuck, Charles H., ed. John Philip Kemble Promptbooks. 11 vols. Charlottesville, 1974. Vol. 9: The Winter’s Tale, 1811.
  • Shattuck, Charles H. Shakespeare on the American Stage. 2 vols. Washington, D.C., 1976, 1987.
  • Shattuck, Charles H. The Shakespeare Promptbooks: A Descriptive Catalogue. Urbana, 1965.
  • Shaw, [George] B[ernard]. On Cutting Shakespear. Fortnightly Rev. 112 (1919), 215–18.
  • Shaw, [George] B[ernard]. Shaw on Shakespeare: An Anthology of Bernard Shaw’s Writings on the Plays and Productions of Shakespeare. Ed. Edwin Wilson. New York, 1961.
  • Shaw, W[illiam] D. Tennyson’s Style. Ithaca, N.Y., 1976.
  • Shepherd, Massey H., Jr. The Oxford American Prayer Book Commentary. OUP, 1950.
  • Sheppard, J. T. Shakespeare’s Small Latin. The Rice Institute Pamphlet 44 (1957), 70–86.
  • Sherbo, Arthur, ed. Johnson on Shakespeare. 2 vols. Vols. 7 & 8 of The Yale Edition of the Works of Samuel Johnson. New Haven & London, 1968.
  • Sherman, L[ucius] A. What is Shakespeare? New York, 1902. (Rpt. Folcroft, Pa.: Folcroft Library Eds., 1973.)
  • Shirley, Frances A. Shakespeare’s Use of Off-stage Sounds. Lincoln, Nebr., 1963.
  • Shirley, Frances A. Swearing and Perjury in Shakespeare’s Plays. 1979.
  • Shoaf, R. A. For There Is Figures in All Things: Joxtology in Shakespeare, Spenser, and Milton. The Work of Dissimilitude: Essays from the Sixth Citadel Conference on Medieval and Renaissance Literature. Ed. David G. Allen & Robert A. White. Newark, Del., 1988. Pp. 266–85.
  • Shrimpton, Nicholas. Shakespeare Performances in London, Manchester and Stratford-upon-Avon 1985–6. ShS 40 (1987), 169–83.
  • Shroeder, John W. The Great Folio of 1623: Shakespeare’s Plays in the Printing House. Ann Arbor, 1956.
  • Shumaker, Wayne, & J. L. Heilbron, eds. John Dee on Astronomy. Berkeley, 1978.
  • Sider, John W. The Serious Elements of Shakespeare’s Comedies. SQ 24 (1973), 1–11.
  • Sidney, Philip. The Countess of Pembroke’s Arcadia. Ed. Maurice Evans. Harmondsworth, 1977.
  • Siegel, Paul N. Leontes a Jealous Tyrant. RES NS 1 (1950), 302–7.
  • Siemon, James E. But it appears she lives: Iteration in The Winter’s Tale. PMLA 89 (1974), 10–16.
  • Siemon, James E. The Canker Within: Some Observations on the Role of the Villain in Three Shakespearean Comedies. SQ 23 (1972), 435–43.
  • Sieveking, A. Forbes. Coursing, Fowling, Angling, Fencing and Duelling, Games. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 2:367–75, 389–407, 451–83.
  • Simpson, Claude M. The British Broadside Ballad and Its Music. New Brunswick, N.J., 1966.
  • Simpson, Lucie. The Secondary Heroes of Shakespeare and Other Essays. [1950.].
  • Simpson, Percy. Shakespearian Punctuation. OUP, 1911.
  • Simpson, Percy. Studies in Elizabethan Drama. OUP, 1955.
  • Simpson, Robert. Shakespeare and Medicine. Edinburgh & London, 1959.
  • Simrock, Karl. The Remarks of M. Karl Simrock on the Plots of Shakespeare’s Plays. Ed. J. O. Halliwell. Shakespeare Society of London Publications 2:43 (1850), 3–144. (Rpt. Nendeln, Liechtenstein: Kraus Reprint Ltd., 1966.)
  • Sims, James H. Perdita’s Flowers o’th’ Spring and Vernal Flowers in Lycidas. SQ 22 (1971), 87–90.
  • Singer, Samuel W. The Text of Shakespeare Vindicated from the Interpolations and Corruptions Advocated by John Payne Collier Esq. in His Notes and Emendations. 1853.
  • Singleton, Esther. The Shakespeare Garden. 1933. (Rpt. New York: AMS, 1973.)
  • Sisson, Charles J. New Readings in Shakespeare. Shakespeare Problems 8. 2 vols. Cambridge, 1956. (Rpt. 1961; another issue London, 1961.)
  • Sitwell, Edith. A Notebook on William Shakespeare. 1948.
  • Skeat, Walter W. A Concise Etymological Dictionary of the English Language. Oxford, 1882.
  • Skeat, Walter W. Land-damn. 5 N&Q 3 (1875), 464.
  • Skeat, Walter W. The Word Mort in Shakspere. The Academy 32 (1887), 286.
  • Skinner, Stephen. Etymologicon Linguae Anglicanae. 1671. (Rpt. Hildesheim: Olms, 1970.)
  • Skottowe, Augustine. The Life of Shakspeare. 2 vols. 1824.
  • Slater, Ann P. Shakespeare the Director. Totowa, N.J., 1982.
  • Sleeth, C. R. Shakespeare’s Counsellors of State. RAA 13 (1936), 97–113.
  • Smallwood, Robert. Shakespeare at Stratford-upon-Avon, 1992. SQ 44 (1993), 343–62.
  • Smeaton, [William H.] Oliphant. Shakespeare, His Life and Work. [1911.].
  • Smith, Bruce R. Sermons in Stones: Shakespeare and Renaissance Sculpture. ShakS 17 (1985), 1–23.
  • Smith, C. Alphonso. The Chief Difference between the First and Second Folios of Shakespeare. ESn 30 (1902), 1–20.
  • Smith, Charles G. Shakespeare’s Proverb Lore: His Use of the Sententiae of Leonard Culman and Publilius Syrus. Cambridge, Mass., 1963.
  • Smith, C[harles] Roach. The Rural Life of Shakespeare. 2nd ed. 1874 [65 +3 pp.]. (1st ed. 1874 [40 pp..)
  • Smith, Hallett. Leontes’ Affectio. SQ 14 (1963), 163–6.
  • Smith, Hallett. Shakespeare’s Romances. HLQ 27 (1964), 279–87.
  • Smith, Hallett. Shakespeare’s Romances. San Marino, Calif., 1972.
  • Smith, Hallett. The Winter’s Tale. The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston, 1974. Pp. 1564–8.
  • Smith, Homer. Pastoral Influence in the English Drama. PMLA 12 (1897), 355–460.
  • Smith, James. Shakespearian and Other Essays. Cambridge, 1974.
  • Smith, Jonathan. The Language of Leontes. SQ 19 (1968), 317–27.
  • Smith, Marion B. Dualities in Shakespeare. Toronto, 1966.
  • Smith, Warren D. Shakespeare’s Exit Cues. JEGP 61 (1962), 884–96.
  • Smith, Warren D. Stage Business in Shakespeare’s Dialogue. SQ 4 (1953), 311–16.
  • Smith, William (1690–1767). Contributor to Grey 1754.
  • Snider, D[enton] J. Shakspeare’s Winter’s Tale. Jour. of Speculative Philosophy 9 (1875), 80–98.
  • Snider, D[enton] J. The Shakespearian Drama: A Commentary. . . . The Comedies. St. Louis, [c. 1890].
  • Snider, D[enton] J. System of Shakespeare’s Dramas. 2 vols. St. Louis, 1877.
  • Sochatoff, A. Fred, ed. Lovers Meeting: Discussion of Five Plays by Shakespeare. Carnegie Ser. in Eng. 8. Pittsburgh, 1964. (Rpt. Freeport, N.Y.: Books for Libraries, 1972.)
  • Soellner, Rolf. Shakespeare’s Patterns of Self-Knowledge. Columbus, Ohio, 1972.
  • Somer, John L. Ralph Crane and an olde play called Winter’s Tale. Four Studies in Renaissance Drama. The Emporia State Research Studies. 10, No. 4 (1962), 22–8.
  • Sonnino, Lee A. A Handbook to Sixteenth-Century Rhetoric. New York, 1968.
  • Sorelius, Gunnar. An Unknown Shakespearian Commonplace Book. 5 Library 28 (1973), 294–308.
  • Sorell, Walter. Shakespeare and the Dance. SQ 8 (1957), 367–84.
  • Southey, Robert, ed. Palmerin of England, by Francisco de Moraes. Tr. Anthony Munday. 4 vols. 1807. (Preface by Southey, 1:vii–xlv.)
  • Speaight, Robert W. The 1960 Season at Stratford-upon-Avon. SQ 11 (1960), 445–53.
  • Speaight, Robert W. Shakespeare in Britain. SQ 20 (1969), 435–41.
  • Speaight, Robert W. Shakespeare in Britain. SQ 28 (1977), 184–90.
  • Speaight, Robert W. Shakespeare on the Stage: An Illustrated History of Shakespearian Performance. 1973.
  • Speaight, Robert W. Shakespeare: The Man and His Achievement. 1977.
  • Spedding, James (1808–81). Contributor to cam1.
  • Speirs, John. Medieval English Poetry: The Non-Chaucerian Tradition. 1957.
  • Spence, Lewis. An Encyclopaedia of Occultism. 1920. (Rpt. Secaucus, N.J.: Citadel, 1960.)
  • Spence, R. M. Some of the Obeli of the Globe Edition in The Winter’s Tale. 7 N&Q 9 (1890), 24.
  • Spencer, Hazelton. The Art and Life of William Shakespeare. New York, 1940. (Rpt. New York: Barnes & Noble, 1970.)
  • Spencer, Terence [J. B.]. The Artistry of Shakespeare’s The Winter’s Tale. Eigo Seinen 116 (1970), 72–7.
  • Spencer, Terence [J. B.]. Elizabethan Love Stories. Baltimore, 1968.
  • Spencer, Terence [J. B.]. Shakespeare and the Noble Woman. SJH, 1966, pp. 49–62.
  • Spencer, Terence [J. B.]. Shakespeare’s Isle of Delphos. MLR 47 (1952), 199–202.
  • Spencer, Terence [J. B.]. The Statue of Hermione. E&S 30 (1977), 39–49.
  • Spencer, Theodore. Appearance and Reality in Shakespeare’s Last Plays. MP 39 (1942), 265–74.
  • Spencer, Theodore. Shakespeare and the Nature of Man. New York, 1942.
  • Spender, Stephen. The Winter’s Tale. Shakespeare in Perspective. Ed. Roger Sales. 2 vols. 1982. 1:234–40.
  • Spens, Janet. Elizabethan Drama. 1922.
  • Spevack, Marvin. A Complete and Systematic Concordance to the Works of Shakespeare. 9 vols. Hildesheim, 1968–80.
  • Spevack, Marvin. Satirical Devices in Shakespeare. Scholastic Midwifery. Ed. Jan E. Peters & Thomas M. Stein. Tübingen, 1989. Pp. 1–6.
  • Spink, Ian, ed. Robert Johnson: Ayres, Songs and Dialogues. The English School of Lutenist Song Writers. 2nd ser. Vol. 27. 1961.
  • Spivack, Bernard. Shakespeare and the Allegory of Evil. New York, 1958.
  • Sprague, Arthur Colby. Shakespeare and the Audience: A Study in the Technique of Exposition. Cambridge, Mass., 1935. (Rpt. New York: Russell & Russell, 1966.)
  • Sprague, Arthur Colby, & J[ohn] C. Trewin. Shakespeare’s Plays Today: Some Customs and Conventions of the Stage. 1970.
  • Spurgeon, Caroline F. E. Shakespeare’s Imagery and What It Tells Us. Cambridge, 1935..
  • Squire, John. Shakespeare as a Dramatist. [1935.].
  • Squire, W. Barclay. Music. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 2:15–49.
  • Stapfer, Paul. Shakespeare and Classical Antiquity. Tr. Emily J. Carey. 1880. (Rpt. New York: Burt Franklin, 1970. Orig. pub. as Shakespeare et l’antiquité. 2 vols. Paris, 1879–80.)
  • Starnes, D[e Witt] T. Shakespeare and Apuleius. PMLA 60 (1945), 1021–50.
  • Stauffer, Donald. Shakespeare’s World of Images: The Development of His Moral Ideas. New York, 1949.
  • Staunton, Henry. Letter. The Athenæum (27 June 1874), 863.
  • Stearns, Charles W. Shakespeare’s Medical Knowledge. New York, 1865. (Rpt. New York: AMS, 1973.)
  • Stearns, Charles W. The Shakespeare Treasury of Wisdom and Knowledge. New York, 1882.
  • Steevens, George (1736–1800). Contributor to john and to v1803.
  • Steiner, George. The Death of Tragedy. 1961. (Rpt. London: Faber, 1963.)
  • Sternfeld, F[rederick] W. Shakespeare and Music. A New Companion to Shakespeare Studies. Ed. Kenneth Muir & S[amuel] Schoenbaum. Cambridge, 1971. Pp. 157–67.
  • Sternfeld, F[rederick] W. Le Symbolisme Musical dans Quelques Pièces de Shakespeare Présentées à la Cour d’Angleterre. Les Fêtes de la Renaissance. Études réunies et présenté par Jean Jacquot. Journées Internationales d’Études. Paris, 1956. Pp. 319–33.
  • Sternfeld, F[rederick] W. Twentieth-Century Studies in Shakespeare’s Songs, Sonnets, and Poems. ShS 15 (1962), 1–10.
  • Stewart, Charles D. Some Textual Difficulties in Shakespeare. New Haven, 1914.
  • Stewart, J[ohn] I. M. Character and Motive in Shakespeare: Some Recent Approaches Examined. London & New York, 1949.
  • Stewart, Patrick. Acting Leontes. Du Texte à la Scène: Langages du Théâtre. Société Française Shakespeare Actes du Congrès 1982. Paris, 1983.
  • Stockholder, Kay. Dream Works: Lovers and Families in Shakespeare’s Plays. Toronto, 1987.
  • Stodder, Joseph H., & Lillian Wilds. Shakespeare in Southern California and Visalia. SQ 31 (1980), 254–74.
  • Stokes, Francis G. A Dictionary of the Characters and Proper Names . . . in Shakespeare. 1924.
  • Stoll, Elmer E. Shakespeare and Other Masters. Cambridge, Mass., 1940.
  • Stoll, Elmer E. Shakespeare’s Young Lovers. Alexander Lectures, 1935. OUP, 1937. (Rpt. New York: AMS, 1966.)
  • Stone, George W. See The London Stage 1660–1800.
  • Stone, Lawrence. The Family, Sex and Marriage in England 1500–1800. New York, 1977.
  • Stopes, C[harlotte] C. Shakespeare’s Industry. 1916.
  • Stow, John. Annales, or, A Generall Chronicle of England. Cont. by Edmund Howes. 1631 (1632). (Short-Title Catalogue 23340; 1st ed. 1598.)
  • Strachey, Lytton. Shakespeare’s Final Period. Books and Characters, French and English. New York, 1922. Pp. 49–69. (First pub. The Independent Rev. 3, 1906.)
  • Streitberger, W. R., ed. Jacobean and Caroline Revels Accounts, 1603–1642. Malone Soc. Collections XIII. 1986.
  • Strong, L. A. G. Shakespeare and the Psychologists. Talking of Shakespeare. Ed. John Garrett. New York, 1954. Pp. 187–208.
  • Strutt, B. Contributor to E. H. Seymour, Remarks, 1805.
  • Strutt, Joseph. Sports and Pastimes of the People of England. Ed. William Hone. 1898.
  • Studing, Richard. Shakespeare’s Bohemia Revisited: A Caveat. ShakS 15 (1982), 217–26.
  • Studing, Richard. Spectacle and Masque in The Winter’s Tale. EM 21 (1970), 55–80.
  • Studing, Richard. That Rare Italian Master—Shakespeare’s Julio Romano. Humanities Assn. Bull. 23 (1971), 22–6.
  • Styan, J[ohn] L. Drama, Stage and Audience. Cambridge, 1975.
  • Styan, J[ohn] L. The Dramatic Experience. Cambridge, 1965.
  • Styan, J[ohn] L. The Shakespeare Revolution. Cambridge, 1977.
  • Styan, J[ohn] L. Shakespeare’s Stagecraft. Cambridge, 1967. (Rpt. 1975 with a new preface dated 1970.)
  • Sugden, Edward H. A Topographical Dictionary to the Works of Shakespeare and his Fellow Dramatists. Manchester, 1925. (Rpt. Hildesheim: Olms, 1969.)
  • Suhamy, Henri. Le Psychologisme contre las psychologie: Quelques remarques sur la jalousie de Léontès et de quelques autres. Caliban 21 (1984), 191–210.
  • Sullivan, Edward. See Guazzo, Stefano.
  • Summers, Joseph H. Dreams of Love and Power: On Shakespeare’s Plays. OUP, 1984.
  • Sundelson, David. Shakespeare’s Restorations of the Father. New Brunswick, N.J., 1983.
  • Swetnam, Joseph. The Arraignment of Lewd, Idle, Froward, and Unconstant Women. 1615. (Modernized excerpts rpt. in Henderson & McManus, 1985, pp. 190–217.)
  • Swinburne, A[lgernon] Charles. Shakespeare. OUP, 1909. (Written 1905.)
  • Swinburne, A[lgernon] Charles. A Study of Shakespeare. 1880. Complete Works. Ed. Edmund Gosse & Thomas J. Wise. 20 vols. 1925. 11:1–222.
  • Swinden, Patrick. An Introduction to Shakespeare’s Comedies. 1973.
  • Symmes, Harold S. Les Débuts de la Critique Dramatique en Angleterre jusqu’à la Mort de Shakespeare. Paris, 1903.
  • Symons, Arthur. Notes and Introduction to WT. The Works of William Shakespeare. Ed. Henry Irving & Frank A. Marshall. 8 vols. New York, 1888–90. 7:309–89.
  • Symons, Arthur. The Winter’s Tale. Studies in the Elizabethan Drama. New York, 1919. Pp. 53–60.
  • Synge, Patrick M. See Chittenden, Fred J.
  • T., O. The Seacoast of Bohemia. The Nation 78 (1904), 410.
  • Tannenbaum, Samuel [A.]. Shaksperian Scraps and Other Elizabethan Fragments. New York, 1933.
  • Tannenbaum, Samuel [A.]. Textual and Other Notes on The Winter’s Tale. PQ 7 (1928), 358–67. (Rev. in Shaksperian Scraps and Other Elizabethan Fragments, New York, 1933, pp. 87–117.)
  • Tannenbaum, Samuel [A.]. The Valley in The Winter’s Tale. ShAB 7 (1932), 192–3.
  • Tavera, Antoine. Le conte d’hiver: Analogie et inspiration pastorale. Études et recherches de littérature générale et comparée Annales de la Faculté des lettres et sciences humaines de Nice 22 (1974), 19–41.
  • Tayler, Edward W. Nature and Art in Renaissance Literature. New York, 1964.
  • Taylor [not further identified]. Contributor to cam2.
  • Taylor, Gary. See Wells, Stanley.
  • Taylor, George C. Hermione’s Statue Again (Shakspere’s Return to Bandello). ShAB 13 (1938), 82–6.
  • Taylor, George C. Shakespeare and Milton Again. SP 23 (1926), 189–99.
  • Taylor, John. The Patience of The Winter’s Tale. EIC 23 (1973), 333–56.
  • Taylor, Mark. Shakespeare’s Darker Purpose: A Question of Incest. New York, 1982.
  • Taylor, Michael. Innocence in The Winter’s Tale. ShakS 15 (1982), 227–42.
  • Taylor, Michael. Shakespeare’s The Winter’s Tale: Speaking in the Freedom of Knowledge. CritQ 14 (1972), 49–56.
  • Ten Brink. See Brink.
  • Tennenhouse, Leonard. Power on Display: The Politics of Shakespeare’s Genres. New York, 1986.
  • Tennyson, Hallam. Alfred Lord Tennyson: A Memoir. 2 vols. in one. New York, 1905. (1st ed. 1897.)
  • Terris, Olwen. The BBC Television Shakespeare: Weary, Stale, Flat, and Unprofitable? Walking Shadows: Shakespeare in the National Film and Television Archive. Ed. Luke McKernan & Olwen Terris. 1994, Pp. 219–26.
  • Terry, Ellen. Four Lectures on Shakespeare. Ed. Christopher St. John [pseud. Christabel Marshall]. 1932. (Rpt. New York: Blom, 1969.)
  • Thaler, Alwin. Shakspere and the Unhappy Happy Ending. PMLA 42 (1927), 736–61.
  • Thaler, Alwin. Shakspere’s Silences. Cambridge, Mass., 1947. (Rpt. Freeport, N.Y.: Books for Libraries, 1970.)
  • Thatcher, David. Shakespeare’s The Winter’s Tale. Expl 51:1 (1992), 6–9.
  • Thatcher, David. The Winter’s Tale, I.ii.186 [268]. SN 59 (1987), 207–8.
  • Theobald, Lewis. [Letters to Warburton]; originals in Folger Library. Phillipps MS 8565. Pub. in Illustrations of the Literary History of the Eighteenth Century. By John Nichols. 8 vols. 1817–58. 2:204–655. (Rpt. New York: Kraus & AMS, 1966.)
  • Theobald, Lewis. Shakespeare Restored. 1726. (Rpt. New York: AMS, 1970.)
  • Theobald, William. The Classical Element in the Shakespeare Plays. Ed. R. M. Theobald. 1909.
  • Thiriold, Charles. Child = Female Child. 5 N&Q 5 (1876), 371.
  • Thiselton Dyer. See Dyer, T[homas].
  • Thomas, Henry. Shakespeare and Spain. The Taylorian Lecture. OUP, 1922.
  • Thomas, Henry. Shakespeare Emendations. TLS, 4 May 1933, p. 312; 27 July 1933, p. 512.
  • Thomas, P[ercy] G., ed. Greene’s Pandosto or Dorastus and Fawnia Being the Original of Shakespeare’s Winter’s Tale. Shakespeare Classics 2. New York, 1907.
  • Thomas, Thomas. Dictionarum Linguæ Latinæ et Anglicanæ. Cambridge, [1587]. (Rpt. Menston: Scholar, 1972.)
  • Thompson, Elbert N. S. The Controversy between the Puritans and the Stage. Yale Stud. in Eng. 20. New Haven, 1903. Pp. 250–3. (Rpt. New York: Russell & Russell, 1966.)
  • Thompson, Karl F. Modesty and Cunning: Shakespeare’s Use of Literary Tradition. Ann Arbor, 1971.
  • Thomson, J[ames] A. K. Shakespeare and the Classics. [1952.].
  • Thorncliffe. Land-damn. 5 N&Q 3 (1875), 464.
  • Thorndike, Ashley H. English Comedy. New York, 1929. (Rpt. New York: Cooper Square, 1965.)
  • Thorndike, Ashley H. The Influence of Beaumont and Fletcher on Shakspere. Worcester, Mass., 1901. (Rpt. New York: Russell & Russell, 1965.)
  • Thorndike, Ashley H. Influence of the Court-Masques on the Drama, 1608–15. PMLA 15 (1900), 114–20.
  • Thorndike, Ashley H. Parentheses in Shakespeare. ShAB 9 (1934), 31–7.
  • Thorndike, Ashley H. Shakespeare’s Theater. New York, 1916.
  • Thorndike, Ashley H. See Neilson, William A.
  • Thorne, James P. The Grammar of Jealousy: A Note on the Character of Leontes. Edinburgh Studies in English and Scots. Ed. A. J. Aitken et al. 1971. Pp. 55–65.
  • Thorne, W[illiam] B. The Cycle of Sin in Shakespeare’s Late Plays. UCrow 4 (1982), 86–93.
  • Thorne, W[illiam] B. Things Newborn: A Study of the Rebirth Motif in The Winter’s Tale. HAB 19 (1968), 34–43.
  • Thorp, Margaret Ferrand. Shakespeare and the Fine Arts. PMLA 46 (1931), 672–93.
  • Thümmel, Julius. Ueber Shakespeare’s Narren. SJ 9 (1874), 87–106.
  • Tilley, Morris P. A Dictionary of the Proverbs in England in the Sixteenth and Seventeenth Centuries. Ann Arbor, 1950.
  • Tilley, Morris P. Recurrent Types of Confusion in Shakespeare’s Clownish Dialogue. ShAB 5 (1930), 104–22.
  • Tilley, Morris P. Some Evidence in Shakespeare of Contemporary Efforts to Refine the Language of the Day. PMLA 31 (1916), 65–78.
  • Tillyard, E[ustace] M. W. Reality and Fantasy in Elizabethan Literature. Essays Literary & Educational. 1962. Pp. 55–70. (First pub. in Lehrgangsvortraege der Akademie Comburg, 1956.)
  • Tillyard, E[ustace] M. W. Shakespeare’s Last Plays. 1962. (1st pub. 1938.)
  • Tinkler, F. C. The Winter’s Tale. Scrutiny. 5 (1937), 344–64.
  • Tobias, Richard C., & Paul G. Zolbrod, eds. Shakespeare’s Late Plays: Essays in Honor of Charles Crow. Athens, Ohio, 1974.
  • Tobin, J[ames] J. M. Shakespeare’s Favorite Novel: A Study of The Golden Asse as Prime Source. Lanham, Md., New York, & London, c. 1984.
  • Tocci, Margaret M. The Winter’s Tale. ShakB 5 (Mar./Apr. 1987), 9–10.
  • Törnqvist, Egil. Between Stage and Screen: Ingmar Bergman Directs. Amsterdam, 1995.
  • Toliver, Harold. Transported Styles in Shakespeare and Milton. University Park, Pa., 1989.
  • Tollet, George (1725–79). Contributor to v1778.
  • Tooke, J[ohn] Horne. EΠA ΠTEPOENTA. Or, The Diversions of Purley. 2nd ed. 2 vols. 1798–1805. (Rpt. Menston: Scolar, 1968. 1st ed. 1786.)
  • Topsel[l], Edward, & Thomas Muffet. The History of Four-footed Beasts and Serpents [and] Insects. 3 vols. continuously paged. 1658. (Rpt. New York: Da Capo, 1967.)
  • Traub, Valerie. Jewels, Statues, and Corpses: Containment of Female Erotic Power in Shakespeare’s Plays. ShakS 20 (1987–8), 215–38.
  • Traversi, Derek. An Approach to Shakespeare. 3rd, rev. & exp. ed. 2 vols. Garden City, N.Y., 1968–9. (1st ed. 1938.)
  • Traversi, Derek. A Reading of the Pastoral Scene of The Winter’s Tale. The Winter’s Tale. The Laurel Sh. Gen. ed. Francis Fergusson. New York, 1959. Pp. 20–30.
  • Traversi, Derek. Shakespeare: The Last Phase. New York, 1955. (1st Eng. ed. 1954. Reissued Stanford Univ. Press, 1965.)
  • Trewin, J[ohn] C. Going to Shakespeare. 1978.
  • Trewin, J[ohn] C. Peter Brook. 1971.
  • Trewin, J[ohn] C. Raising a Storm. Illustrated London News, 21 July 1951, p. 110.
  • Trewin, J[ohn] C. Shakespeare on the English Stage 1900–1964. 1964.
  • Trewin, J[ohn] C. Town and Country. Illustrated London News, 15 Sept. 1951, p. 418.
  • Trewin, J[ohn] C. See Day, M[uriel] C., and Sprague, Arthur Colby.
  • Trousdale, Marion. Style in The Winter’s Tale. CritQ 18.4 (1976), 25–32.
  • Turner, Frederick. Shakespeare and the Nature of Time. OUP, 1971.
  • Tyrwhitt, Thomas (1730–86). Contributor to v1773, v1778, v1821.
  • Tyrwhitt, Thomas (1730–86). Observations and Conjectures upon Some Passages of Shakespeare. Oxford, 1766. (Rpt. New York: AMS, 1974.)
  • Ulrici, Hermann. Shakspeare’s Dramatic Art. Tr. from 1st Ger. ed. by A. J. W. M[orrison]. 1846. Tr. from 3rd Ger. ed. by L. Dora Schmitz. 2 vols. 1876. (1st Ger. ed. 1839; 3rd ed. 1868–9.)
  • Underhill, Arthur. Law. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 1:381–412.
  • Unwin, George. Commerce and Coinage. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 1:311–45.
  • Uphaus, Robert W. Beyond Tragedy. Lexington, Ky., 1981.
  • Uphaus, Robert W. The Comic Mode of The Winter’s Tale. Genre 3 (1970), 40–54.
  • Upton, John. Critical Observations on Shakespeare. 1746. (2nd ed. 1748. Rpt. New York: AMS, 1973.)

V-X

  • Van Dam, [Bastiaan] A. P., & C. Stoffel. William Shakespeare, Prosody and Text. Leyden, 1900.
  • Van Doren, Mark. Shakespeare. 1939. (Rpt. Garden City, N.Y.: Doubleday, 1953.)
  • Van Laan, Thomas F. Role-Playing in Shakespeare. Toronto, 1978.
  • Van Lennep, William. See The London Stage 1660–1800.
  • Velie, Alan R. Shakespeare’s Repentance Plays: The Search for an Adequate Form. Rutherford, N.J., 1972.
  • Velz, John W. Shakespeare and the Classical Tradition: A Critical Guide to Commentary, 1660–1960. Minneapolis, 1968.
  • Venezky, Alice [S.]. Current Shakespearian Productions in England and France. SQ 2 (1951), 335–42.
  • Venezky, Alice [S.]. Pageantry on the Shakespearean Stage. New York, 1951.
  • V[erstegan], R[ichard] (i.e., Richard Rowlands). A Restitution of Decayed Intelligence. Antwerp, 1605. (Rpt. Ilkley, Yorkshire: Scolar, 1976.)
  • Vickers, Brian. The Artistry of Shakespeare’s Prose. 1968.
  • Vickers, Brian. Shakespeare’s Use of Prose. William Shakespeare: His World, His Work, His Influence. Ed. John F. Andrews. 3 vols. New York, 1985. 2:389–95.
  • Vickers, Brian. Shakespeare’s Use of Rhetoric. A New Companion to Shakespeare Studies. Ed. Kenneth Muir & S[amuel] Schoenbaum. Cambridge, 1971. Pp. 83–98.
  • Vincent, Charles, ed. Fifty Shakspere Songs. Philadelphia, 1906. (Rpt. New York: AMS, 1973.)
  • Visser, F[redericus] T. An Historical Syntax of the English Language. 4 pts. in 3 vols. 3rd impression. Leiden, 1984. (1st ed. 1963–73.)
  • Viswanathan, S. Theatricality and Mimesis in The Winter’s Tale: The Instance of taking one by the hand. Shakespeare in India. Ed. S. Nagarajan & S. Viswanathan. OUP, 1987. Pp. 42–52.
  • Vlasto, Jill. An Elizabethan Anthology of Rounds. Musical Quarterly 40 (1954), 222–34.
  • Vyvyan, John. Shakespeare and the Rose of Love. New York, 1960.
  • Vyvyan, John. The Shakespearean Ethic. 1959.
  • W., C. A. Shakspeariana. 4 N&Q 12 (1873), 363.
  • Waage, Frederick O. Be Stone No More: Italian Cinquecento Art and Shakespeare’s Last Plays. Shakespeare: Contemporary Critical Approaches. Ed. Harry R. Garvin & Michael D. Payne. Lewisburg, Pa., 1980. Pp. 56–87.
  • Wain, John. The Living World of Shakespeare: A Playgoer’s Guide. 1964.
  • Waith, Eugene M. Shakespeare and the Ceremonies of Romance. Shakespeare’s Craft: Eight Lectures. Ed. Philip H. Highfill, Jr. Carbondale & Edwardsville, Ill., 1982. Pp. 113–37.
  • Walker, Alice (1900–). Contributor to ard2.
  • Walker, William S. A Critical Examination of the Text of Shakespeare. [Ed. William N. Lettsom.] 3 vols. 1860.
  • Walker, William S.. Shakespeare’s Versification and Its Apparent Irregularities Explained by Examples from Early and Late English Writers. 1854.
  • Waller, G. F. Romance and Shakespeare’s Philosophy of Time in The Winter’s Tale. Southern Rev.: An Australian Jour. of Literary Studies 4 (1970), 130–8.
  • Walpole, Horace. Historic Doubts on the Life and Reign of King Richard the Third. Works. 5 vols. 1768. 2:111–220. (Rpt. EP Publishing, 1974.)
  • Walter, James. Shakespeare’s True Life. 1890. (2nd ed. 1896.)
  • Warburton, William (1698–1779). Contributor to theo1 and to han2.
  • Warburton, William (1698–1779). See Theobald, Lewis.
  • Ward, Adolphus W. A History of English Dramatic Literature to the Death of Queen Anne. 2 vols. 1875. (Rev. ed., 3 vols., 1899.)
  • Ward, David. Affection, Intention and Dreams in The Winter’s Tale. MLR 82 (1987), 545–54.
  • Ward, John M. Apropos The British Broadside Ballad and Its Music. JAMS 20 (1967), 28–86.
  • Ward, John M. The Lute Books of Trinity College, Dublin II: MS. D.1.21 (the so-called Ballet Lute Book). Lute Society Jour. 10 (1968), 14–32.
  • Ward, John M. The Morris Tune. JAMS 39 (1986), 295–331.
  • Ward, John M. Music for A Handefull of pleasant delites. JAMS 10 (1957), 151–80.
  • Warner, Richard. A Letter to David Garrick, Esq. Concerning a Glossary to . . . Shakespeare. 1768.
  • Warren, Clyde T. See Clarkson, Paul S.
  • Warren, Roger. Gust and Poisoned Cups in The Winter’s Tale and Sonnet 114. N&Q 215 (1970), 134–5.
  • Warren, Roger. Shakespeare at Stratford-upon-Avon, 1986. SQ 38 (1987), 82–9.
  • Warren, Roger. Shakespeare’s Late Plays at Stratford, Ontario. ShS 40 (1988), 155–83.
  • Warren, Roger. Staging Shakespeare’s Late Plays. Oxford, 1990.
  • Warren, Roger. Theory and Practice: Stratford 1976. ShS 30 (1977), 169–79.
  • Warton, Thomas (1728–90). Contributor to john, v1785, mal.
  • Warton, Thomas, ed. John Milton. Poems upon Several Occasions. 1785.
  • Watkins, Ronald. On Producing Shakespeare. 1950. (Rpt. New York: Blom, 1964.)
  • Watson, Robert N. Shakespeare and the Hazards of Ambition. Cambridge, Mass., 1984.
  • Watson, Thomas R. Shakespeare’s Winter’s Tale. Expl 40 (1981), 11–13.
  • Wayne, Valerie. Refashioning the Shrew. ShakS 17 (1985), 159–87.
  • Wearing, J. P. The London Stage: 1890–1899. Metuchen, N. J., 1976. 1900–1909, 1981; 1910–1919, 1982; 1920–29, 1984; 1940–49, 1991.
  • Webb, J. Barry. Shakespeare’s Erotic Word Usage. Hastings, E. Sussex, 1989.
  • Webster, Margaret. Shakespeare without Tears. New York, 1942. (Rev. ed. 1955; rev. as Shakespeare Today, 1957.)
  • Wedgwood, C. V. The Close of an Epoch. Shakespeare’s World. Ed. James Sutherland & Joel Hurstfield. New York, 1964. Pp. 174–92.
  • Wedgwood, H[ensleigh]. Land-damn [WT 755]. 5 N&Q 4 (1875), 3.
  • Weil, Herbert S., Jr. Shakespeare Festival, Canada 1986. SQ 38 (1987), 227–42.
  • Weinstein, Philip M. An Interpretation of Pastoral in The Winter’s Tale. SQ 22 (1971), 97–109.
  • Weinstock, Horst. Loyal Service in Shakespeare’s Mature Plays. SN 43 (1971), 446–73.
  • Weiss, John. Wit, Humor, and Shakspeare. Boston, 1876.
  • Wells, Stanley. Burlesques of Charles Kean’s Winter’s Tale. TN 16 (1962), 78–83.
  • Wells, Stanley. Happy Endings in Shakespeare. SJH 102, 1966, pp. 103–23.
  • Wells, Stanley. Perymedes the Blacksmith and Pandosto by Robert Greene: A Critical Edition. New York & London, 1988.
  • Wells, Stanley. Shakespeare: A Dramatic Life. 1994.
  • Wells, Stanley. Shakespeare and Romance. Later Shakespeare. Stratford-upon-Avon Stud. 8. Ed. John Russell Brown & Bernard Harris. 1966. 8:Pp. 48–79.
  • Wells, Stanley. Shakespeare Performances in England, 1987–8. ShS 42 (1990), 129–48.
  • Wells, Stanley. Shakespeare’s Text on the Modern Stage. SJH 1967, pp. 175–93.
  • Wells, Stanley, & Gary Taylor. William Shakespeare: A Textual Companion. OUP, 1987.
  • Welsford, Enid. The Court Masque: A Study in the Relationship Between Poetry & the Revels. Cambridge, 1927. (Rpt. New York: Russell & Russell, 1962.)
  • Wendell, Barrett. William Shakespeare: A Study in Elizabethan Literature. New York, 1894. (Rpt. New York: AMS, 1971.)
  • Wentersdorf, Karl. Shakespearean Chronology and the Metrical Tests. Shakespeare-Studien: Festschrift für Heinrich Mutschmann. Ed. Walther Fischer & Karl Wentersdorf. Marburg, 1951. Pp. 161–93.
  • Wentersdorf, Karl. See Mutschmann, Heinrich.
  • Werstine, Paul. Private contributor.
  • Werstine, Paul. Line Division in Shakespeare’s Dramatic Verse: An Editorial Problem. AEB 8 (1984), 73–125.
  • Wexler, Joyce. A Wife Lost and/or Found. UCrow 8 (1988), 106–17.
  • Whalley, Peter (1722–91). Contributor to v1785, v1793.
  • Whalley, Peter (1722–91), ed. The Works of Ben. Jonson. 7 vols. 1756.
  • Wheeler, Richard P. Since first we were dissevered: Trust and Autonomy in Shakespearean Tragedy and Romance. Representing Shakespeare. Ed. Murray M. Schwartz & Coppélia Kahn. Baltimore, 1980. Pp. 150–169. (Incorporated into Since first we were dissevered: Trust and Autonomy in Shakespeare’s Development, Shakespeare’s Development and the Problem Comedies, Berkeley, 1981, pp. 154–221.)
  • Whibley, Charles. Rogues and Vagabonds. Shakespeare’s England. Ed. Sidney Lee & C[harles] T. Onions. 2 vols. OUP, 1916. 2:484–510.
  • Whitaker, Virgil K. Shakespeare’s Use of Learning: An Inquiry into the Growth of his Mind & Art. San Marino, Calif., 1953.
  • White, Beatrice. Claudius and Fortune. Anglia 77 (1959), 204–7.
  • White, Christine. A Biography of Autolycus. ShAB 14 (1939), 158–68.
  • White, Edward J. Commentaries on the Law in Shakespeare. St. Louis, 1911. (2nd ed. 1913.)
  • White, Richard G. Shakespeare’s Scholar. New York, 1854.
  • White, R[obert] S. Shakespeare and the Romance Ending. Newcastle upon Tyne, 1981. Rev. as Let Wonder Seem Familiar: Endings in Shakespeare’s Romance Vision. Atlantic Highlands, N.J., 1985.
  • White, Thomas Holt (1763–1841). Contributor to v1793.
  • White, Thomas Holt (1763–1841). Remarks on Shakspeare; with Parallel Passages. Gent. Mag. 53 (1783), 933–5.
  • White, Thomas W. Our English Homer; or, Shakespeare Historically Considered. 1892.
  • Whiter, Walter. A Specimen of a Commentary on Shakespeare. 1794. (2nd ed. rev. by the author & enl. by Alan Over & Mary Bell, 1967.)
  • Whiting, Jere B. Proverbs, Sentences, and Proverbial Phrases From English Writings Mainly Before 1500. Cambridge, Mass., 1968.
  • Wickham, Glynne. Romance and Emblem: A Study in the Dramatic Structure of The Winter’s Tale. The Elizabethan Theatre III. Ed. David Galloway. Hamden, Conn., 1973. Pp. 82–99.
  • Wickham, Glynne. Shakespeare’s Investiture Play: The Occasion and the Subject of The Winter’s Tale. TLS, 18 Dec. 1969, p. 1456.
  • Wickham, Glynne. The Winter’s Tale: A Comedy with Deaths. Shakespeare’s Dramatic Heritage: Collected Studies in Medieval, Tudor, and Shakespearean Drama. New York, 1969. Pp. 249–65.
  • Wigston, W[illiam] F. C. Bacon, Shakespeare, and the Rosicrucians. 1888.
  • Wigston, W[illiam] F. C. A New Study of Shakespeare: An Inquiry Into the Connection of the Plays and the Poems, with the Origins of the Classical Drama, and with the Platonic Philosophy, Through the Mysteries. [1884.].
  • Wilders, John. The Winter’s Tale. New Prefaces to Shakespeare. OUP, 1988. Pp. 263–70.
  • Wilds, Lilian. Shakespeare in Southern California. SQ 33 (1982), 380–93.
  • Wiles, David. Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse. Cambridge, 1987.
  • Wilkes, George. Shakespeare, from an American Point of View; Including an Inquiry as to his Religious Faith, and his Knowledge of Law. 3rd ed. New York, 1882. (1st ed. London, 1876.)
  • Willbern, David. Shakespeare’s Nothing. Representing Shakespeare. Ed. Murray M. Schwartz & Coppélia Kahn. Baltimore, 1980. Pp. 244–63.
  • Williams, Frayne. Mr. Shakespeare of the Globe. New York, 1941.
  • Williams, George W. Exit Pursued by a Quaint Device: The Bear in The Winter’s Tale. UCrow 14 (1995), 1–5.
  • Williams, Gordon. A Dictionary of Sexual Language and Imagery in Shakespeare and Stuart Literature. 3 vols. London & Atlantic Highlands, N.J., 1994.
  • Williams, John A. The Natural Work of Art: The Experience of Romance in Shakespeare’s The Winter’s Tale. Cambridge, Mass., 1967.
  • Williamson, Hugh R. The Day Shakespeare Died. 1962.
  • Williamson, Marilyn L. Doubling, Women’s Anger, and Genre. WS 9 (1982), 107–19.
  • Williamson, Marilyn L. The Patriarchy of Shakespeare’s Comedies. Detroit, 1986.
  • Williamson, Sandra L., & James E. Person, Jr., eds. Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare’s Plays and Poetry, from the First Published Appraisals to Current Evaluations. 55 vols. Detroit, 1984–2000. 7 (1988): 367–516; 15 (1991): 393–540.
  • Willis, Susan. The BBC Shakespeare Plays. Chapel Hill, 1991.
  • Willoughby, Edwin E. (1899–1959). Contributor to cam3.
  • Willoughby, Edwin E. (1899–1959). The Printing of the First Folio of Shakespeare. OUP for The Bibliographical Society, 1932.
  • Wilson, Douglas B. Euripides’ Alcestis and the Ending of Shakespeare’s The Winter’s Tale. ISJR 58 (1984), 345–55.
  • Wilson, F[rank] P. Elizabethan and Jacobean. OUP, 1946. (1st ed. 1945.)
  • Wilson, F[rank] P. The Jaggards and the First Folio of Shakespeare. TLS, 5 Nov. 1925, p. 737.
  • Wilson, F[rank] P. The Oxford Dictionary of English Proverbs. 3rd ed. Oxford, 1970.
  • Wilson, F[rank] P. The Proverbial Wisdom of Shakespeare. [Cambridge,] 1961.
  • Wilson, F[rank] P. Ralph Crane, Scrivener to the King’s Players. 4 Library 7 (1926–7), 194–215.
  • Wilson, Harold S. Nature and Art in Winter’s Tale [1896] ff. ShAB 18 (1943), 114–20.
  • Wilson, Harold S. Some Meanings of Nature in Renaissance Literary Theory. JHI 2 (1941), 430–48.
  • Wilson, John. Cheerfull Ayres or Ballads. Oxford, 1660.
  • Wilson, [John] Dover. The Copy for The Two Gentlemen of Verona, 1623. TGV. Ed. Sir Arthur Quiller-Couch & John Dover Wilson. Cambridge & New York, 1921. Pp. 77–82.
  • Wilson, [John] Dover. The Essential Shakespeare: A Biographical Adventure. 1932. (Rpt. London: Cambridge Univ. Press, 1933, 1937, 1962.)
  • Wilson, [John] Dover. Introduction. The Winter’s Tale. A Facsimile of the First Folio Text. Boston & New York, 1929.
  • Wilson, [John] Dover. The Task of Heminge and Condell. Studies in the First Folio. OUP, 1924. Pp. 53–77.
  • Wilson, M. Glen. Charles Kean’s Production of The Winter’s Tale. THSt 5 (1985), 1–15.
  • Wilson, Thomas. The Art of Rhetorique. Ed. Thomas J. Derrick. New York & London, 1982. (1st ed. 1553.)
  • Wincor, Richard. Shakespeare’s Festival Plays. SQ 1 (1950), 219–40.
  • Winter, William. Shadows of the Stage. New York, 1893. (1st ed. New York, 1892.)
  • Wise, John R. Shakspere: His Birthplace and its Neighbourhood. 1861. (Rpt. New York: AMS, 1976.)
  • Wolff, S. L. The Greek Romances in Elizabethan Prose Fiction. New York, 1912. (Rpt. New York: Burt Franklin, 1961.)
  • Wollenberg, Robert. Shakespeare: Persönliches aus Welt und Werk. Eine psychologische Studie. Berlin, 1939.
  • Wooldridge, H. Ellis, ed. & rev. ed. Old English Popular Music by William Chappell. 2 vols. 1893. (Rpt. New York: J. Brussel, c. 1961.)
  • Wordsworth, Charles. Shakspeare’s Knowledge and Use of the Bible. 3rd ed. enl. 1880. (Rpt. New York: AMS, 1973. 1st ed. 1864.)
  • Wright, Ellen F. We Are Mock’t with Art: Shakespeare’s Wintry Tale. Essays in Literature (Western Illinois Univ.) 6 (1979), 147–59.
  • Wright, George T. Hendiadys and Hamlet. PMLA 96 (1981), 168–93.
  • Wright, George T. Shakespeare’s Poetic Techniques. William Shakespeare: His World, His Work, His Influence. Ed. John F. Andrews. 3 vols. New York, 1985, 2:363–87.
  • Wright, Joseph, ed. The English Dialect Dictionary. 6 vols. Oxford, 1898–1905.
  • Wright, Laurence. When Does the Tragi-Comic Disruption Start?: The Winter’s Tale and Leontes’ Affection. ES 70 (1989), 225–32.
  • Wright, Louis B. Animal Actors on the Elizabethan Stage. PMLA 42 (1927), 656–69.
  • Wright, Louis B. Extraneous Song in Elizabethan Drama after the Advent of Shakespeare. SP 24 (1927), 261–74.
  • X. Shakspere’s Seaboard of Bohemia. The Nation 78 (1904), 370–1.

Y-Z

  • Yardi, M. R. A Statistical Approach to the Problem of Chronology of Shakespeare’s Plays. Sankhya: The Indian Jour. of Statistics 7 (1946), 262–8.
  • Yates, Frances A. Shakespeare’s Last Plays: A New Approach. 1975.
  • Young, Bruce. Ritual as an Instrument of Grace: Parental Blessings in Richard III, All’s Well That Ends Well, and The Winter’s Tale. True Rites and Maimed Rites: Ritual and Anti-Ritual in Shakespeare and his Age. Ed. Linda Woodbridge & Edward Berry. Urbana, 1992. Pp. 169–200.
  • Young, David. The Heart’s Forest: A Study of Shakespeare’s Pastoral Plays. New Haven & London, 1972.
  • Young, George. An English Prosody on Inductive Lines. Cambridge, 1928.
  • Yune, Chung-Un. O She’s Warm: An Essay on The Winter’s Tale. English Language and Literature (Seoul) No. 48 (1973), 48–65.
  • Zesmer, David M. Guide to Shakespeare. New York, 1976.
  • Ziegler, Georgianna. Parents, Daughters, and That Rare Italian Master: A New Source for The Winter’s Tale. SQ 36 (1985), 204–12.